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Suddenly--while leafing through an 1879 issue of the Five Points tabloid New-York Daily Inquirer--he paused. On an inside page was a copperplate engraving titled Guttersnipes at Play. The illustration depicted a row of tenements, squalid, rough-and-tumble. Dirty-faced urchins were playing stickball in the street. But off to one side stood a single thin girl, looking on, broom in one hand. She was thin to the point of emaciation, and in contrast with the other children her expression was downcast, almost frightened. But what had stopped Felder dead was her face. In every line and detail, it was the spitting image of Constance Greene.

Felder stared at the engraving for a long moment. Then, very slowly, he closed the newspaper, a thoughtful, sober expression on his face.

60

Caltrop, Louisiana

A RAPID SERIES OF SHOTS RANG OUT AS HAYWARD threw herself sideways, instantly followed by the roar of the shotgun. She landed hard on the ground, feeling the backwash from the cloud of buckshot that blasted by her. She rolled, yanking out her piece. But the phony doctor had already wheeled about and was flying toward the parking lot, white coat flapping behind him. She heard more shots and a screeching of wheels as a vintage Rolls-Royce came careering across the parking lot, tires smoking. She saw Pendergast was leaning out the driver's window, firing his pistol like a cowboy firing from a galloping horse.

With a scream of rubber the Rolls went into a power slide. Even before it came to a stop, Pendergast flung the door open and ran up to her.

"I'm fine!" she said, struggling to rise. "I'm fine, damn it! Look--he's getting away!"

Even as she spoke she heard an unseen engine roar to life in the lot. A car went screeching away, a flash of red taillights disappearing out the access drive.

He hauled her to her feet. "No time. Follow me."

He pushed through the double doors and they ran past a scene of growing panic and alarm, a security guard crouching behind his desk yelling into the phone, the receptionist and several employees lying prone on the floor. Ignoring them, Pendergast charged through another set of double doors and grabbed the first doctor he encountered.

"The code in Three Twenty-three," he said, showing his badge. "It's attempted murder. The patient has been injected with a drug of some kind."

The doctor, almost without blinking, said: "Got it. Let's go."

The three ran up a staircase to D'Agosta's room. Hayward was confronted with a buzz of activity: a group of nurses and doctors working purposefully and almost silently next to a bank of machines. Lights blinked and alarms softly sounded. D'Agosta was lying in the bed, unmoving.

The doctor calmly stepped into the room. "Everyone listen. This patient was injected with a drug intended to kill him."

A nurse raised her head. "How in the world--?"

The doctor cut her off with a gesture. "The question is: Which drug are these symptoms consistent with?"

A rising hubbub followed, a furious discussion, a review of charts and data sheets. The doctor turned to Pendergast and Hayward. "There's nothing more you can do now. Please wait outside."

"I want to wait here," Hayward said.

"Absolutely not. I'm sorry."

As Hayward turned, another alarm went off and she saw the EKG monitor flatlining. "Oh, my God," she burst out. "Let me wait here, please, please--"

The door shut firmly and Pendergast gently led her away.

The waiting room was small and sterile, with plastic chairs and a single window that looked out into the night. Hayward stood by it, staring unseeing into the black rectangle. Her mind was working furiously but going nowhere, like a broken engine. Her mouth was dry, and her hands were trembling. A single tear trickled down her cheek--a tear of frustration and unfocused rage.





She felt Pendergast's hand on her shoulder. She brushed it off and took a step away.

"Captain?" came the low voice. "May I remind you there's been an attempted homicide--against Lieutenant D'Agosta. And against you."

The cool voice penetrated the fog of her fury. She shook her head. "Just get the hell away from me."

"You need to start thinking about this problem like a police officer. I need your help, and I need it now."

"I'm not interested in your problem anymore."

"Unfortunately, it isn't my problem anymore."

She swallowed, staring into the darkness, fists clenched. "If he dies..."

The cool, almost mesmerizing voice went on. "That's out of our hands. I want you to listen to me carefully. I want you to be Captain Hayward, not Laura Hayward, for a moment. There is something important we must discuss. Now."

She closed her eyes, feeling numb to the core. She didn't even have the energy to rebuff him.

"It would seem," said Pendergast, "we're dealing with a killer who is also a doctor."

She closed her eyes. She was tired of this, tired of it all, tired of life. If Vi

"Extraordinary measures were taken to keep Vincent's location a secret. Clearly the would-be killer had special access to patient charts, medical supply and pharmaceutical records. There are only two possibilities. The first is that he or she was a member of the team that is actually treating Vincent, but that would be both extremely coincidental and extremely unlikely: they have all been carefully vetted. The other possibility--and the one I believe to be the case--is that Vincent was found by tracing the pig valve used in his recent operation. His assailant might even be a cardiac surgeon."

When she said nothing, he went on. "Do you realize what this means? It means Vincent was used as bait. The perpetrator deliberately induced a deadly coma, knowing it would lure us to the bedside. Naturally he anticipated we would arrive together. The fact we didn't is the only thing that saved us."

She remained with her back turned, hiding her face. Bait. Vi

"There's nothing more we can do about that for the present. Meanwhile, I believe I have made a critical discovery. While we were separated, I looked into June Brodie's suicide and found some interesting coincidences. As we know, the suicide occurred only a week after Slade's death in the fire. About a month afterward, June's husband told his neighbors he was going on a trip abroad and left, never to be seen again. The house was shut up and eventually sold. I tried to trace him but found the trail completely cold--except I could find no evidence he had left the country."

Despite herself, Hayward turned slowly around.

"June was an attractive woman. And it appears she'd been having a long-term affair with Slade."

Hayward spoke at last. "There you have it," she snapped. "It wasn't a suicide. The husband murdered her and took off."

"There are two pieces of evidence against that supposition. The first is the suicide note."

"He forced her to write it."

"As you know, there's no sign of stress in the handwriting. And there's something else. Not long before her suicide, June Brodie was diagnosed with a particularly fast-acting form of amyotrophic lateral sclerosis: Lou Gehrig's disease. It would have killed her fairly quickly anyway."