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“D’Agosta here,” came the response.

“Vincent? Where are you?”

“Pendergast?”

“I repeat: where are you?”

“Heading down Broadway, just passing Fifty-Seventh. I was going to—”

“Turn around and come to the Dakota as quickly as you can. I’ll be waiting at the corner. Hurry—there’s not a moment to lose.”

“What’s up?” D’Agosta asked.

“We’ll talk in the car. I just hope we’re not too late.”

36

D’AGOSTA DROVE LIKE HELL DOWN PARK AVENUE through the evening traffic, emergency lights flashing, once in a while goosing his siren at the sons of bitches who wouldn’t pull over. Pendergast’s phone call out of the blue, the almost manic urgency in the agent’s voice, had u

Now, as they tore southward toward the Murray Hill Hotel, D’Agosta looked sideways to examine Pendergast. The transformation the special agent had undergone since his wife’s death covered the spectrum—from apathy, to a drug-induced stupor, and now this: a diamond-hard glitter in the man’s eyes, his entire being bursting with coiled-spring tension and fanatical energy.

“You say another murder’s about to be committed?” D’Agosta began. “Can you fill me in here? How do you know—?”

“Vincent, we have very little time, and what I have to say is going to seem strange to you, if not mad.”

“Try me.”

The briefest of pauses. “I have a son whom I never knew existed. His name is Alban. He’s the killer—not Diogenes, as I had previously suspected. Of this there is no doubt whatsoever.”

“Whoa, now, just wait a minute, Jesus—”

A short gesture from Pendergast silenced D’Agosta. “These killings are directed specifically at me. The precise motive is as yet unclear.”

“I find it hard to—”

“There is no time for detailed explanations. Suffice to say that the addresses of the hotels, and the times of the killings, follow a pattern, a sequence. The next term in this sequence is twenty-one. And there’s only one Manhattan hotel with twenty-one in its address—the Murray Hill, at Twenty-One Park Avenue. I’ve already checked.”

“This is—”

“And have you noticed the times of the killings? It’s another pattern, a simpler one. The first was at seven thirty in the morning. The next at nine PM. The third one, once again at seven thirty AM. He’s alternating times. And it’s almost nine now.”

They tore through the Helmsley Building tu

Pendergast made a visible effort to control himself. “I know how strange it must seem. But at least for the time being, I must insist on your full and complete suspension of disbelief.”

“Disbelief? That’s an understatement. It’s totally crazy.”

“You’ll find out soon enough. We are here.”





D’Agosta angled the unmarked car and came to a screeching halt in front of the hotel. Unlike the three previous luxury hotels, this one was old and faintly seedy, its brown-brick façade streaked with soot. Leaving the car parked in the loading zone, D’Agosta got out but Pendergast was already ahead of him, flying into the lobby, his FBI badge out. “Security office!” he cried.

The concierge came stumbling out all in a panic, and in response to Pendergast’s barked instructions led them past the lobby desk into a small i

“FBI,” said Pendergast, waving the shield. “How many lobby tapes do you have online?”

“Um, one,” the officer said, totally flummoxed.

“Back it up half an hour. Now.”

“Yes, um, yes, sir, of course.” The poor guard lumbered about as fast as he could. Fortunately, D’Agosta noticed, it was a recent and modestly advanced system, and the man seemed competent. Within a minute the feed was playing in accelerated motion. D’Agosta watched the monitor, his skepticism growing. This was ridiculous: the Hotel Killer would never pick a dump like this to work in. It didn’t match the M.O. He shot a covert glance at Pendergast: the wife’s death had clearly touched him even more than was obvious.

“Speed it up,” Pendergast said.

The man complied. They watched as figures flitted across the lobby with rigid intensity.

Stop! That’s him.”

The security video stopped, then proceeded in real time. It showed a nondescript man walking casually into the lobby, pausing, adjusting his tie, then moving toward the elevators. D’Agosta felt his gut contract. The way the man moved, looked—it was him.

“Fuck,” he muttered.

“Switch to the elevator cam,” Pendergast said.

They followed the man’s progress to the fifth floor, where he got out, walked down the hall, and waited. Then, just as a woman came around the corner, he started up again, following her down the hall, until they passed out of view of the camera. The ru

“Oh, Christ,” D’Agosta said. “Christ. He’s got another one.”

“Back up the tape five seconds.” Pendergast pointed at the image of the woman, turning to the concierge. “Do you recognize her? What’s her room number? Quickly, man!”

“She checked in today.” The concierge stepped back to the front desk, tapped the keys of the registration computer. “Room Five Sixteen.”

Pendergast turned back to D’Agosta. “Stay here,” he murmured. “Monitor these feeds. When he comes back into view, follow his every movement. I’m going after him. And remember—tell no one of my son.”

“Whoa,” D’Agosta said. “Hold on just a minute. Tell no one? Pendergast, I hate to say this, but I think you’re way out of line—”

Tell no one,” Pendergast repeated firmly. And then in a flash he was gone.

Pendergast bounded up the five flights of stairs and ran down the hall to Room 516. The door was shut, but a single shot from his .45 blasted off the lock and he kicked the door open.

He was too late. In the small room, the woman he’d seen in the video lay on the floor, obviously dead but not yet dismembered. Pendergast hesitated only a moment, his silvery eyes darting all around, taking everything in. Then, leaping over the still form, he threw open the bathroom door. The window at the end of the narrow bath was shattered, opening on a fire escape. Pendergast vaulted through the window onto the fire escape and looked down, in time to see a young man—Alban—clambering down the last flight of the escape, climbing through the bottom hatch, and dropping to the ground.

Pendergast raced down the fire escape, three steps at a time, following Alban with his eyes as the youth ran down Park Avenue and disappeared around the corner of Thirty-Fifth Street, heading east, toward the river.

Pendergast ran after him. When he rounded the corner of Thirty-Fifth, he could see Alban almost two blocks east, silhouetted in the streetlights, tearing along at a tremendous speed—a phenomenal ru

Pendergast sprinted past St. Vartan Park, crossing First Avenue against the light. He hit the chain-link fence, clambered over it, vaulted the cement barrier, and ran out onto FDR Drive, dodging cars amid a sudden chorus of horns and screeching brakes. He made it to the far side and stopped, looking both ways, but he could see nothing: Alban had vanished into the night. The East River stretched out in front of him, the Hunter’s Point ferry terminal lay on his right, the Queensboro Bridge on his left, atwinkle with lights. Directly in front of him two vacant, ruined piers stood out in the East River, extending from a decaying, riprapped riverbank below a broken-up quay, much of it reclaimed by a riot of undergrowth, old cattails, cane, dry reeds, and brambles—everything withered and brown in the wintry moonlight.