Relic

“But—?” Smithback prodded.

The old man shot a glance at Smithback. “Very well,” he glowered. Then he leaned back in his chair and looked at the ceiling. “I told you that John Whittlesey was my friend,” he said. “Before he left, Whittlesey had collected all the stories he could find about the Kothoga tribe. Mostly from lowland tribes living downstream, Yanomamo and the like. I remember him telling me one story the day before he left. The Kothoga, according to a Yanomamo informant, had made a deal with a being called Zilashkee. This was a creature like our Mephistopheles, but even more extreme: all the evil and death in the world emanated from this thing, which slithered around on the peak of the tepui. Or so the legend went. Anyway, according to their arrangement, the Kothoga would get the Zilashkee’s child for a servant in return for killing and eating all of their own children, and vowing forevermore to worship him and only him. When the Kothoga had finished their grisly task, the Zilashkee sent his child to them. But the beast proceeded to run rampant through the tribe, murdering and eating people. When the Kothoga complained, the Zilashkee laughed and said: What did you expect? I am evil. Finally, using magic or herbal spells or some such thing, the tribe managed to control the beast. It couldn’t be killed, you see. So the Zilashkee child remained under the control of the Kothoga, and they used it to do their own malignant bidding. But using it was always a dangerous proposition. The legend says that the Kothoga have been looking for a way to get rid of it ever since.”

Jörgensen looked down at the disassembled motor. “That was the story Whittlesey told me. When I heard about the plane crash, the death of Whittlesey, the disappearance of Montague ... well, I couldn’t help but [234] think the Kothoga had finally managed to unload Zilashkee’s child.”

Picking up a piece of the machine, the old botanist turned it over in his hands with a distant expression. “Whittlesey told me the name of the Zilashkee’s child was Mbwun. He Who Walks On All Fours.” And he dropped the piece with a clank and gri

= 33 =

As closing drew near, the visitors began to trickle out toward the Museum exits. The Museum shop—located directly inside the south entrance—did a brisk business.

In the marble hallways leading away from the south entrance, the sounds of conversation and the drumming of feet could be clearly heard. In the Hall of the Heavens near the West entrance, where the opening party for the new exhibition was to be held, the noise was fainter, echoing inside the huge dome like a vaguely remembered dream. And deeper within the Museum, as more laboratories, antique lecture halls, storage vaults, and book-lined offices interposed themselves, the sounds of visitors did not penetrate. The long corridors were dark and silent.

Within the Butterfield Observatory, the noise and bustle could just as well have been on another planet. The staffers, making the most of the curfew, had gone home early. George Moriarty’s office, like all six floors of the observatory, was deathly quiet.

[236] Moriarty stood behind his desk, a balled fist pressed tightly against his mouth. “Damn,” he mumbled.

Suddenly, one foot lashed out in frustration, the heel slamming against a file cabinet behind him and knocking a pile of papers onto the floor. “Damn!” he howled, this time in pain, as he sank into his chair and began rubbing his ankle.

Slowly, the pain lifted, and with it, his funk. Sighing heavily, he looked around the room. “Jeez, George, you always manage to screw things up, don’t you?” he murmured.

He was hopeless socially, he might as well admit it to himself. Everything he did to catch Margo’s attention, everything he did to gain her favor, seemed to backfire. What he’d said about her father was about as tactful as a machine gun.

Suddenly, he swiveled toward his terminal and typed in a command. He’d send her an e-mail message, maybe repair some of his damage. He paused a moment, composing, then began to type.

HI, MARGO! JUST CURIOUS TO KNOW IF YOU

Abruptly, Moriarty hit a key, purging the message. He’d probably just mess things up even worse.

He sat for a moment, staring at the blank screen. He knew of only one surefire method to ease his hurt: a treasure hunt.

Many of the Superstition exhibition’s most prized artifacts were the direct result of his treasure hunts. Moriarty had a deep love for the Museum’s vast collections, and he was more familiar with its obscure and secret corners than many longtime staffers. Shy, Moriarty had few friends and often passed his time researching and locating long-forgotten relics from the Museum’s storerooms. It gave him a sense of worth and fulfillment that he had been unable to obtain from others.

[237] He turned once again to the keyboard, opening the Museum’s accession database and moving casually yet deliberately through its records. He knew his way around the database, knew its shortcuts and back doors, like an experienced riverboat captain knew the contours of a riverbed.

In a few minutes, his fingers slowed. Here was a region of the database he hadn’t explored before: a trove of Sumerian artifacts, discovered in the early twenties but never fully researched. Carefully, he targeted first a collection, then a subcollection, then individual artifacts. This looked interesting: a series of clay tablets, early examples of Sumerian writing. The original collector believed they dealt with religious rituals. Moriarty read over the a

He checked his sundial watch: almost five. Still, he knew where the tablets were stored. If they looked promising, he could show them to Cuthbert tomorrow morning and get his approval. He could work up the display between the Friday night celebration and the public opening. He quickly jotted a few notes, then flicked off his computer.

The sound of the terminal being snapped into darkness sounded like a pistol shot in the lonely office. Finger still on the power switch. Moriarty paused. Then he stood up, tucked his shirt inside his trousers, and—favoring his bruised heel slightly—left the office, closing the door quietly behind him.

= 34 =

Down in the temporary command post, D’Agosta froze in the act of rapping on Pendergast’s window. He peered in to get a better look.

Some tall guy in an ugly suit was moving around Pendergast’s office. His face looked sweaty and sun-burnt and he swaggered like he owned the place, picking up papers on the desk, laying them down somewhere else, jingling his pocket change.

“Hey, pal,” D’Agosta said, opening the door and walking in, “that’s FBI property. If you’re waiting for Mr. Pendergast, how about doing it outside?”

The man turned. His eyes were small and narrow, and pissed off.

“From now on, ah, Lieutenant,” he said, staring at the badge hanging from D’Agosta’s belt as if trying to read the number, “you’ll speak respectfully to the FBI perso

“Well, Special Agent Coffey, as far as I know, and [239] until someone tells me different, Mr. Pendergast is in charge here, and you’re messing with his desk.”

Coffey gave him a thin smile, reached into his jacket, and pulled out an envelope.

D’Agosta examined the letter inside. It was from Washington, putting the New York Field Office of the FBI, and one Special Agent Spencer Coffey, in charge of the case. Stapled to the directive were two memos. One, from the Governor’s office, formally demanded the change and accepted full responsibility for the transfer of power. The second, with a United States Senate letterhead, D’Agosta folded up without bothering to read.