The Living Dead 2

They are still tote Mä

Always the engineer, I prepared for this. I kept back a bottle of water. In it, I dissolved some Demerol powder. Elsa and Helmut were so thirsty they did not notice the odd taste. They fell asleep in minutes.

I am a coward in some ways. The idea of me, my wife and my child living on only as a host for worms and microbes horrifies me. Death is preferable. Nor do I trust drugs. The faint possibility they might come upon us in our sleep fills me with dread. I have my pistol and enough bullets for Elsa and Helmut and myself. If they find us we will be of no use to them.

I believe that you, Germany, will triumph over these creatures, though that victory will no doubt be a hard one. The Third Reich will not live forever as we had hoped but will, no doubt, fall to the tote Mä

For my own part, I regret my inability to foresee my own inadequacies and I regret that I must die here, without being able to help. I regret that Elsa and Helmut will never again see the sun and that they will die by my hand.

But you, who read this, take heart. We did not yield. We did not surrender here but only died when there was no other way to deny ourselves to the enemy. You will defeat and destroy them and raise your hand over a grateful Earth.

It is there waiting for you.

The Skull-Faced City by David Barr Kirtley

David Barr Kirtley has been described as “one of the newest and freshest voices in sf.” His work frequently appears in Realms of Fantasy, and he has also sold fiction to the magazines Weird Tales and Intergalactic Medicine Show, the podcasts Escape Pod and Pseudopod, and the anthologies New Voices in Science Fiction, The Dragon Done It, and Fantasy: The Best of the Year. I’ve previously published him in the first The Living Dead anthology and in my online science fiction magazine Lightspeed. He also has a story forthcoming in my anthology The Way of the Wizard that’s due out in November. Kirtley is also the co-host (with me) of the Geek’s Guide to the Galaxy podcast.

This story is a sequel to one that appeared in the first The Living Dead anthology. In “The Skull-Faced Boy,” Dustin and Jack, two recent college grads, die in a car accident and rise as intelligent zombies. Dustin-called “the skull-faced boy” due to his injuries-organizes hordes of mindless zombies into an army and declares war against the living, while Jack becomes his reluctant accomplice. Their rivalry over a girl named Ashley eventually leads Dustin to carve off her face as well.

When “The Skull-Faced Boy” appeared on the Pseudopod horror podcast, it was very well received, and several listeners requested more material set in the same universe. So it was in the back of Kirtley’s mind for a while to possibly expand the story into something longer. When I told him I was editing The Living Dead 2, I encouraged him to submit a sequel story.

“This is the first sequel I’ve written, and it’s hard,” Kirtley says. “For a long time I was stuck, since by the end of ‘The Skull-Faced Boy’ the conflicts and agendas of the characters are all pretty much on the table. My big break came when I considered creating a new main character, Park. And so as not to repeat myself, I made him completely different from my original protagonist, Jack. Jack is an ordinary young man, sensitive, kind of a doormat type, whereas Park is a very, very dangerous soldier.”

Park watched from his car as a pickup screeched to a halt in front of the supermarket. He’d known they would come. The armies of the living were on the march, and the living needed food.

The pickup’s doors flew open and two figures leapt out-a black man and a blond woman. The man, who was older, maybe forty, carried a shotgun. He sprinted toward the store and the woman ran close behind him, her hands wrapped tight around a large silver pistol. The man threw open the entrance doors and vanished into the darkness while the woman waited outside, keeping watch. Smart. But it would not save them.

Park slipped from his car, his scoped rifle clutched to his chest. He crept forward, using abandoned cars as cover. Finally he lay down on the asphalt and leveled his rifle at the pickup.

A dead man in a green apron wandered around the side of the building. He spotted the woman, groaned exultantly, and stumbled toward her, his arms outstretched. The woman took aim at his forehead.

Park pulled the trigger at the same moment she did. The report of her pistol drowned out the soft pinging that his round made as it drilled a neat hole through her pickup’s gas tank. The dead man’s skull smacked against the pavement, and the woman lowered her gun. She didn’t notice the gas pooling beneath her truck.

Park sneaked back to his car and got in. He waited, watching as the woman took down several more of the moaning dead who strayed too close. Later her companion emerged, pushing a loaded shopping cart. The woman hurriedly tossed its contents into the bed of her truck while the man dashed to the store again. This was repeated several times. The commotion attracted an ever-growing audience of moaners, which the woman eyed nervously.

Finally the man and woman leapt into their vehicle and peeled out. The pickup careened across the parking lot, and the dead men who staggered into its path were hurled aside or crushed beneath its tires.

Park do

The man and woman fled from their vehicle and into a nearby field, which was crawling with the dead. Park followed them through the grass and into the woods. He watched through his scope as the pair expended the last of their ammo and tossed away their guns, and then they stood back to back and drew machetes against the clusters of moaners who continued to stumble from the trees all around.

Park approached, using his rifle to pick off the nearby dead men. One shot to each head, cleanly destroying each brain-what was left of them.

He pointed his rifle at the living man and shouted, “Drop it.”

The man shouted back, “Who are you? What do you want?”

Park shifted his aim to the woman and said, “Now. I only need one of you alive.”

“Wait!” the man said. “Damn it.” He tossed his machete into the brush. “There. Okay?”

“And you,” Park told the woman. She hesitated, then flung her weapon away as well.

Park said, “Turn around. Kneel. Hands on your heads.”

They complied. Park strode forward and handcuffed them both. “Up,” he said. “Move.”

The pair stood, and marched. The woman glanced back at Park.

“Eyes front,” he ordered.

She gasped. “Oh my god.” To the man she hissed frantically, “He’s one of them! The ones that can talk.”

The man turned to stare too, his face full of terror.

“Eyes front!” Park shouted.

The man and woman looked away. After a minute, the woman said quietly, “Are you going to eat us?”

“I don’t intend to,” Park said.

“So why do you want us?” she asked.

“It’s not me that wants you,” Park answered.

“Who does then?” the man demanded.

For a long moment Park said nothing. Then he removed his goggles, exposing dark sockets and two huge eyeballs threaded with veins. He yanked off his ski mask, revealing a gaping nose cavity, bone-white forehead and cheeks-a horrific skull-visage.

“You’ll see,” he said.