All the king's men

Then the nigger woman brought in a pitcher of water on a tray, with three glasses, slipping her feet in old te

Then the photographer took a secret look at his watch, and cleared his throat, and said, "Governor–"

"Yeah?" the Boss answered.

"I just reckoned–if you and Mrs. Stark is rested and all–" he made a sitting-down bow in the direction of Lucy Stark, a bow from the waist that was quite a feat and gave the impression he had had a couple too many for the heat and was passing out in the chair–"if you all–"

The Boss stood up. "All right," he said, gri

Lucy Stark stood up, too.

"All set, Pappy," the Boss said to the old man, and the old man stood up, too.

The Boss led the way out to the front porch. We all tailed him out like a procession. The photographer went to the second car and unpacked a tripod and the rest of his plunder and got it rigged up facing the steps. The Boss was standing on the steps, blinking and gri

"We'll just take you first, Governor," the photographer said, and the rest of us eased off the porch and out of range.

The photographer hid his head under the black cloth, then he popped out again agog with an idea. "The dog," he said, "get the dog in there with you, Governor. You be petting the dog or something. Right there on the steps. It'll be swell. It will be the nuts. You be petting that dog, he's pawing up on you like he was glad to see you when you come home. See? It will be nuts."

"Sure, the nuts," the Boss said.

Then he turned toward the old white dog, which hadn't moved a muscle since the Cadillac pulled up at the gate and was lying over to one side of the porch like a worn-out fur rug. "Here, Buck," the Boss said, and snapped his fingers.

But the dog didn't show a thing.

"Here, Buck," the Boss called.

Tom Stark prodded the dog with his toe for a little encouragement, but he might just as well have been prodding a bolster.

"Buck is gitten on," Old Man Stark said. "He ain't right spry any more." Then the old man went to the steps and stooped down with a motion which made you expect to hear the sound of old rusty hinges on a barn door. "Hi, Buck, hi, Buck," the old man wheedled without optimism. He gave up, and lifted his gaze to the Boss. "If s hongry now," he said, and shook hid head. "If he was hongry we could guile him. But he ain't hongry. His teeth gone bad."

The Boss looked at me, and I knew what I was paid to do.

"Jack," the Boss said, "get the hairy bastard up here and make him look like he was glad to see me."

I was supposed to do a lot of different things, and one of them was to lift up fifteen-year-old, hundred-and-thirty-five pound hairy white dogs on summer afternoons and paint an expression of unutterable bliss upon their faithful features as they gaze deep, deep into the Boss's eyes. I got hold of Buck's forelegs, as though I were girding myself to shove a wheelbarrow, and heaved. It didn't work. I got his front end up for a second, but just as I got him up, he breathed out and I breathed in. One gust of Buck was enough. It was like a gust from a buzzard's nest. I was paralyzed. Buck hit the porch boards and lay there like the old polar-bear rug he resembled.

Then Tom Stark and one of the reporters shoved on the tail end and I heaved on the front end and held my breath and we got Buck the seven feet to the Boss. The Boss braced himself, and we heaved up the front end, and the Boss got a gust of Buck.

That gust was enough.

"God's sake, Pappy," the Boss demanded as soon as he had mastered his spasm, "what you been feeding this dog?"

"He ain't any appetite," Old man Stark said.

"He ain't any appetite for violets," the Boss said, and spat on the ground.

"The reason he fell," the photographer observed, "was because his hind legs gave down. Once we get him propped we got to work fast."

"We?" the Boss said. We! What the hell you mean _we__. You come kiss him. One whiff would curdle milk and strip pine tree. _We__, hell!"

The Boss took a deep breath, and we heaved again. It didn't work. Buck didn't have any starch in him. We tried six or seven times, but it was no sale. Finally the Boss had to sit down on the steps, and we dragged Buck up and laid the faithful head on the Boss's knee. The Boss put his hand on Buck's head and looked at the photographer's birdie. The photographer shot it, and said, "It is the nuts," and the Boss said, "Yeah, the nuts."

The Boss sat there a few seconds with his hand on Buck's head. "A dog," the Boss said, "is man's best friend. Old Buck, he's the best friend I ever had." He scratched the brute's head. "Yeah, good old Buck," the Boss said, "the best friend I ever had. But God damn it," he said, and stood up so quick that Buck's head slid off his knee, "he don't smell a bit better'n the rest of 'em."

"Is that for the record, Boss?" one of the reporters asked.

"Sure," the Boss said. "He smells just like the rest of 'em."

Then we cleared Buck's carcass off the steps, and the photographer settled into the grind. He took the Boss and the family in every possible combination. Then he got his rig together, and said: "Governor, you know we want a picture of you upstairs. In the room you used to have when you were a kid. It will be nuts."

"Yeah," the Boss said, "the nuts."

That was my idea. It would be nuts all right. The Boss sitting there with an old schoolbook in his hands. A good example for the tots. So we went upstairs.

It was a little room, with bare board floor and tongue-and groove beaded walls, which had been painted yellow one time, but had the paint crazing off the wood now in sections where any paint was left. There was a big wooden bed with a high head and foot standing somewhat off the perpendicular, and a white counterpane on the bed. There was a table–a pine table–and a couple of straight chairs, and a stove–the kind of tin stove they call a trash-burner, pretty rusty now–and against the wall beyond the stove a couple of home-made bookcases, crammed with books. Third readers and geographies and algebras and such in one of them, and a lot of crummy old law books in the other.

The Boss stood in the middle of the floor and took a good look, all around, while the rests of us hung around the door bunched up like sheep and waited. "Jesus," the Boss said, "put the old white thunder-mug under the bed and it'll look just like home."

I looked over at the bed, and the crockery wasn't there. It was the only prop missing. That and a kid with a pudgy face and freckles on his face and sandy hair falling down on his forehead, bending down at the table by a coal-oil lamp–it must have been a coal-oil lamp then–and a pencil in his hand, tooth marks on the pencil where he'd been gnawing at it, and the fire in the trash-burner getting low, and the wind pounding on the north side of the house, pounding down off the Dakotas a thousand miles away and across the plains which were icy and pearl-blind with the snow polished hard under the wind and glimmering in the dark, and across the river bottoms, and across the hills where the pine trees had stood once and moaned in the wind but where wasn't anything to break the wind now. The sash in the window on the north wall of the room would rattle under the wind, and the flame in the coal-oil lamp would bend and shiver in what current of air sneaked in, but the kid wouldn't look up. He would gnaw his pencil, and hunch down. Then after a while he would blow out the lamp and pull off his clothes and get into bed, wearing his underwear. The sheets would be cold to the skin and stiff-feeling. He would lie there and shiver in the dark. The wind would come down a thousand miles and pound on the house and the sash would rattle and inside him something would be big and coiling slow and clotting till he would hold his breath and the blood would beat in his head with s hollow sound as though his head were a cave as big as the dark outside. He wouldn't have any name for what was big inside him. Maybe there isn't any name.