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I do not know what I expected to see… Perhaps a filthy creature with matted hair. What came instead was a ghost. Barnoch had been tall; he was tall still, but stooped and very thin, with skin so pale it seemed to glow as decayed wood does. He was hairless, bald, and beardless; I learned that afternoon from his guards that he had formed the habit of plucking his hairs out. Worst of all were his eyes protuberant, seemingly blind, and dark as the black abscess of his mouth. I turned away from him as he spoke, but I knew the voice was his. “I will be free,” it said. “Vodalus! Vodalus will come!”
How I wished then that I had never been imprisoned myself, for his voice brought back to me all those airless days when I waited in the oubliette beneath our Matachin Tower. I too had dreamed of rescue by Vodalus, of a revolution that would sweep away the animal stench and degeneracy of the present age and restore the high and gleaming culture that was once Urth’s.
And I had been saved not by Vodalus and his shadowy army, but by the advocacy of Master Palaemon — and no doubt of Drotte and Roche and a few other friends — who had persuaded the brothers that it would be too dangerous to kill me and too disgraceful to bring me before a tribunal.
Barnoch would not be saved at all. I, who should have been his comrade, would brand him, break him on the wheel, and at last sever his head. I tried to tell myself that he had acted, perhaps, only to get money; but as I did so some metal object, no doubt the steel head of a pilete, struck stone, and I seemed to hear the ringing of the coin Vodalus had given me, the ringing as I dropped it into the space beneath the floor-stone of the ruined mausoleum.
Sometimes when all our attention is thus focused on memory, our eyes, unguided by ourselves, will distinguish from a mass of detail some single object, presenting it with a clarity never achieved by concentration. So it was with me. Out of all the struggling tide of faces beyond the doorway, I saw one, upturned, illuminated by the sun. It was Agia’s.
Chapter 3
THE SHOWMAN’S TENT
The instant was frozen as though we two, and all those about us, stood in a painting. Agia’s uptilted face, my own wide eyes; so we remained amid the cloud of country folk with their bright clothes and bundles. Then I moved, and she was gone. I would have run to her if I could; but I could only push my way through the onlookers, taking perhaps a hundred poundings of my heart to reach the spot where she had stood.
By then she had vanished utterly, and the crowd was swirling and changing like the water under the bow of a boat. Barnoch had been led forth, screaming at the sun. I took a miner by the shoulder and shouted a question to him, but he had paid no attention to the young woman beside him and had no notion of where she might have gone. I followed the throng who followed the prisoner until I was sure she was not among them, then, knowing nothing better to do, began to search the fair, peering into tents and booths, and making inquiries of the farmwives who had come to sell their fragrant cardamom-bread, and of the hot-meat vendors. All this, as I write it, slowly convoluting a thread of the vermilion ink of the House Absolute, sounds calm and even methodical. Nothing could be further from the truth. I was gasping and sweating as I did these things, shouting questions to which I hardly stayed for an answer. Like a face seen in dream, Agia’s floated before my imagination: wide, flat cheeks and softly rounded chin, freckled, sun-browned skin and long, laughing, mocking eyes. Why she had come, I could not imagine; I only knew she had, and that my glimpse of her had reawakened the anguish of my memory of her scream.
“Have you seen a woman so tall, with chestnut hair?” I repeated it again and again, like the duelist who had called out “Cadroe of Seventeen Stones,” until the phrase was as meaningless as the song of the cicada.
“Yes. Every country maid who comes here.”
“Do you know her name?”
“A woman? Certainly I can get you a woman.”
“Where did you lose her?”
“Don’t worry, you’ll soon find her again. The fair’s not big enough for anybody to stay lost long. Didn’t the two of you arrange a place to meet? Have some of my tea — you look so tired.”
I fumbled for a coin.
“You don’t have to pay, I sell enough as it is. Well, if you insist. It’s only an aes. Here.”
The old woman rummaged in her apron pocket and produced a flood of little coins, then splashed the tea, hissing-hot, from her kettle into an earthenware cup and offered me a straw of some dimly silver metal. I waved it away.
“It’s clean. I rinse everything after each customer.”
“I’m not used to them.”
“Watch the rim then — it’ll be hot. Have you looked by the judging? There’ll be a lot of people there.”
“Where the cattle are? Yes.” The tea was maté, spicy and a trifle bitter.
“Does she know you’re looking for her?”
“I don’t think so. Even if she saw me, she wouldn’t have recognized me. I… am not dressed as I usually am.”
The old woman snorted and pushed a straggling lock of gray hair back under her kerchief. “At Saltus Fair? Of course not! Everybody wears his best to a fair, and any girl with sense would know that. How about down by the water where they’ve got the prisoner chained?”
I shook my head. “She seems to have disappeared.”
“But you haven’t given up. I can tell from the way you look at the people going past instead of me. Well, good for you. You’ll find her yet, though they do say all ma
“The cathedral?”
“I’ve heard tell it wasn’t what city folk call a real one — I know you’re from the city by the way you drink your tea — but it’s the only cathedral most of us around Saltus ever saw, and pretty too, with all the hanging lamps and the windows in the sides made of colored silk. Myself, I don’t believe — or rather, I think that if the Pancreator don’t care nothing for me, I won’t care nothing for him, and why should I? Still, it’s a shame what they did, if they did what’s told against them. Set fire to it, you know.”
“Are you talking about the Cathedral of the Pelerines?”
The old woman nodded sagely. “There, you said it yourself. You’re making the same mistake they did. It wasn’t the Cathedral of the Pelerines, it was the Cathedral of the Claw. Which is to say, it wasn’t theirs to burn.”
To myself I muttered, “They rekindled the fire.”
“I beg pardon.” The old woman cocked an ear. “I didn’t hear that.”
“I said they burned it. They must have set fire to the straw floor.”
“That’s what I heard too. They just stood back and watched it burn. It went up to the Infinite Meadows of the New Sun, you know.”
A man on the opposite side of the alleyway began to pound a drum. When he paused I said, “I know that certain persons have claimed to have seen it rise into the air.”
“Oh, it rose all right. When my grandson-in-law heard about it, he was fairly struck flat for half a day. Then he pasted up a kind of hat out of paper and held it over my stove, and it went up, and then he thought it was nothing that the cathedral rose, no miracle at all. That shows what it is to be a fool — it never came to him that the reason things were made so was so the cathedral would rise just like it did. He can’t see the Hand in nature.”
“He didn’t see it himself?” I asked. “The cathedral, I mean.”
She failed to understand. “Oh, he’s seen it when they’ve been through here, at least a dozen times.”