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So: spiritually I grew up with nothing, just these ethnic slurs all the time and noises from the bedroom. But there was something-a blank little God I carried with me like a tiny teddy bear in my bead, this little curved shadow like a busk clinging to the underside of my brain. I mean, it was me, yet something more than me, something I could appeal to-and there wasn V just input, there was output. I was transmitting and receiving. I could feel it at night. But also in the day, in the middle of the afternoon, out on the schoolyard, this terrific joy, this gratitude that kept spilling and spilling out of me like thread when the sewing machine goes crazy. But it had no face or name; it bad no form. I was jealous and sore-my parents with their orthodox upbringings bad been given something, it was part of their energy, and the other kids in school bad been given the same sort of thing even if they took it for granted and didn V know diddledy-squat about it and even shut on it. The Catholic girls with the little gold crosses between their tits and the Jewish boys taking off a double set of holidays and even the Protestants, their faces would get a little stiff and guilty if the talk got too dirty-you could see some shadow coming from above, some message from way upstairs.
Well, not to make a sob story out of this, it got to be the late Fifties, the early Sixties. I read Alan Watts and Krisbnamurti and Salinger and Ginsberg. I read the Upanisbads and, right there, bit this terrific verse, where the King of Death says to Nacbiketa: "The Supreme Person, of the size of a thumb, the i
No point, Art.
Come on, Kundalini. What's your old name? I've forgotten.
Sarah.
Come on, Sarah, put away that long face. Stop trying to lay a guilt trip on me with those big dark eyes. Guilt trips went out with the rest of the garbage.
Tell me. What is not garbage to you?
Purusba is not garbage. The eternal present is not garbage.
Don't touch my breasts. I mean it.
What's this protecting your tits again suddenly? We've been friendly-didn V you like it? Multiple o V, every time.
They were lovely but, as you said, partook of flux. Flux and duhkha.
Fuck flux anddubkba. Listen. I need a vacation. Everyman needs a vacation. For a man, a woman is a vacation. I need you to love me the way only you can.
I do love the way you used to say "love."
My luff for you wears a million guises. You are Sbakti, I am Shiva. I am Krishna and you are Radba, shlippery with your own sweat and rajas, your hair all in sbnakes and your clothes torn in delirious disbarray.
No, really-hands off, Arthur. Arthur Steinmetz.
My father used to say Steinmetz was a genius, my mother would say be was a dwarf. The brains behind Edison. The feeling of your ass in my bands, one cheek in each.
Darling, I'm not kidding. We've had it.
Why? Because of names? What does it matter, what name I have? Or you have? A little flick of karma, and I'm a centipede, and you 're a chestnut tree in blossom.
I can't exactly say why. For a woman to give herself-and it's utterly lovely, to give yourself-there has to be an illusion, or it's no good. Maybe "illusion" isn't the word, since everything is 'illusion. There has to be an appearance-a possibility-of progress. There has to be rectitude.
We'll make progress. We'll have rectitude. The garbage's gone, all that drugs and paranoia. Melissa's coming with her moola. Stay here and we 'II build it up again, along more classic lines. Hinayana this time instead of Aiabayana. Less group stuff, more one-on-one. Cut out all 'the commercial crap, keep off TV. Just the bow-to-live books and the less far-out tapes, and go for a more modest operation that won V make waves in the courts. Keep peace with the local squares. This is a great spot, if we don't abuse the water situation.
Why do you want me? In your philosophy, one woman is as good TLS another. We're all lotus to your linga. With this particular lotus, I fear the bloom is off. Though of course I do adore you. More this moment than ever; there're all these new layers of you to get to know.
But no rectitude. Who'd you ever know who bad rectitude? Your husband-what was his name? Charles. Charles the Worthy. Whenever you mention him you get prim and cute and arch your back. What's going on between you two? I get the feeling be and I exist in some sort of symbiosis. It 's making me jealous as bell.
Don't be ridiculous. I can't stand him.
You ask me why I want you. One, you 're a knockout, with these super knockers and a two-bandsful ass.
Keep your hands to yourself. Don't be so adolescent. I'm almost forty-three.
Ripe. That's nice. Two, you 're every inch a lady, and I seem to be a sucker for that. My own social insecurity, no doubt. Everything goes back to having a lousy childhood.
Mine wasn't that great, you know. My mother-
Three, you know the ropes here, and, frankly, I don't. I reach into myself and say what comes but the organizational part of it has always been over my head. There's always been women to do the-
The dirty work.
The nitty-gritty, the stbula side of things.
You would have to do with fewer limos.
Absolutely-that was just an image kind of thing. The humor of it appealed to me, being dragged along these dusty washboard roads like they were Fifth Avenue.
And the diamonds. They should be sold.
Sure, sell 'em-though you won't get half of what we f aid. Again, it was the symbolism, the Buddha Realm bit, the pan-nirvana part of It. It got people's attention; gave 'em a little shock. Stop people short for even a second, and you have that much more of a chance of enlightenment fighting its way past the abam and all that defensive furniture.