Retribution

“I hold no ill will toward you. I’m sorry my sister has hurt your friends. I will not fight you, but I can’t help.”

Williams lunges, pulls her to her feet. His teeth are at her neck, all control relinquished to the beast. “You have lived this long only because of A

Stop him, Deveraux screams. You can’t let this happen.

The panic in his voice is more than concern for Sophie. Once she is dead, he is, too.

But I won’t stop it. I don’t want to. If anything, I want to take her blood as badly as Williams. I want to tear her head from her body, a sacrifice, a tribute to Frey and Culebra. They didn’t deserve to die, either. It’s not punishment. It’s justice.

The vampire needs no further coaxing. I grab Williams and pull him away, slamming him back against the wall. She’s mine.

No.

He’s on his feet, snarling, lunging back at me. His hands are extended, his mouth twisted. We circle each other, growling, like two dogs spoiling for a fight.

“Hello?”

A voice, a familiar voice from the entrance to the cave.

“Who’s there?”

And like a dog, I shake myself to allow the blood thoughts of the vampire to recede.

Who is that?

Williams and I both turn, wary, eyes flashing yellow to watch as a figure emerges from the darkness.

Sandra approaches, hands on her hips, head tilted as she takes in the scene.

“What’s going on here?”

I swallow hard, pushing the beast down so I can answer as a human. “Frey and Culebra are gone.” I point a shaking finger at Sophie.

“She will pay the price.”

Sandra goes to Sophie, helps her to her feet, glares at Williams and me. “You two are crazy, you know that?” She puts a gentle hand on Sophie’s arm, examines the bleeding wound on her neck from Williams’ bite. “It’s not too bad. Let’s get you out of here.”

Her eyes spark with anger as she pauses only long enough to throw caustic words back at us. “Culebra and Frey are in the bar. We moved them there to make them more comfortable. Why didn’t you stop there first?”

Culebra and Frey are still alive. I watch Sandra take Sophie back along the trail.

Shame sends heat to flood my face.

We almost killed her.

How anxious will she be to help us now?

I probe to see what Williams is feeling. I get only the red tide of residual anger. His animal eyes still glow yellow as he follows the women out of the cave.

It puts me on alert.

I know now that whether or not we save Culebra or get Burke, as far as Williams is concerned, Sophie is a dead woman.

CHAPTER 46

I WHIP PAST SANDRA AND SOPHIE AND LEAVE WILLIAMS behind to run down the path to the bar. The back door stands open. As soon as I pass through it, I smell it. The acrid stench of illness and impending death.

It intensifies the fear fluttering my stomach.

I follow the smell to one of the feeding rooms.

Frey sits with his back to me, slumped in a chair. Still, unmoving. Only the sound of his labored breathing gives hint of life.

I tiptoe around to face him. My stomach contracts. I’m glad his eyes are closed. A violent jolt seizes me and if he was watching, the shock that must be stamped on my face could only add to his misery. The smell of decay comes from him.

Frey’s dark hair is streaked with white. His face is pock marked and gouged with lines from the corner of his eyes to his chin, as if someone had drawn a trowel down the length of it. He looks emaciated, dehydrated . . . and old.

I squeeze my own eyes shut to stop the tears.

“Do I look that bad?”

Frey’s voice, full of humor and, thankfully, life, brings me back. I fling my arms around him and hug until he gently pushes me back.

“Easy. I’m not in the best shape right now.”

I release him and step away. “You’re alive. That’s all that matters.” A tug at my conscience makes me turn around, look toward Culebra. If Frey looks this bad, what must Culebra look like?

When I approach the cot, I’m amazed to see Culebra looks no different than the last time I saw him. He might be sleeping peacefully in his own bed. His face is unmarked and his body unchanged. The shallow, rapid rise and fall of his chest and the intravenous tubes feeding him are the only indications that something is wrong.

I turn a questioning eye to Frey. “How is this possible?”

His smile is both sad and ironic. “My counterspell protects Culebra. Unfortunately, it drains me. Remember when I said magic always exacts a price?”

I turn my eyes away. “I put you in this position. I’m sorry.”

“Don’t be. I knew the risks before I came.” He looks toward the door. “I hope you brought reinforcements.”

“Sophie. Burke’s sister. She should be able to break the spell.”

“Burke’s sister?” He frowns. “Can we trust her?”

“Oh, we can trust her all right.” Williams pushes Sophie ahead of him into the room. “She knows if anything goes wrong, she’s dead.”

Frey looks around. Whatever he might have imagined a sister of Burke ’s to look like, it’s obviously not the dark-haired, shiny-faced young woman Williams shoves toward him. He stares at her, his face betraying his surprise. “She’s a girl. How can she help us?”

Sophie lays a hand on his shoulder. At her touch, Frey grows still, his muscles relax, his eyes close.

I’m on her in a heartbeat, slapping her hand away. “What are you doing to him?”

She turns gray-clouded eyes on me. For an instant, I see the older Sophie, the witch, and it sends a shudder down my back. There ’s strength and power and a strong will.

The next moment, Sophie, the girl, is back. “He is resting. He ca

She turns away and empties the contents of her bag onto the floor.

She picks through the herbs, separates them into piles. With a piece of chalk, she marks a pentagram on the floor. She picks up a small portion of one of the herbs and places it on a point of the pentagram.

“Horehound,” she says. “Protection against spells and sorcery.”

She moves on, scooping up more herbs and laying them on a second point. “Angelica. To ward off evil spirits.”

On a third point, she places a different herb. “Golden-seal. Healing herb.”

In the middle of the pentagram she places the fourth herb. “Foxglove. For the heart.”

She moves away from the pentagram, back to the bag. She picks up a goblet. Its delicate, carved crystal winks in the light and throws off flashes of light like rainbow glitter. She places it in the middle of the pentagram, reverently, as if the thing was a religious relic. Into it she pours half the contents of a small vial. She places the vial on the cot beside Culebra’s body.

Holy water? I recall it was one of the items Sophie requested. The crone’s house must double as a witch’s one-stop convenience store.

The only things left in the bag are a dozen black beeswax candles. Sophie places one at each of the pentagram’s five points and the rest she arranges in a circle around Culebra’s cot.

I watch her, fascinated by how calm and deliberate her movements are. She is in a room with two vampires who have sworn to kill her if she doesn’t perform the miracle of breaking Burke’s spell.

She exhibits no fear, no concern. Her features are composed, serene. Deveraux, too, seems to have removed himself from her consciousness.

She might be back in the garden with the crone.

I glance at Frey, the steady rise and fall of his chest the only indication that life exists in that ravaged body.

Can we trust Sophie? The question Williams asked, and Frey. The question I keep avoiding.

The answer is as ominous as a death knell.

We have to trust her. There’s no one else.