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Who knows? Maybe they’re right. Maybe we are driven crazy by our feelings. Maybe love isa disease, and we would be better off without it.

But we have chosen a different road. And in the end that is the point of escaping the cure: We are free to choose.

We are even free to choose the wrong thing.

I won’t be able to go back to sleep right away. I need air. I ease out from under the tangle of sleeping bags and blankets and fumble in the dark for the tent flap. I wriggle out of the tent on my stomach, trying not to make too much noise. Behind me, Dani kicks in her sleep and mutters something unintelligible.

The night is cool. The sky is clear and cloudless. The moon looks closer than usual, and it paints everything with a silvery glow, like a fine layering of snow. I stand for a moment, relishing the feeling of stillness and quiet: the peaks of the tents touched with moonlight; the low-hanging branches, just barely budding with new leaves; the occasional hooting of an owl in the distance.

In one of the tents, Julian is sleeping.

And in another: Alex.

I move away from the tents. I head down toward the gully, past the remains of the campfire, which by now is nothing more than charred bits of blackened wood and a few smoking embers. The air still smells, faintly, like scorched metal and beans.

I’m not sure where I’m going, and it’s stupid to wander from camp—Raven has warned me a million times against it. At night, the Wilds belong to the animals, and it’s easy to get turned around, lost among the growth, the slalom of trees. But I have an itch in my blood, and the night is so clear, I have no trouble navigating.

I hop down into the dried-out riverbed, which is covered in a layer of rocks and leaves and, occasionally, a relic from the old life: a dented metal soda can, a plastic bag, a child’s shoe. I walk south for a few hundred feet, where I’m prevented from going farther by an enormous, felled oak. Its trunk is so wide that, horizontal, it nearly reaches my chest; a vast network of roots arch up toward the sky like a dark pinwheel spray of water from a fountain.

There’s a rustling behind me. I whip around. A shadow shifts, turns solid, and for a second my heart stops—I’m not protected; I have no weapons, nothing to fend off a hungry animal. Then the shadow emerges into the open and takes the shape of a boy.

In the moonlight, it’s impossible to tell that his hair is the exact color of leaves in the autumn: golden brown, and shot through with red.

“Oh,” Alex says. “It’s you.” These are the first words he has spoken to me in four days.

There are a thousand things I want to say to him.

Please understand. Please forgive me.

I prayed every day for you to be alive, until the hope became painful.

Don’t hate me.

I still love you.

But all that comes out is: “I couldn’t sleep.”

Alex must remember that I was always troubled by nightmares. We talked about it a lot during our summer together in Portland. Last summer—less than a year ago. It’s impossible to imagine the vast distance I’ve covered since that time, the landscape that has formed between us.

“I couldn’t sleep either,” Alex says simply.

Just this, the simple statement, and the fact that he is speaking to me at all, loosens something inside me. I want to hold him, to kiss him the way I used to.

“I thought you were dead,” I say. “It almost killed me.”

“Did it?” His voice is neutral. “You made a pretty fast recovery.”



“No. You don’t understand.” My throat is tight; I feel as though I’m being strangled. “I couldn’t keep hoping, and then waking up every day and finding out it wasn’t true, and you were still gone. I—I wasn’t strong enough.”

He is quiet for a second. It’s too dark to see his expression: He is standing in shadow again, but I can sense that he is staring at me.

Finally he says, “When they took me to the Crypts, I thought they were going to kill me. They didn’t even bother. They just left me to die. They threw me in a cell and locked the door.”

“Alex.” The strangled feeling has moved from my throat to my chest, and without realizing it, I have begun to cry. I move toward him. I want to run my hands through his hair and kiss his forehead and each of his eyelids and take away the memory of what he has seen. But he steps backward, out of reach.

“I didn’t die. I don’t know how. I should have. I’d lost plenty of blood. They were just as surprised as I was. After that it became a kind of game—to see how much I could stand. To see how much they could do to me before I’d—”

He breaks off abruptly. I can’t hear any more; don’t want to know, don’t want it to be true, can’t stand to think of what they did to him there. I take another step forward and reach for his chest and shoulders in the dark. This time, he doesn’t push me away. But he doesn’t embrace me either. He stands there, cold, still, like a statue.

“Alex.” I repeat his name like a prayer, like a magic spell that will make everything okay again. I run my hands up his chest and to his chin. “I’m so sorry. I’m so, so sorry.”

Suddenly he jerks backward, simultaneously finding my wrists and pulling them down to my sides. “There were days I would rather they have killed me.” He doesn’t drop my wrists; he squeezes them tightly, pi

“Alex, please.”

He balls his fists. “Stop saying my name. You don’t know me anymore.”

“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”

“Don’t,” he says. His voice breaks on the word.

“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was ca

“Don’t.”

“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.

“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”

“Alex, please—”

“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”

“Alex!”

He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I neverloved you.”

The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.

He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”