Reliquary

“And they live in the Astor Tu

“It would seem so,” Pendergast said.

“And this hut you describe was probably the site where Kawakita dispensed the drug,” Margo continued. “At least toward the end, when things were getting out of hand. But it all sounds almost ceremonial.”

Pendergast nodded. “Precisely. Over the entrance to the hut I noticed Japanese ideographs translating roughly to ‘Abode of the Unsymmetrical.’ That is one of the names used to describe a Japanese tea room.”

D’Agosta frowned. “Tea room? I don’t understand.”

“Neither did I, at first. But the more I thought about it, the more I realized what Kawakita must have done. The roji, or series of steps placed at irregular intervals in front of the hut. The lack of ornamentation. The simple, unfinished sanctuary. These are all elements of the Tea Ceremony.”

“He must have distributed the plant by steeping it in water, like tea,” Margo said. “But why go to all that trouble, unless…” She paused. “Unless the ritual itself—”

“My own thought exactly,” Pendergast said. “As time went on, Kawakita must have had increasing difficulty controlling the creatures. At some point, he abandoned selling the drug and realized he simply had to provide it. Kawakita was also trained as an anthropologist, correct? He must have understood the settling, the taming, influence of ritual and ceremony.”

“So he created a distribution ritual,” Margo said. “Shamans in primitive cultures often use such ceremonies to institute order, preserve their power.”

“And he chose the Tea Ceremony as the basis,” Pendergast said. “Whether reverently or irreverently, we’ll never know. Though I would guess it was a cynical addition on his part, considering his other borrowings. Remember the burned notes you found in Kawakita’s lab?”

“I have them right here,” D’Agosta said, pulling out his notebook, flipping pages, then handing it to Pendergast.

“Ah, yes. Green cloud, gunpowder, lotus heart. These are green teas of varying rarity.” Pendergast pointed to D’Agosta’s notebook. “And this: ‘dung-loving blue foot.’ Strike a chord, Dr. Green?”

“It should, but it doesn’t.”

Pendergast’s lips twitched in a slight smile. “It is not one substance, but two. What members of the Route 666 community would no doubt label ’shrooms’.”

“Of course!” Margo snapped her fingers. “Caerulipes and coprophilia.”

“You lost me,” D’Agosta said.

“The blue-foot Psilocybe and the dung-loving Psilocybe,” Margo said, turning to the Lieutenant. “Two of the most potent hallucinogenic mushrooms there are.”

“And this other item, wysoccan,” Pendergast murmured. “If memory serves, that was a ritual drink used by the Algonquin Indians during coming-of-age ceremonies. It contained significant amounts of scopolamine. Jimsonweed. A very nasty hallucinogen, causing deep narcosis.”

“So you think this is a laundry list?” D’Agosta asked.

“Perhaps. Perhaps Kawakita wanted to modify his brew in some way, making the drug users more docile.”

“If you’re right, and Kawakita wanted to keep the glaze users under control, then why this hut of skulls?” Margo asked. “It seems to me building something like that would have the opposite, inciting effect.”

“True enough,” Pendergast said. “There is still a large piece missing from this puzzle.”

“A hut, built entirely of human skulls,” Margo mused. “You know, I’ve heard of that before. I think there was a mention of something like that in Whittlesey’s journal.”

Pendergast looked at her speculatively. “Really? Interesting.”

“Let’s check the archive. We can use the terminal in my office.”

The rays of the late afternoon sun shone through the lone window of Margo’s cramped office, cloaking papers and books in a mantle of gold. As Pendergast and D’Agosta looked on, Margo sat down at her desk, pulled the keyboard toward her, and began to type.

“The Museum got a grant last year to scan all its field notebooks and similar documents into a database,” she said. “With any luck, we’ll find the journal here.”

She initiated a search on three words: Whittlesey, hut, and skulls. The name of a single document appeared on the screen. Margo quickly called it up, then scrolled ahead to the penultimate entry. As she read the words, coldly impersonal on the computer screen, she was irresistibly reminded of the events of eighteen months before: sitting in a darkened Museum office with Bill Smithback, looking over the journalist’s shoulder as he paged eagerly through the moldy notebook.

…Crocker, Carlos, and I press on. Almost immediately, stopped to repack crate. Specimen jar had broken inside. While I repacked, Crocker wandered off trail, came upon ruined hut in the center of a small clearing. It appeared to be made entirely from human skulls, pegged with human longbones set jacal-fashion into the ground. Ragged holes cut through back of each skull. Small offering table in the center of the hut, made from longbones lashed with sinew. We found the figurine, along with some oddly carved pieces of wood, on table.

But I get ahead of myself. We brought gear down to investigate, reopened crate, retrieved toolbag—before we could investigate hut, old native woman wandered out from brush, staggering—sick or drunk, impossible to tell—pointed to crate, wailing loudly…

“That’s enough,” Margo said more abruptly than she meant to, clearing the screen. The last thing she needed now was another reminder of the contents of that nightmare crate.

“Very curious,” Pendergast said. “Perhaps we need to sum up what we know so far.” He paused a moment, poised to tick off the items on his slender fingers. “Kawakita refined the drug known as glaze, tested it on others, then used an improved version on himself. The unfortunate users, deformed by the drug and increasingly shy of light, went underground. Growing feral, they began preying on the subterranean homeless. Now, in the wake of Kawakita’s death and loss of the glaze supply, their prédations have become bolder.”

“And we know Kawakita’s own motive for taking the drug,” Margo said. “The drug seems to have a rejuvenating ability, even the ability to extend one’s lifespan. The underground creatures were given an earlier version of the drug he gave himself. And it seems he continued to perfect the drug even after he began taking it. The creatures in my lab show no physical abnormalities at all. But even his most refined drug has negative effects: look how aggressive and homicidal it made the mice and even the protozoa.”

“But that still leaves three questions,” D’Agosta said suddenly.

They turned to look at him.

“First, why did these things kill him? Because it sure seems obvious to me that’s what happened.”

“Perhaps they were growing ungovernable,” Pendergast said.

“Or they became hostile to him, seeing him as the cause of their troubles,” Margo added. “Or perhaps there was a power play between him and one of the creatures. Remember what he wrote in his notebook: ‘The other one grows more eager by the day.’ ”

“Second, what about that other mention in his notebook: the herbicide, thyoxin? That doesn’t seem to fit anywhere. Or the vitamin D you said he was synthesizing?”

“And don’t forget Kawakita also wrote the word irreversible in his notebook,” Pendergast said. “Perhaps he ultimately realized that he could not undo what he had done.”

“And that might account for the remorse he seemed to show in his notebook,” Margo said. “Apparently, he concentrated on ridding the drug of its physical changes. But in the process, he ignored what his new strain might do to the mind.”

“Third, and last,” D’Agosta continued, “what the hell was the point of rebuilding this hut of skulls mentioned in Whittlesey’s journal?”