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Some historical events have herein been consolidated for the sake of narrative clarity, and a few dates altered (notably moving the construction of the Globe back a year to ease narrative clutter, moving the Essex rebellion by a day for purposes of pacing, and removing Master Richard Baines to France some few years afterhis historically documented tenure at Rheims to put him there when Marley might have theoretically been in residence). Several taverns of historical interest have been condensed into the famed Mermaid, which I have made the haunt of poets and playmakers some years before its historical heyday. Certain notable individuals have been dispensed with entirely, or prematurely, or their lives extended somewhat. In addition, Robert Poley’s daughter, Miss A
As I was trained as an anthropologist rather than a historian, and as the preceding is a work of fiction, I have chosen to apply the standard that absence of evidence is not the same thing as evidence of absence, and I’ve chosen to make free with some conjectures frequently presented as absolutes (such as A
History is not narrative, alas. And Elizabethan political and theatrical history is less narrative than most. To paraphrase Velvet Brown, the facts are all tangled up together and it’s impossible to cut one clean.
This is a work of fiction. While there are any number of actual factsenmeshed in the web of its creation, it should not be treated as representative, as a whole, of my opinion on any particular historical theories or opinions. Nor should my suggestions regarding additions to the seemingly endless litany of Christopher Marlowe’s suspected lovers be taken seriously. It’s vilest calumny, all of it.
Well, except the part about Edward de Vere’s proclivity for transporting choirboys across international boundaries for immoral purposes. That’s the gospel truth.
The choirboy in question was sixteen at the time of the transportation; his name was Oracio Coquo. “I knew him, Horatio – ”
… okay, that was uncalled‑for.
To sum up, I consider this novel to be a grand disservice to antiquity in the tradition of those i
Really, considering what they wrought upon various Edwards and Richards and maybe the occasional Henry or so, Kit and Will deserve whatever the Hell they get from me.
It’s been a deep and abiding joy telling lies about them, however, and I’m pleased they came into my life. I do, however, hope that they are sharing a fine laugh at the irony of it, wherever they are.
After all, we’re each storytellers here.
About the Author
Originally from Vermont and Co