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I lean and kiss him, getting blood on my mouth. His hand relaxes within my own. I’ve never been a good judge of people, except after the fact.
And so I rise. I leave him there on the wet pavement. There is nothing I can do for him. I go into the temple.
It is dark near the entrance, but there are many votive lights to the rear. I do not see anyone about. I did not think that I would. It was just to have been the two monks, ushering me to the terminal. I head toward the lights. It must be somewhere back there.
I hear rain on the rooftop as I search. There are little rooms, off to either side, behind the lights.
It is there, in the second one. And even as I cross the threshold, I feel that familiar ionization which tells me that Kit is doing something here.
I rest my staff against the wall and go nearer. I place my hand upon the humming terminal.
“Kit,” I say, “I have come.”
No epigon grows before me, but I feel his presence and he seems to speak to me as he did on that night so long ago when I lay back upon the couch and do
“I knew that you would be here tonight.”
“So did I,” I reply.
“All of your business is finished?”
“Most of it.”
“And you are ready now to be joined with me?”
“Yes.”
Again I feel that movement, almost sexual in nature, as he flows into me. In a moment he would bear me away into his kingdom.
Tatemae is what you show to others. Ho
“Mari! What have you done?” he asks, within me now, as the humming ceases.
“I have cut off your line of retreat, Kit.”
“Why?”
The blade is already in my hand.
“It is the only way for us. I give you this jigai, my husband.”
“No!”
I feel him reaching for control of my arm as I exhale. But it is too late. It is already moving. I feel the blade enter my throat, well-placed.
“Fool!” he cries. “You do not know what you have done! I ca
“I know.”
As I slump against the terminal I seem to hear a roaring sound, growing, at my back. It is the Big Wave, finally come for me. My only regret is that I did not make it to the final station, unless, of course, that is what Hokusai is trying to show me, there beside the tiny window, beyond the fog and the rain and the night.
24. Mt. Fuji in a Summer Storm
End