The Living Dead 2

We tore ourselves apart trying to destroy them. Yet we still didn’t understand them. We didn’t know where they were coming from, what they were, what they wanted. We grew weaker as they grew stronger.

Do you understand me? I think that you do. Your pulse rate and pupil dilation and skin conductivity all show peaks at the key points of my story. That’s good. That means you might be human.

Listen:

Let me tell you what the distinguished old physicist told me. Let me tell you about the observer effect and Boltzma

In the nineteenth century, the Austrian physicist Ludwig Boltzma

But suppose other observers outnumbered us? What would happen then?

The probability of even one Boltzma

This was what the old physicist told me, in the long ago. He had evidence, too. Simple experiments that measured slow and continuous changes in the position of the absorption lines of calcium and helium and hydrogen in the sun’s spectrum, in standards of mass and distance, and in the speed of light. He believed that the fundamental fabric of the universe was being altered by the presence of the zombies, and that those changes were reaching back into the past and forward into the future, just as a pebble dropped into a pond will send ripples spreading out to either side. Every time he checked the historical records of the positions of those absorption lines, they agreed with his contemporaneous measurements, even though those measurements were continuously changing. We are no longer what we once were, but we are not aware of having changed because our memories have been changed too.

Do you see why this story is important? It is not just a matter of my survival, or even the survival of the human species. It is a matter of the survival of the entire known universe. The zombies have already taken so much from us. The few spies and scouts who have successfully mingled with them and escaped to tell the tale say that they are demolishing and rebuilding our cities. Day and night they ebb and flow through the streets in tidal masses, like army ants or swarming bees, under the flickering auroras of strange energies. They are as unknowable to us as we are to them.

Listen:

This is still our world. That it is still comprehensible to us, that we can still survive in it, suggests that the zombies have not yet won an outright victory. It suggests that the tide can be turned. We have become vagrants scattered across the face of the Earth, and now we must come together and go forward together. But the zombies have become so like us that we can’t trust any stranger. We can’t trust someone like you, who stumbled out of the wilderness into our sanctuary. That’s why you must endure this test. Like mantids or spiders, we must stage fearful courtship rituals before we can accept strangers as our own.

I want you to survive this. I really do. There are not many of us left and you are young. You can have many children. Many little observers.

Listen:

This world can be ours again. It has been many years since the war, and its old beauty is returning. Now that civilisation has been shattered, it has become like Eden again. Tell me: Is a world as wild and clean and beautiful as this not worth saving? Was the sky never so green, or grass never so blue?

Dating in Dead World by Joe McKi

Joe McKi

Dating is hard, and that’s under the best of circumstances. Throw in a few unusual complications, and going out on a date can quickly turn into the stuff of nightmares. In the movie 50 First Dates, Adam Sandler attempts to woo Drew Barrymore, only to discover that she’s afflicted by a rare condition that causes her to forget they’ve ever met every time she falls asleep. In There’s Something About Mary, Ben Stiller goes to pick up Cameron Diaz for the prom, only to suffer a horrifying mishap involving a zipper. But at least those guys never had to deal with the situation presented in our next story.

The author says, “After I finish a novel, I’m usually struck by a sort of separation anxiety. So much mental effort is put into worldbuilding and getting to know the characters. So what I usually do is write a few short stories set in the world of the novel I’ve just finished. ‘Dating in Dead World’ was a part of that process.” He adds, “Right before I left for my first date, my dad gave me the only bit of parental sex education I ever received. He said, ‘Remember this, you will be held personally accountable for everything that happens to that girl from the moment she leaves her front door to the moment she walks back in it. Conduct yourself accordingly.’ It wasn’t until after I’d written this story that I realized I was cha

Heather Ashcroft told me to come to the main entrance of her father’s compound. She said the guards there would know my name; they’d be expecting me.

They were expecting me all right.

Four of them had their machine guns trained on me while a voice on a PA speaker barked orders.

“Turn off your motorcycle and dismount.” The voice was clear, sharp, professional.

I did what I was told.

“Step forward. Stand on the red square.”

I did that too.

“Stand still for the dogs.”

Three big black German shepherds were led out of the guard shack and began circling me, sniffing me. Cadaver dogs, trained to sniff out necrotic tissue. No surprise there. Even the smaller compounds use them, and the one I was about to enter was no minor league operation. Dave Ashcroft controls the largest baronage in South Texas, and his security is top notch.