The Chronoliths

Before I went to bed myself I took Sue aside. “It’s good to see you,” I told her. “I mean it. But if you want more from me than a couple of nights on a fold-out, I want to know.”

“We’ll talk about that later,” she said calmly. “Night, Scotty.”

Ashlee, in bed, was less sanguine. It was great to meet these people who had once meant so much to me, she said — it made all those stories I had told her come to life. But she was afraid of them, too.

“Afraid?”

“The way Kait’s afraid of the draft. For the same reason. They want something from you, Scott.”

“Don’t let it worry you.”

“But I have to worry. They’re smart people. And they wouldn’t be here if they didn’t think they could talk you into… whatever it is they want you to do.”

“I’m not so easy to convince, Ash.”

She rolled on her side, sighing.

In seven years Kuin had still not planted a Chronolith on American soil, at least not north of the Mexican border. We remained part of an archipelago of sanity in a world besieged by madness, along with northern Europe, southern Africa, Brazil, Canada, the Caribbean Islands, and sundry other holdouts. Kuin’s impact in the Americas had been broadly economic, not political. Global chaos, especially in Asia, had dried up foreign demand for finished goods. Money drained out of the consumer-goods industries and was tu

I had read some of the Copperhead literature, both the academic writers (Daudier, Pressinger, the Paris Group) and the populist hacks (Forrestall’s Clothing the Emperor when it hit the bestseller list). I had even sampled the works of the musicians and novelists who were the public face of the Kuinist underground. Impressive as some of this was prima facie, it nevertheless struck me as wishful at best, at worst as an attempt to ingratiate either the nation or more likely the writer to some inevitable Kuinist autarchy.

And still there was no direct evidence of the existence of Kuin himself. No doubt he did exist, perhaps somewhere on the southern Chinese mainland, but most of Asia was closed to media and telecommunications, its infrastructure in a state of radical collapse and millions dead in the famine and unrest. The chaos that helped create Kuin also served to shield him from premature exposure.

And was the technology necessary to create a Chronolith already in Kuin’s hands?

Yes, probably, Sue told me.

This was Sunday morning. Ashlee, still nervous, had gone off to visit her cousin Alathea in St. Paul. (Alathea eked out a living selling decorative copper pots door to door. Visiting Alathea on Sundays was an expression of familial piety on Ashlee’s part, since Alathea was a disagreeable woman with eccentric religious beliefs and no talent for housekeeping.) I sat with Sue at the kitchen table, picking at breakfast and generally savoring my day off, while Ray went out to hunt for a source of fresh coffee — we had used up the house supply.

There were, Sue told me, only a handful of people in the world who understood contemporary Chronolith theory well enough to envision the means to create one. She happened to be one of them. That was why the federal government had taken such an ambivalent interest in her, alternately helping and hindering her work. But that wasn’t the big problem right now. The big problem, she said, was that the increasingly desperate Chinese government had years ago established its own intensive research programs into the practicality of tau-bending technology and had isolated these facilities from the international community.

And why was that a problem?

Because the fragmented Chinese government had finally collapsed under the weight of its own insolvency, and those same research facilities were presumably under the direct control of Kuinist insurgents.

“So it all fits into place,” she said. “Somewhere in Asia there’s a Kuin, and he has the technology in his hands. We’re only a couple of years away from the Chumphon conquest, and that looks like an entirely plausible event. We can’t do anything about it, either. All of Southeast Asia is in the hands of various Kuinist insurgent movements — it would take a huge army to occupy the hills above Chumphon, and that would mean recommitting troops and supplies from China, which nobody is willing to do. So it comes together very, very neatly… you might say, inevitably.”

“These are the shades of things that must be.”

“Yes.”

“And we’re helpless to stop it.”

“Well, I don’t know, Scotty. I think maybe there is something I can do.” Her smile was both mischievous and sad.

But the whole subject made me uneasy, and I tried to divert her by asking whether she had heard from Hitch Paley lately. (I hadn’t: not since Portillo.)

“We’re still in contact,” she said. “He’ll be passing through town in a couple of days.”

I suppose it’s evidence of Sue’s i

As I joined them, Ash was saying, “I still don’t understand why you think it’s so important to destroy one.”

Sue, pondering her response, looked as intensely thoughtful as a religious zealot.

Which, perhaps, she was, at least on her own terms. In her pop-physics seminar at Cornell she had been fond of comparing the particle zoo (hadrons, fermions, and all the varieties of their constituent quarks) to the deities of the Hindu pantheon — all distinct, yet all aspects of a single encompassing Godhead. Sue was not conventionally religious and she had never even visited her parents’ native Madras; she used the metaphor loosely and often comically. But I recalled her description of two-faced Shiva: the destroyer and bringer of life, the ascetic youth and the lingam-wielding impregnator — Sue had detected the presence of Shiva in every duality, every quantum symmetry.

She put the tips of her fingers together. “Ashlee, tell me how you define the word ‘monument.’”

“Well,” Ash said tentatively, “it’s a thing, a structure, like a building. It’s, you know, architecture.”

“So how is it different from a house or a temple?”

“I guess you don’t use a monument, the way you use a house or a church. It just sort of stands there a

“But it does have a purpose, right? The way a house has a purpose?”

“I don’t know if I would say it’s useful… but I guess it serves a purpose. Just not a very practical one.”

“Exactly. It’s a structure with a purpose, but the purpose isn’t practical, it’s spiritual… or at least symbolic. It a

“Including the Chronoliths?”

“That’s the point. As a destructive weapon, a Chronolith is relatively trivial. By itself, it achieves nothing in particular. It’s an inert object. All its significance lies in the realm of meaning and interpretation. And that’s where the battle is, Ashlee.” She tapped her forehead. “All the strangest architecture is right up here. Nothing in the physical world compares to the monuments and the cathedrals we build inside our own skulls. Some of that architecture is simple and true and some of it is baroque and some of it is beautiful and some of it is ugly and perilously unsound. But that architecture matters more than any other kind, because we make the future out of it. History is just a fossil record of what men and women construct out of the contents of their minds. You understand? And the genius of Kuin has nothing to do with the Chronoliths; the Chronoliths are just technology, just people making nature jump through hoops. The genius of Kuin is that he’s using them to colonize the world of the mind, to build his own architecture directly into our heads.”