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He tries to catch one but they retreat before him, thus luring him on to follow them through the room. It's really too silly, he thinks, ru
Blumfeld undresses calmly, arranges his clothes in the wardrobe which he always inspects carefully to make sure the charwoman has left everything in order. Once or twice he glances over his shoulder at the balls, which, unpursued, seem to be pursuing him; they have followed him and are now jumping close behind him. Blumfeld puts on his dressing gown and sets out for the opposite wall to fetch one of the pipes which are hanging in a rack. Before turning around he instinctively kicks his foot out backwards, but the balls know how to get out of its way and remain untouched. As Blumfeld goes off to fetch the pipe the balls at once follow close behind him; he shuffles along in his slippers, taking irregular steps, yet each step is followed almost without pause by the sound of the balls; they are keeping pace with him. To see how the balls manage to do this, Blumfeld turns suddenly around. But hardly has he turned when the balls describe a semicircle and are already behind him again, and this they repeat every time he turns. Like submissive companions, they try to avoid appearing in front of Blumfeld. Up to the present they have evidently dared to do so only in order to introduce themselves; now, however, it seems they have actually entered into his service.
Hitherto, when faced with situations he couldn't master, Blumfeld had always chosen to behave as though he hadn't noticed anything. It had often helped and usually improved the situation. This, then, is what he does now; he takes up a position in front of the pipe rack and, puffing out his lips, chooses a pipe, fills it with particular care from the tobacco pouch close at hand, and allows the balls to continue their jumping behind him. But he hesitates to approach the table, for to hear the sound of the jumps coinciding with that of his own steps almost hurts him. So there he stands, and while taking an u
Above the table, within reach, a shelf is nailed to the wall on which stands the bottle of kirsch surrounded by little glasses. Beside it, in a pile, lie several copies of the French magazine. (This very day the latest issue has arrived and Blumfeld takes it down. He quite forgets the kirsch; he even has the feeling that today he is proceeding with his usual activities only to console himself, for he feels no genuine desire to read. Contrary to his usual habit of carefully turning one page after the other, he opens the magazine at random and there finds a large photograph. He forces himself to examine it in detail. It shows a meeting between the Czar of Russia and the President of France. This takes place on a ship. All about as far as can be seen are many other ships, the smoke from their fu
And instead of helping himself to everything he needs, Blumfeld sits there tense, staring at the bowl of his still unlit pipe. He is lying in wait. Suddenly, quite unexpectedly, his numbness leaves him and with a jerk he turns around in his chair. But the balls, equally alert, or perhaps automatically following the law governing them, also change their position the moment Blumfeld turns, and hide behind his back. Blumfeld now sits with his back to the table, the cold pipe in his hand. And now the balls jump under the table and, since there's a rug there, they are less audible. This is a great advantage: only faint, hollow noises can be heard, one has to pay great attention to catch their sound. Blumfeld, however, does pay great attention, and hears them distinctly. But this is so only for the moment, in a little while he probably won't hear them any more. The fact that they ca
Right now Blumfeld could have made good use of a dog, a wild young animal would soon have dealt with these balls; he imagines this dog trying to catch them with its paws, chasing them from their positions, hunting them all over the room, and finally getting hold of them between its teeth. It's quite possible that before long Blumfeld will acquire a dog.
For the moment, however, the balls have no one to fear but Blumfeld, and he has no desire to destroy them just now, perhaps he lacks the necessary determination. He comes home in the evening tired from work and just when he is in need of some rest he is faced with this surprise. Only now does he realize how tired he really is. No doubt he will destroy the balls, and that in the near future, but not just yet, probably not until tomorrow. If one looks at the whole thing with an unprejudiced eye, the balls behave modestly enough. From time to time, for instance, they could jump into the foreground, show themselves, and then return again to their positions, or they could jump higher so as to beat against the tabletop in order to compensate themselves for the muffling effect of the rug. But this they don't do, they don't want to irritate Blumfeld unduly, they are evidently confining themselves to what is absolutely necessary.