First Daughter

"Yes, please," she said. "Tell me about Emma."

SHARON CONFOUNDED Jack utterly when he returned to the house.

"I have an idea," she said brightly, "why don't you and Alli spend the night here? Alli can have the spare bedroom, and this sofa is very comfortable. I can't tell you how many nights I've fallen asleep on it."

Jack, mindful of the Secret Service detail he'd left behind, his brain turning over the problem of how once and for all to track down Ro

Sharon's face fell. "But why not?"

Seeing her stricken face gave him pause. He saw her on the sofa next to Alli, both women, torsos twisted, turned toward him. It was their proximity to each other, as if they were intimates, as if they had been talking of intimate things when he walked in. There was something about Sharon's face, an expression he felt certain he'd never see again.

"It would be so nice," Sharon said, "all of us together."

Jack, his mind changing gears, thought she might be right. "Why don't we all go to my house? It's larger and-"

Seeing the change come over Sharon's face, he stopped in midsentence.

"Jack, come on. You know that house gives me the creeps."

What was the use? he thought. No matter what he said, she'd never agree to go there, let alone spend the night.

"Alli and I have to go," he said.

Sharon stood up. "Why, Jack? I know you're not comfortable here, but just this once, stay here with me."

Jack shook his head. "It's impossible, Shar. Alli's Secret Service detail is expecting her to be at the house."

"You mean you deliberately ditched them to bring her here?" The sabers were rattling again, the warhorse stamping its huge hooves.

"It was necessary," Jack said.

"As far as you're concerned, it's always necessary to break the rules."

"Not always." How easy it was to fall back into the old patterns. "Sometimes I bend them."

"Stop, please!" Alli cried.

They both turned in her direction.

"This isn't anything to fight about," she said. "You're just fighting for the sake of fighting."

"Alli's right," Sharon said. "Half the time I don't even remember what we're fighting about."

"Then come with us," Jack said. "Spend the night."

"I'd like to," Sharon said. "Really I would." She shook her head. "But I'm not ready, Jack. Can you understand that?"

"Sure," he said, though he didn't, not really. If it wasn't for the Secret Service detail, he would have consented to stay here tonight. What was it about Gus's house she despised so? He couldn't work it out. He'd asked her so many times without getting a satisfactory answer, he had no desire to go over that old turf again. Besides, like her, he was sick to death of fighting.

"I guess it's time for you to go, then." Sharon embraced Alli, and they kissed. She stood in the lighted doorway, watching them as they went down the walk to Jack's car, and she shivered, as if with a premonition, or a feeling of deja vu, as if she'd experienced this helpless moment of sadness and loss before.

FORTY — THREE

THERE WAS, no question, a certain gloom about Jack's house, a fustiness manifested by huge odd-shaped rooms, old gas lamps gutted and wired for electricity, massive furniture, not a stick of it built after 1950. Perhaps it was all this Sharon objected to, why she had opted for predictable square rooms, low ceilings, modern furniture-a house gaily lighted but without charm.

But there was also history here-chaotic, warty, fascinating. It was, as Alli had recognized, the residence of an Outsider, past and present. Could that be why Emma liked it here and Sharon didn't? Jack asked himself as he climbed up the stairs with Alli. Sharon wasn't an Outsider-that kind of life, often in conflict with rules, regulations, even, sometimes, the law, both baffled and frightened her. She was comfortable only within the well-defined bounds of society. That was why she'd been so hell-bent on Emma going to Langley Fields, which was so Establishment. And it was why Emma had gotten into continuous difficulty there. A round peg in a square hole. Outsiders never fit in; you could never change them. But until the day Emma died Sharon hadn't given up hope.

Jack showed Alli into the guest room, which was next to his. In all these years, he'd never been able to sleep in Gus's bedroom. Years ago, he'd hauled the bed Gus had been murdered in out back and burned it. More recently, he'd turned the bedroom into a media room with an enormous flat-screen TV on which he watched James Brown concerts as well as baseball and films he bought on DVD. He felt certain Gus would've liked that.

"The bathroom's fully stocked," he said. "But if there's anything else you need, it'll be in this closet here."

After they said good night, he watched her go into her room, close the door behind her. He thought about what might be going on in her head, all the things she had told him, all the things she hadn't. In his room, he called Carson, told him all was well and that he was slowly making progress.

Jack turned off the light, lay on the bed with his clothes on. He felt bone-weary, sad unto death. The experience of learning about Emma's secret life was a two-edged sword. Gratitude and remorse flooded him in equal measure. Tonight he felt an outsider even from himself.

He must have fallen asleep because suddenly he opened his eyes and knew time had passed. It was the middle of the night. Traffic sounds were as scarce as clouds in the horse latitudes. He felt that he lay on the bosom of the ocean, rocked gently by wave after wave. He was aware of an abyss beneath him, vast, lightless. Light filtering in through the window seemed like the cool pinpoints of ten million stars. He was as far from civilization as he had ever been. Unmoored, he had said. And Alli had said, I'm unmoored, too.

It was then that he heard a sound, like the wind sighing through branches, like moonlight singing in the trees. Rain pattered on the roof, and a voice whispered, "There's someone in the house."

Sitting up, Jack saw a slim figure silhouetted in the open doorway.

"Alli, what is it? What did you hear?"

"There's someone in the house," she whispered.

He rose, took his Glock and went toward her. She turned, retreated into the hall, as if to show the way. Shadows lay against the wall like wounded soldiers. The silence was palpable, even the house's normal creaks and groans were for the moment stilled.

"Alli, where are you going?" he whispered at the receding figure. "I want you to go back to your room, lock the door till I come for you."

But either she was too far away or chose to ignore his warning, because she went down the stairs. Cursing under his breath, he hurried after her. A strange form of peacefulness came over him as he followed the slip of a shadow down the hallway, through the dining room and kitchen. Off the kitchen was a pantry that Gus had used for a storeroom and a half bath situated between the kitchen and the mudroom.

The mudroom was a space that was never used, either by Gus or by Jack. It seemed the oldest part of the house mostly because of its chronic disuse. It hadn't been painted for years. There were cobwebs in the corners with the desiccated corpses of unidentifiable insects who'd met their end in their sticky strands. An old chair rail hung half off the wall, and an old-fashioned wooden hat rack leaned drowsily in one corner. The floor was constructed of ancient slate tiles, eighteen inches on a side. Many were cracked, some fractured entirely. One or two were missing.

As Jack crossed the kitchen, he could see Alli unlock the back door, disappear outside. Jack followed her. At once, he was engulfed by the odors of rotting wood, roots, and the mineral tang of damp stone. He pushed through into a deeper darkness as he moved into a patch of the forested area behind the house.