Thunderhead

Nora thought for a moment, then shook her head.

“What were the roads used for?”

“Actually, they weren’t really roads at all.”

Holroyd pulled his leg from the table and sat up. “What do you mean?”

“They’re still a deep archaeological mystery. The Anasazi didn’t know about the wheel and they didn’t have any beasts of burden. They had no use for a road. So why they would take such trouble to build them has always puzzled archaeologists.”

“Go on,” Holroyd urged.

“Whenever archaeologists don’t understand something, they cop out by saying it served a religious purpose. That’s what they say about the roads. They think they might have been spirit pathways, rather than roads for living beings to travel on. Roads to guide the spirits of the dead back to the underworld.”

“What do these roads look like?” Holroyd took a swig of beer.

“Not much of anything,” Nora said. “In fact, they’re almost impossible to see from the ground.”

Holroyd looked at her expectantly. “How were they built?”

“The roads were exactly thirty feet wide, surfaced with adobe. On the Great North Road it appears that pots were deliberately broken on the road surface to consecrate it. The roads were dotted with shrines called herraduras, but we have no idea—”

“Wait a minute,” Holroyd interrupted. “You said they were surfaced with adobe. What exactly is adobe?”

“Mud, basically.”

“Imported?”

“No, usually just the local dirt mixed with water, puddled and plastered.”

“Too bad.” The excitement left Holroyd’s voice as quickly as it came.

“There’s not much else. When the Great North Road was finally abandoned around 1250, it seems to have been ritually closed. The Anasazi piled brush on the road and set it on fire. They also burned all the shrines along the road. And they burned several large structures too, one of which I excavated a few years ago, called Burned Jacal. Seems it was some kind of lighthouse or signaling structure. God knows what they used it for.”

Holroyd sat forward. “They burned brush on the road?”

“The Great North Road, anyway. Nobody has done much research on the other roads.”

“How much brush?”

“A lot,” said Nora. “We found large swaths of charcoal.”

Holroyd slammed down the beer, swivelled in his chair, and began hitting keys once again. “Charcoal—carbon—has a very specific radar signature. Even tiny amounts of it absorb radar. It has an almost nonexistent backscatter.”

The image on the screen began to shift. “So what we’re going to look for,” he murmured, “is just the opposite of what I’ve been searching for all this time. Instead of looking for a particular reflection, we’re going to look for a shadow. A linear hole in the data.” He punched a final key.

Nora watched as the image on the screen disappeared. And then—as a new image scrolled down the screen with maddening slowness—she saw a long, faint, sinuous black line etch itself across the landscape: broken in countless spots, yet unmistakable.

“There it is,” said Holroyd quietly, sitting back and looking at her, his face shining with triumph.

“That’s my road to Quivira?” Nora asked, her voice trembling.

“No. That’s our road to Quivira.”

8

NORA WORKED HER WAY THROUGH THE early evening traffic, struggling to keep the highway ahead from blurring into parallel images. She was tired, more tired than she could remember being since her marathon study sessions of graduate school. Though Holroyd had offered to put her up in his apartment the night before, she had instead opted to drive straight back to Santa Fe and the Institute. She had arrived a little after ten in the morning. The day had dragged as Nora, exhausted and distracted, tried to wrap up the end-of-term business. Again and again, her mind had turned back to Quivira and what her next step should be. She sensed it was pointless to approach Blakewood again, even with this startling discovery; there was little chance of him changing his mind. She had passed him in a hallway shortly after noon, and his greeting was decidedly cool.

She slowed, downshifting to second as she turned into Verde Estates, her townhouse development. The afternoon had ended on an unexpected note: a call from Ernest Goddard’s office, requesting a meeting the following morning. Nora had never even spoken to the Institute’s chairman of the board, and she could think of no reason—no good reason, anyway—why he would want to see her. She’d been absent from the Institute without notice for two days, and had made no headway on the Rio Puerco ceramics. Perhaps Blakewood had put a bug in his ear about the troublesome junior professor.

Nora switched on her headlights as she navigated through the curving lanes. Verde Estates might be a development, but it was older and it lacked the ludicrous Santa Fe–style pretensions of the newer condo complexes. There had been time for a good growth of fruit and fir trees, softening the edges of the buildings. A calm warmth began to flow into her tired limbs as she maneuvered into her parking space. She’d take half an hour to relax, then fix a light meal, take a shower, and fall into bed. Her favorite way to unwind had always been to work on her oboe reeds. Most people found reed-making a tiresome, endless nuisance, but she had always enjoyed the challenge.

Twisting the key out of the ignition, she grabbed her portfolio and bags and started across the blacktop toward her door. Already, she was mentally laying out the tools she’d need: jeweler’s loup; a piece of good French cane; silk thread; sheets of fish skin to plug leaks. Mr. Roehm, her high-school oboe teacher, had said that making double reeds was like fly-tying: an art and a science in which a thousand things could go wrong, and in which the tinkering was never done.

She unlocked the front door and stepped inside. Dropping her things, she leaned back against the door and closed her eyes wearily, too exhausted for the moment to turn on the lights. She heard the low growl of the refrigerator, a dog barking hysterically in the distance. The place had a smell she didn’t remember. Odd, she thought, how things can grow unfamiliar in just two days.

Something was missing: the familiar click-clack of nails on the linoleum, the friendly nuzzling of her ankles. Taking a deep breath, she pushed herself away from the door and snapped on the lights. Thurber, her ten-year-old basset hound, was nowhere in sight.

“Thurber?” she called. She thought of going outside to call for him, but changed her mind immediately: Thurber was the most domesticated animal on the planet, for whom the great outdoors was something to be avoided at all costs.

“Thurber?” she called again. Dropping her purse on the front table, her eyes fell on a note: Nora, please call. Skip. Reading this, Nora smirked. Must need money, she thought; Skip normally never used “please” in a sentence. And that explained Thurber’s absence. She’d asked Skip to feed Thurber while she was in California, and no doubt he’d taken the pooch back to his apartment to save himself time.

Turning away, she started to take off her shoes, then changed her mind when she noticed a scattering of dust on the floor. Gotta clean this damn place, she thought as she headed for the stairs.

In the bathroom she shrugged off her blouse, washed her face and hands, dampened her hair, and then pulled on her favorite reed-making sweatshirt, a ragged thing from the University of Nevada at Las Vegas. Walking into her bedroom, she stopped to look around a moment. She’d been so quick to judge Holroyd’s apartment, almost eccentric in its barre