The Living Dead 2

By the time Barb towelled off, she discovered Re

Re

She felt, well, dead inside, to hammer a phrase. Blown out, wasted, spent, scorching at the edges. She did not want to feel anything so much as she wanted to feel nothing.

Re

She felt unusually sensitized, to the point where the dust on the sheets and comforter bothered her. Grit was in her eyes and she fancied more dust layered upon her soul, like wet snow. The thought that it might be the powder of dead bones made her start crying, and she never stopped.

Caught up in her own grief, she missed seeing the tenacious little gob of charred protoplasm as it wormed past Re

Good People by David Wellington

David Wellington is the author of the zombie novels Monster Island, Monster Nation, and Monster Planet, and the vampire novels 13 Bullets, 99 Coffins, Vampire Zero, and 23 Hours. A werewolf novel, Frostbite, came out last October. Another zombie novel, Plague Zone, was serialized on his website, davidwellington.net, but is not yet in print. Wellington’s short fiction has appeared in the zombie anthologies The Undead, The Undead 2: Skin and Bones, and The New Dead, and he also has a story in my vampire anthology By Blood We Live. He recently made his comic book writing debut with Marvel Zombies Return.

George Romero’s 1968 film Night of the Living Dead established our modern image of zombies-mindless corpses with pale flesh, wild hair, and dark-ringed eyes who stumble clumsily about, hungering after the flesh of the living. Since then we’ve seen a vast proliferation of zombie stories and a corresponding increase in their variety. We’ve seen zombies who aren’t technically dead (28 Days Later), zombies who sprint after their victims (Zack Snyder’s Dawn of the Dead), zombie dogs (Resident Evil), zombie Nazis (Dead Snow), zombie superheroes (Marvel Zombies), even zombie strippers (Zombie Strippers). We’ve also seen zombie comedy (Shaun of the Dead, Zombieland), zombie romance (Amelia Beamer’s The Loving Dead), and even zombies invading classic nineteenth-century literature (Pride and Prejudice and Zombies). And of course we’ve seen David Wellington’s gonzo Monster trilogy, which features smart zombies, superpowers, mummies, and an epic battle for the future of humanity.

But sometimes all you’re in the mood for are some good old-fashioned moaning, shambling zombies, which our next story delivers-in spades. Here David Wellington takes the zombie story back to its roots-a bunch of regular folks just trying to survive, figuring out what they’re willing to do to make it, and the horrible things they have to do after the end of the world. After all the variations, parodies, and mashups, the classic Romero-style zombie is still alive and well (so to speak) and still, after all these years, coming to get you.

The sun was coming down over the desert, painting the red rocks a hundred different shades of purple, silver, and ocher and making spiky silhouettes out of the few creosote bushes that eked a living out of the barren land. I watched the hot pink clouds scud by overhead for a while before turning my attention back to the fence.

Then my heart stopped beating.

The dead man was only a couple feet away from Candy when I saw him. He was on the wrong side of the chain-link fence but he was leaning on it, hard, and it was starting to sway. His clothes were bleached white by the sun and his skin was gray. His lips had rotted away, like most of his face, and his teeth were huge and yellow and broken until they looked very sharp.

Candy was three years old. She didn’t even look up. There’d never been a time in her life when the dead people weren’t around, weren’t reaching for her, gnashing their teeth at her. There’d never been a time when Mommy wasn’t right there to save her.

I wasn’t going to let her learn different. Not until she was old enough to hold a weapon.

So I didn’t shout at her, didn’t scream for the dead guy to back off. I brought up my bow and nocked an arrow. Drew back, nice and steady, and took my time to aim. My bow string twanged but my arrow didn’t make a sound as it went right through the chain link, and right through his skull. The point came out the other side.

He fell down in a heap. Silently.

Thank you, Girl Scouts of America, I thought.

I went over to Candy then, to get her away from the corpse. They don’t smell so bad anymore-the sun down here dries them out-but you can still get sick just by being near them. And sometimes they aren’t as dead as they look.

Candy was squatting down on the ground by the pump house that used to fill up the swimming pool. She had a bunch of credit cards and she had laid them out on the yellow grass, sorting them by color. The plastic had gone white around the edges over time and the silver ink had rubbed off the numbers, but the holograms still flashed back and forth in the sun as I reached down to pick her up.

“Look at the bird,” Candy said, pointing at one of them. “It flies if you close one eye, then the other.”

“Sure does, pumpkin,” I said, and kissed the side of her head.

It’s been a year and a half since I saw a bird. I don’t know when she ever had, but she knew, birds fly. Birds fly away. People have to stay on the ground, right where they are.

Bruce and Finster came out of the shade of the motel complex wearing gloves and bandanas across their faces. I covered them with my bow while they dragged the corpse into the empty pool and set it on fire. The bottom of the pool used to be painted blue but the paint had chipped away months ago and now the bare concrete showed through. There were black scorch marks like flat craters all over the concrete.

The guys couldn’t just drag the body out into the desert to rot away. That would just draw more of the dead-they don’t eat their own kind, but once you destroy the brain, all bets are off. Anything that could hurt us, anything that would draw attention to us, was dragged down into the pool and burned until there was nothing left but ashes and bones.

I didn’t stick around to watch. I took Candy back to our room instead, to let her play inside where the air might be stuffy but she couldn’t just wander away. Then I went into the dark bathroom and stared at myself in the mirror for a while.

I did that every time I killed somebody. I was looking for any sign of fear, or weakness. If I found my lips were shaking I made them stop. If my eyes looked too wide I forced myself to squint. If I had gone white as a sheet I held my breath until my color came back.

I could have been an actress. You know, Before. I was a dancer in Vegas-yes, that kind of dancer-but I was saving my money to go to LA. Then it got overrun and everybody there died. Guess it was a good thing I never got my big break.