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"Chance I took," Checkers said. "Besides, I didn't figure you'd sold it. You don't like going down into town so much."

The Indian opened his arms wide, "Isn't that polite? That is Mr. Checkers' way of saying that I am a wanted man in Deadwood."

"What for?" Billy Bob said. "I thought it was back East where you was wanted."

The Indian sighed. "There too. But I can hide better here. As for Deadwood, well, I'm wanted for a slight altercation with a young gentleman who had some rather foul comments about my ancestry. I was forced in a moment of passion, perhaps a moment fired by devil rum, to place the full length of a Bowie knife between his top two ribs, and therefore, let the soul fly out of him."

"What?" Billy Bob said, glancing at Checkers.

"He stabbed the sonofabitch to death," Checkers said.

"And I hope, dear friend," said the Indian, "that you have been better able to quiet your tongue on that matter below than you have here this night."

"You told them, you silly bastard," Checkers said. "I was just explaining."

"So you were, so you were," the Indian said.

The Indian and Checkers gri

"Can we just get on with what I come here for?" Billy Bob said.

"Of course," said the Indian, "but first let me introduce myself. I'm Elijah Bigshield, Oglala medicine man, retired." He held out his hand.

Billy Bob's face worked to the left, then to the right. "I don't shake hands with niggers or Indians," he said.

"You don't say?" the Indian said.

"I do say. Now let's get on with it."

Checkers cleared his throat. "This here boy has got a special interest in the body. Hickok was his daddy. Some whore in Deadwood was his mother."

"You don't say?" Elijah Bigshield said, but the honey in his voice had gone considerably sour. "Isn't that nice. Why you even look like him, now that it is mentioned. 'As a little childe riding behind his father, said simply unto him, Father when you are dead, I shall ride in the Saddle.' Stefan Guazzo, Civile Conversation. And now that saddle has been passed to you, and you may ride in the tracks of Hickok the killer."

I was begi

"I find you most unpleasant, sir," Elijah said.

"You're going to find me leaning over your ugly face, beating you upside the head with my fist, if you don't show me this body Checkers has been carping about. And there better be a body in that damn box, that's what I'm trying to tell you."

"Anything to please the young gentleman," Elijah said snidely. He walked over to the box and rubbed a hand against it. "I'm asking twenty dollars for it, sir."

We followed him over, with Checkers standing back a bit, and Elijah opened the lid. That was the first time I seen the body, and I knew in my heart that it was none other than who they said it was, Wild Bill Hickok.



"The body possesses magical properties, sir," Elijah said stepping to the side to let Billy Bob see. "Hickok's ability with his guns was most phenomenal. And he himself said on more than one occasion that his hands were guided by spirits."

"How come you know so much about it, you being an Indian?" Billy Bob asked.

"Even the mouse must learn the ways of the hawk if he wishes to survive. That body, sir, is so full of magic, that it is said that if you put it at the foot of your bed at night, Hickok's skill with the pistols will enter into you and allow you to shoot as fast and straight and true as this man-killer ever did."

"Is that a fact?" Billy Bob said. "Who's done it to know?"

"No one. My father told me this, and he was one to know. He tried to steal the magic from the corpse and put it in a pot, but the magic was too strong to be stolen. When he died, my father's soul joined those in the wood that surround the white man-killer."

"The spirits in the wood, huh?"

Elijah nodded. The firelight flickered across his copper face, and even in that silly suit and hat, he looked very, very Indian. The smile lines around his eyes and mouth had fallen off like dead leaves.

"That is correct. The spirits in the wood are old as the world, and they collect to them new spirits when they die, providing those spirits are worthy to become the protectors of the Oglala."

"You don't say?" Billy Bob sneered.

"Oh, I do say. It is the spirits in the wood that keep the black magic of Hickok inside him, lest it be passed onto the whites. The whites have enough magic, without the gun magic of Hickok."

"And why don't you, or why didn't your father, let Wild Bill's magic pass onto you Indians?"

"White man's magic. It ca

"Lot of good it's done you," Billy Bob said.

"That is quite correct, sir," Elijah said, "quite correct." But his voice had an edge to it, and I was begi

"You tell a good story, Indian," Billy Bob said, smiling one of his nasty smiles, "but it ain't nothing to me but spook talk."

Elijah smiled slowly, so slowly you could almost count his teeth one at a time as his lips folded back. "Yes, you white men certainly have it over us ignorant savages."

Billy Bob nodded to that. "How do I know this here is Wild Bill Hickok, and not just some drunk you've pickled?"

Elijah stepped forward, put a finger on the body's head. "Bend close and look at that hole. Is that not an exit wound a bullet? Was not Wild Bill shot from behind and the bullet came out the front of his head?"

"That's so," Billy Bob said, leaning forward for a look. In spite of myself, I leaned too, but I couldn't look into those empty sockets. Billy Bob was what I was looking at, and his eyes seemed to have fallen out of his head and down those sockets like two marbles tumbling down mine shafts. His face tightened for a moment, and then suddenly he turned.

Elijah, after pointing out that bullet hole, had stepped back and pulled what was in his coat pocket out. A Bowie knife. And even as Billy Bob turned, and I turned with him, that knife came flying through the air. To this day I don't know how it missed Billy Bob. I couldn't believe he could move that fast. His left hand came out of his coat pocket, and it was full of Colt's 60. The Colt jumped and roared and Elijah's lips were parted by the bullet. The gun roared again, and this time the slug hit Elijah square between the eyes. The shots were so close together, they almost sounded like one.