LITTLE BIG MAN

Once, but not for all. The key phrase in Jack’s reverie is “insofar as that was possible by the actions of the body,” and what he fails to achieve is liberation through the actions of the mind. Custer’s attack shatters his peace, destroys the world whose center he had just found, and throws him back into the clutches of white standards and expectations. Appropriately enough, the only real and lasting triumph in Jack’s life must be created and measured in accordance with those white standards. That triumph is his “uncorrupting” of the young whore Amelia, the one hoax in his life that really succeeds, based as it is almost entirely in the abstract ideals of white society, and carried off almost entirely through the medium of language.

In fabricating the new Amelia, Jack most closely approaches the ideal of white society symbolized for him by Mrs. Pendrake. In this one area Jack manages to free himself from culturally imposed definitions and to act not as some standard of conduct dictated, but as he chose. His explanation reveals a momentary insight into his own ever-losing struggle with absolute definitions. Acknowledging the suspect nature of Amelia’s claim to be his niece, Jack defiantly states that since all of his “real” families had been torn from him by disaster, he had earned the right “to say who was or wasn’t my kin” (this page). For once Jack manages to define a situation. But when Jack records his satisfaction at Amelia’s success, he measures his pride in cultural rather than personal terms, judging his success at arranging her respectability “about as high as a white man can aspire.”

Jack’s achievements are Cheye

BROOKS LANDON

University of Iowa

Foreword by a Man of Letters

IT WAS MY PRIVILEGE to know the late Jack Crabb-frontiersman, Indian scout, gunfighter, buffalo hunter, adopted Cheye

In the autumn of 1952, following an operation to correct a deviated right septum of the nose, I convalesced in my home under the care of a middle-aged practical nurse named Mrs. Winifred Burr. Mrs. Burr was a widow, and since she has by now herself passed away (as a result of an unfortunate accident involving her Plymouth and a beer truck), she will not be hurt by my description of her as stout, over-curious, and spiteful. She was also incredibly strong and, though I am a man of some bulk, when washing me tumbled me about as if I were an infant.

I might add here, in acknowledgment of the current fashion in literary confession, that from this treatment I derived no sexual excitement whatever. I dreaded those ablutions and used every feasible device to gain my freedom from them. Alas! To no avail. I believe she was trying to provoke me to discharge her-a self-damaging enterprise, since nursing was her livelihood. But Mrs. Burr was one of those people who indulge their moral code as a drunkard does his thirst. Her late husband had been an engineer of freight trains for thirty years, and hence her idea of an adult male American was a person who wore sooty coveralls and a long-billed cap made of striped pillow ticking.

She did not think my physical disrepair serious enough to require a nurse (although my nose was swollen and both eyes black). She disapproved of my means of life-a modest allowance from my father, who was well-to-do, afforded me an opportunity to pursue my literary and historical interests with relative indifference to, and immunity from, the workaday world, for which, notwithstanding, I have the greatest respect. And, as one might expect from a widow, she took a dim view of my bachelorhood at the age of fifty-two, and went so far as to let drop certain nasty implications (which were altogether unjustified: I was once married; I have numerous lady friends, several of whom came to call during my period of incapacity; and I do not own a silk dressing gown).

Mrs. Burr gave me many an unpleasant hour, and it might seem strange that I let her figure so largely in the limited space of this preface, the purpose of which is to introduce a major document of the American frontier and then retire to my habitual obscurity. Well, as so often happens in the affairs of men, fate uses as its instrument such an otherwise unrewarding person as my quondam nurse to further its inscrutable aims.

Between her attacks on me with the washrag and her preparations of the weak tea, toast, and chicken broth that constituted my sustenance during this period, Mrs. Burr was driven by her insatiable curiosity to poke around the apartment like a common burglar. In the bedroom, she operated under the guise of her merciful profession. “Got to get some clean puhjommas on yuh,” she would say, and deaf to my instructions, would proceed to ransack every drawer in the bureau. Once beyond sight, however, she pretended to no vestige of decency, and from my bed I could hear her assault, one by one, the various enclosures throughout the other rooms, desks, cabinets, and chests-many of them quite valuable examples of Spanish-colonial craftsmanship which I procured during my years in northern New Mexico, where I had gone to strengthen my weak lungs on high-altitude air.

It was when I heard her slide back one of the glass doors of the case containing my beloved collection of Indian relics that I was forced to protest, even if the vibration of a shout did make my poor nose throb in pain.

“Mrs. Burr! I must insist that you let my Indian things alone!” cried I.

She shortly appeared in the door of the bedroom, wearing a magnificent Sioux headdress, reputedly the war bo

She whooped and performed a crude war dance in the doorway. That person’s energy was astonishing. I dared not protest further, for fear she might take offense and damage the rare headdress, which was almost a century old; already some of the eagle down had been shaken loose and floated about like the seed-carrying parachutes of that woodland plant which bursts to perpetuate its race.

By remaining silent and averting my eyes, I discovered the way to survive Mrs. Burr’s bad taste. Failing to elicit another sound from me, she at last replaced Crazy Horse’s bo