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The boy frisked me for weapons or drugs-I had to laugh, but then felt I was undercutting some little performance he must do, like when you betray children who are being very serious about reciting a poem or shaking hands the way they've been taught to-and he gave me a card to put on my windshield, and from a checkpoint down in the ashram they took me to a place where several trailers had been put together to make offices. They call this hodgepodge the Uma Room, I know now. After a rudely long wait I was finally taken into this windowless place where a striking but not very pleasant red-haired woman with a black pearl in one nostril put me through an inquisition. So I wanted to become a sa

Really, it wasn't all that intimidating, because outside the little windows of the trailer I could see these other sa

Oh God, I am tired. And now I hear people outside coming from the disco and I don't want them to hear me talking to you on this thing-people steal here, there's nothing really against it in the Arhat's philosophy, and they say Durga has spies everywhere and is really paranoid about betraying our secrets to the outside world-so I'll say good night and tuck you into my sweater. You and the other girls would hardly know me. I sleep in my clothes and pretty much stink of sweat and cement, but after a while you don't mind it, in fact you rather like it, your own smell. Here they all come, high as kites.

Next day. Just a few minutes before I go and face the hideous di

For instance, Midge, I'm sitting out in the rocks about a half-mile from the Chakra-you know, where the Fountain of Karma plays-and there's a kind of natural bench-out here where I am, I mean-under what they call an Arizona cypress, with these drooping gray-blue limbs and little brown berries seamed like tiny soccer balls, and I wish I had words to say how charged it all feels, how pregnant just the rockiness of the rocks seems-the little silvery veins of some mineral, the little loose heaps of rosy dust, the parallel ridges showing all the millions of years of sedimentation-and then too the'breeze and the cypress with its resiny essence and the distant mountains like wrinkled tissue paper-how sacred, really, and the whole matter of whether God exists or not, which I always thought rather boring, is just plain transcended, it seems so obvious that some thing exists, something incredibly and tirelessly good, an outpouring of which the rocks and I and the perfect blue sky with its little dry horsetails are a kind of foam, the foam on the crest of all these crashing waves, these outpourings all through the aeons of time, and yet terribly still, too-I know I'm not expressing it very well. There is something in everything, its wness, that is unutterably grand and consoling. I just feel terribly. I feel-how can I put this?-like I'm carved out of one big piece of crystal and exactly fitted into a mold of the same crystal. Tell Irving I feel motionless. Ask him if this is samarasa. My happiness is deeper than I've ever felt happiness before. It's as if there is a level the sun has never reached before. He makes it possible, the Arhat, he permits it-his voice, his glow. God, I love him, even though he makes me suffer. Love-luff, he says-is agony. A-go-ny, Midge.