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“I suppose so,” said Graham. “But about this cap — what was it?”
The man with the flaxen beard glanced over his shoulder.
“Here are your clothes!” he said. Graham turned round sharply and saw the tailor standing at his elbow smiling, and holding some palpably new garments over his arm. The crop-headed boy, by means of one finger, was impelling the complicated machine towards the lift by which he had arrived. Graham stared at the completed suit. “You don’t mean to say —!”
“Just made,” said the tailor. He dropped the garments at the feet of Graham, walked to the bed on which Graham had so recently been lying, flung out the translucent mattress, and turned up the looking glass. As he did so a furious bell summoned the thickset man to the corner. The man with the flaxen beard rushed across to him and then hurried out by the archway.
The tailor was assisting Graham into a dark purple combination garment, stockings, vest, and pants in one, as the thickset man came back from the corner to meet the man with the flaxen beard returning from the balcony. They began speaking quickly in an undertone, their bearing had an unmistakable quality of anxiety. Over the purple under-garment came a I complex but graceful garment of bluish white, and I Graham was clothed in the fashion once more and saw himself, sallow-faced, unshaven and shaggy still, but at least naked no longer, and in some indefinable unprecedented way graceful.
“I must shave,” he said regarding himself in the glass.
“In a moment,” said Howard.
The persistent stare ceased. The young man closed his eyes, reopened them, and with a lean hand extended, advanced on Graham. Then he stopped, with his hand slowly gesticulating, and looked about him.
“A seat,” said Howard impatiently, and in a moment the flaxen-bearded man had a chair behind Graham. “Sit down, please,” said Howard.
Graham hesitated, and in the other hand of the wildeyed man he saw the glint of steel.
“Don’t you understand, Sire?” cried the flaxen-bearded man with hurried politeness. “He is going to cut your hair.”
“Oh!” cried Graham enlightened. “But you called him —
“A capillotomist — precisely! He is one of the finest artists in the world.”
Graham sat down abruptly. The flaxen-bearded man disappeared. The capillotomist came forward with graceful gestures, examined Graham’s ears and surveyed him, felt the back of his head, and would have sat down again to regard him but for Howard’s audible impatience. Forthwith with rapid movements and a succession of deftly handled implements he shaved Graham’s chin, clipped his moustache, and cut and arranged his hair. All this he did without a word, with something of the rapt air of a poet inspired. And as soon as he had finished Graham was handed a pair of shoes.
Suddenly a loud voice shouted — it seemed from a piece of machinery in the corner — “At once — at once. The people know all over the city. Work is being stopped. Work is being stopped. Wait for nothing, but come.”
This shout appeared to perturb Howard exceedingly. By his gestures it seemed to Graham that he hesitated between two directions. Abruptly he went towards the corner where the apparatus stood about the little crystal ball. As he did so the undertone of tumultuous shouting from the archway that had continued during all these occurrences rose to a mighty sound, roared as if it were sweeping past, and fell again as if receding swiftly. It drew Graham after it with an irresistible attraction. He glanced at the thickset man, and then obeyed his impulse. In two strides he was down the steps and in the passage, and, in a score he was out upon the balcony upon which | the three men had been standing.
CHAPTER V. THE MOVING WAYS
He went to the railings of the balcony and stared upward. An exclamation of surprise at his appearance, and the movements of a number of people came from the spacious area below.
His first impression was of overwhelming architecture. The place into which he looked was an aisle of Titanic buildings, curving spaciously in either direction. Overhead mighty cantilevers sprang together across the huge width of the place, and a tracery of translucent material shut out the sky. Gigantic globes of cool white light shamed the pale sunbeams that filtered down through the girders and wires. Here and there a gossamer suspension bridge dotted with foot passengers flung across the chasm and the air was webbed with slender cables. A cliff of edifice hung above him, he perceived as he glanced upward, and the opposite facade was grey and dim and broken by great archings, circular perforations, balconies, buttresses, turret projections, myriads of vast windows, and an intricate scheme of architectural relief. Athwart these ran inscriptions horizontally and obliquely in an unfamiliar lettering. Here and there close to the roof cables of a peculiar stoutness were fastened, and drooped in a steep curve to circular openings on the opposite side of the space, and even as Graham noted these a remote and tiny figure of a man clad in pale blue arrested his attention. This little figure was far overhead across the space beside the higher fastening of one of these festoons, hanging forward from a little ledge of masonry and handling some well-nigh invisible strings dependent from the line. Then suddenly, with a swoop that sent Graham’s heart into his mouth, this man had rushed down the curve and vanished through a round opening on the hither side of the way. Graham had been looking up as he came out upon the balcony, and the things he saw above and opposed to him had at first seized his attention to the exclusion of anything else. Then suddenly he discovered the roadway! It was not a roadway at all, as Graham understood such things, for in the nineteenth century the only roads and streets were beaten tracks of motionless earth, jostling rivulets of vehicles between narrow footways. But this roadway was three hundred feet across, and it moved; it moved, all save the middle, the lowest part. For a moment, the motion dazzled his mind. Then he understood.
Under the balcony this extraordinary roadway ran swiftly to Graham’s right, an endless flow rushing along as fast as a nineteenth century express train, an endless platform of narrow transverse overlapping slats with little interspaces that permitted it to follow the curvatures of the street. Upon it were seats, and here and there little kiosks, but they swept by too swiftly for him to see what might be therein. From this nearest and swiftest platform a series of others descended to the centre of the space. Each moved to the right, each perceptibly slower than the one above it, but the difference in pace was small enough to permit anyone to step from any platform to the one adjacent, and so walk uninterruptedly from the swiftest to the motionless middle way. Beyond this middle way was another series of endless platforms rushing with varying pace to Graham’s left. And seated in crowds upon the two widest and swiftest platforms, or stepping from one to another down the steps, or swarming over the central space, was an i
“You must not stop here,” shouted Howard suddenly at his side. “You must come away at once.”
Graham made no answer. He heard without hearing. The platforms ran with a roar and the people were shouting. He perceived women and girls with flowing hair, beautifully robed, with bands crossing between the breasts. These first came out of the confusion. Then he perceived that the dominant note in that kaleidoscope of costume was the pale blue that the tailor’s boy had worn. He became aware of cries of “The Sleeper. What has happened to the Sleeper?” and it seemed as though the rushing platforms before him were suddenly spattered with the pale buff of human faces, and then still more thickly. He saw pointing fingers. He perceived that the motionless central area of this huge arcade just opposite to the balcony was densely crowded with blue-clad people. Some sort of struggle had sprung into life. People seemed to be pushed up the ru