Two Graves

“Oh, shit,” said Corrie. “You just missed the turn for Route Ninety-Four.”

“Damn, so I did.” Foote slowed down and moved to the shoulder to pull a U-turn. He glanced over at her. “Hey, put on your seat belt.”

Corrie reached around by the door to pull out the seat belt, fumbling for the latch, which had somehow slipped down in between the seats. As she did so, she felt a sudden movement behind her, turned partway, and felt a steel arm whip around her neck and a hand stuff a cloth into her face, choking her with the stench of chloroform.

But she was ready.

Hand tightening around a box cutter she’d kept hidden up her sleeve, she brought it up sharply, slicing deep into the meaty part of Foote’s palm and twisting as she did so. Foote roared in pain, dropping the cloth as he grasped at his injured hand. Corrie twisted all the way toward him and brought the blade of the box cutter up against his throat.

“Gotcha,” she said.

Foote did not reply. He was gripping his injured hand.

“Just what kind of an idiot do you take me for?” she said, pressing the edge of the blade deeper into his throat. “Maybe you fooled my dad with your working-class-hero bullshit. But not me. I had you pegged from the begi

Quickly, before he could recover his wits, she felt through the pockets of his coat and pants, found a heavy-caliber revolver, pulled it out, and pointed it at him.

“So what the hell is really going on?” she asked.

Foote was breathing heavily. “What do you think? A scam. Something a lot sweeter than skimming off a few interest points here and there. I can cut you and your dad in.”

“Like hell. My dad probably started to smell a rat—that’s why you framed him.” She gestured with the gun. “I know you must have figured out where his cabin is. You probably got here early, cased the joint, and saw me emerge onto the main road.” She took a deep breath. “Now this is what’s going to happen. You’re going to drive up to the cabin. I’m going to have this gun trained on you the whole time. First, you’re going to tell my dad the whole story. Then we’re going to call the police. And you’re going to tell them the story. Understand?”

For a moment, Foote remained motionless. Then he nodded.

“Okay. Drive slow. And no fu

She kept well away from Foote, covering him with the handgun, as he eased off the shoulder onto Old Foundry Road, then made the turn onto Long Pine. Nothing was said as he made his way up the switchbacks.

A hundred feet from the turnoff to the cabin, she gestured with the gun again. “Stop here.”

Foote stopped.

“Kill the engine and get out.”

Foote complied.

“Now. Walk toward the cabin. I’ll be right behind you. You know what’ll happen if you try anything.”

Foote looked at her. His face was exceedingly pale, with beads of sweat despite the cold. Pale and angry. He began walking toward the cabin, dead twigs snapping beneath his feet.

Corrie felt a hot rush of adrenaline coursing through her, and her heart was beating uncomfortably fast. But she’d managed to keep her voice calm, keep any quaver out of it. She kept telling herself she’d been in worse situations—a lot worse. Just stay cool. Stay cool and this will all turn out all right.

Just as they came up to the cabin door, Corrie heard the latch turn. The door opened suddenly, hitting Corrie in the wrist. With a cry of pain, she dropped the gun.

Her father stood in the doorway, looking from Foote to her and back again. “Corrie?” he asked, his face a mask of confusion. “I heard noises. What are you doing here? I thought you were going to town—”

Corrie leapt for the gun, but Foote was quicker. He grabbed it, shoving her roughly back at the same time. Jack Swanson stared uncomprehendingly at the gun as Foote raised it toward him. Just at the last moment, Jack leapt back into the wooded area behind the cabin, but the gun roared and Corrie could tell from the way her father’s body twisted around that the bullet had hit home.

“You bastard!” she screamed, ru

She came to rapidly, her brain clearing. She had been hastily bound with plastic cuffs, hands and feet, and dumped unceremoniously in the backseat of Foote’s car, where she was propped sideways.

She waited, unbearably tense, straining, listening. She had pla

Then she heard more shots—two of them in rapid succession. And then silence. It was broken eventually by a gust of wind that started the tree branches swaying, knocking, knocking, knocking.

55

THE NATURALIST WAITED IN THE SHADE, RESTING ON HIS pack, for Senhor Michael Jackson Mendonça to arrive. The man eventually made his appearance, with fanfare: a big, broad, brown, relatively young man with a gigantic smile, long curly hair tied with a banda

“Michael Jackson Mendonça!” he said. “At your service!”

The naturalist retrieved his much-shaken hand as quickly as he could. “I am Percival Fawcett,” he said, somewhat stiffly. At least Mendonça’s English was near perfect.

“Percival! May I call you Percy?”

This was permitted with another stiff nod.

“Good, good! I myself am from New York. Queens! Twenty years in your great country of America. So… I hear you want to go to Nova Godói?”

“Yes. Although it seems that it may be difficult.”

“No, not at all!” cried Mendonça. “It’s a long journey, yes. And Nova Godói isn’t a real town, a public town, that is. It’s way up there in the forest. Off limits to outsiders. They’re not friendly. Not friendly.”

“I’m not in need of friends,” said the naturalist. “I won’t bother anyone. If there are problems, I can pay. You see, I’m on the trail of the Queen Beatrice. Are you familiar with it?”

Mendonça scrunched his face up in puzzlement. “No.”

“No? It’s the rarest butterfly in the world. Only one specimen was ever collected—it’s now in the British Museum, specimen number 75935A1901.” His voice took on a reverent tone as he recited the number. “Everyone assumes it’s extinct… but I have reason to believe it’s not. You see—” he was now waxing eloquent on his subject—“from what my research tells me, the Nova Godói crater is a unique ecosystem, with special conditions all its own. The butterfly lived there and nowhere else. And that crater hasn’t seen a professional lepidopterist since the Second World War! So what do you expect? Of course no more have been sighted—because no entomologist has been there to see one! But now there is: me.”

He fumbled in his pack and extracted a laminated photograph, showing a small brown butterfly pi

Mendonça peered at the image. “That is the Queen Beatrice?”

“Isn’t it magnificent?”