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Philippe leaned forward, before Korda could go on. He smiled in a ma

“I was suckered,” the bureaucrat said. “All right, I admit that. He threw me off-balance and then nailed me with that camera crew.”

Korda scowled down at his clasped hands. “Off-balance. You were raving.”

“Excuse me,” Muschg said. “Could we possibly have a look at the commercial in question?” Philippe raised an eyebrow at this unwarranted show of independence, much as he would have had his elbow suddenly ventured to offer a criticism of him. But he nodded, and his briefcase hoisted a television set onto the table. The bureaucrat appeared on the screen, red-faced, with a microphone stuck in front of him.

I’ll track him down and 1 will find him. No matter where he is. He can hide, but he can’t escape me!

Off-camera someone asked, Is it true he’s stolen proscribed technology? Then, when he shrugged off the question, Would you say he’s dangerous?

“Here it comes,” Korda said.

Gregorian is the most dangerous man on the planet.

“I was under a certain amount of stress at the time…”

Why do they call him the most dangerous man on the planet? Gregorian’s granite image filled the screen. His eyes were cold moons, stern with wisdom. What does this man know that they don’t want you to learn for yourself? Find out for — Korda snapped it off.

“Gregorian couldn’t’ve paid you to do better.”

In the middle of the uncomfortable silence a phone rang. The briefcase removed it from a jacket pocket and held it out. “It’s for you.”

The bureaucrat took the receiver, grateful for the moment’s respite, and heard his own voice say, “I’m back from the bottle shop. Can I report?”

“Go ahead.”

He absorbed:

In an obscure corridor known as Curiosity Lane the bureaucrat came to a run of small shops, windows dark with disuse, and entered an undistinguished doorway. A bell jangled. It was shadowy within, shelf upon shelf crammed with thick-glassed, dusty bottles, extending back forever in a diminishing series of receding storage reaching for the Paleolithic. Gilt cupids hovered in the ceiling corners with condescending smiles.

The shopkeeper was a simple construct, no more than a goat’s head and a pair of gloves. The head dipped, and the gloves clasped each other subserviently. “Welcome to the bottle shop, master. How may I help you?”

“I’m looking to find something, uh …” — the bureaucrat waved a hand, groping for the right phrase — “of rather dubious value.”

“Then you’re in the right place. Here is where we store all the damned children of science, the outdated, obscure, and impolite information that belongs nowhere else. Flat and hollow worlds, rains of frogs, visitations of angels. Paracelsus’s alchemical system in one bottle and Isaac Newton’s in another, Pythagorean numerology corked here, phrenology there, shoulder to punt with demonology, astrology, and methods of repelling sharks. It’s all rather something of a lumber room now, but much of this information was once quite important. Some of it used to be the best there was.”

“Do you handle magic?”

“Magic of all sorts, sir. Necromancy, geomancy, ritual sacrifice, divination by means of the study of entrails, omens, crystals, dreams, or pools of ink, animism, fetishism, social Darwinism, psychohistory, continuous creation, Lamarckian genetics, psionics, and more. Indeed, what is magic but impossible science?”

“Not long ago I met a man with three eyes—” He described Dr. Orphelin’s third eye.

The shopkeeper tilted its head back thoughtfully. “I believe we have what you’re looking for.” It ran its fingers over a line of bottles, hesitated over one, yanked another out, and swirled it around. Something like a marble rattled and rolled within. With a flourish it uncorked the bottle and poured a glass eye out onto the counter. “There.”

The bureaucrat examined the eye carefully. It was perfectly human, blue, with a rounded T-shaped indentation on its back. “How does it work?”





“Simple yoga. You are in the Tidewater now. Can I take it you are aware of the kind of bodily control their mystics are reputed to have?”

He nodded.

“Good. The eye is swallowed. The adept keeps it in his stomach until he needs it. Then it’s regurgitated up into the mouth. The smooth side is pushed against the lips — open the mouth and it looks real — and manipulated by the tongue. It can be moved back and forth and up and down using the indentations in the back.” The eye was returned to the bottle and the recorked bottle to the shelf. “It was simply a conjuring trick.”

“Then how come I fell for it?”

The goat’s head dipped quizzically. “Was that a real question, or rhetorical?”

The question took the bureaucrat by surprise; he had been no more than talking to himself. Nonetheless, he said, “Answer me.”

“Very well, sir. Conjuring is like teaching, engineering, or theater in that it’s a form of data manipulation, a means of making reality do what one desires. Like theater, however, it is also an art of illusion. Both aim to convince an audience that what is false is so. Meaning heightens this illusion. In a drama meaning is manipulated by the plot, but normally conjuring has no added meaning. It is performed openly as a series of agile distractions. When a context and meaning are provided, the effect changes. I assume that when you saw the third eye produced, there was an implicit significance to the action?”

“He said he was examining me for spiritual influences.”

“Exactly, and this distorted your response. Had you seen this trick performed on a stage, it would have seemed difficult, but not baffling. Knowing that it was a trick, your mind would have been engaged in the problem of solving it. Meaning, however, diverts the mind from the challenge, and the puzzle becomes secondary to the mystery. You were so distracted by the impossibility of what you saw that the question became not, How did he do that?, but rather, Did I see that?”

“Oh.”

“Will that be all, sir?”

“No. I need to know exactly what a magician on the Tidewater can and ca

“We have nothing like that.”

“Don’t give me that. There was outright rebellion in White-marsh not a lifetime ago. We must have had agents there. Reports, councils, conclusions.”

“Yes, of course. On our closed shelves.”

“Damn it, I have a very serious need for that information.”

The goat’s head shook itself dolorously and spread its gloves wide. “I can do nothing for you. Apply to the agency that suppressed it.”

“Who was that?”

A glove floated down to light a slim white candle. It drew a sheet of paper from a drawer and held it over the clear flame. Sooty letters appeared on the paper. “The order of restraint came from the Division of Technology Transfer.”

The information stream ended. As he handed his briefcase the phone, the bureaucrat could hear the last of his agent unraveling itself back into oblivion.

“I suppose what disturbs us all,” Philippe said, “is the public nature of your statements. The Stone House is furious with us, you know. They’re simply livid. We have to provide them with some coherent explanation for your actions.”

Muschg’s briefcase whispered in her ear, and she said, “Tell us about this native woman you became involved with.”

“Well.” Philippe and Korda looked as bemused as the bureaucrat felt; intentionally or not, Muschg was driving the three of them closer together. “Sometimes fieldwork gets complicated. If we tried to play it by the book, nothing would get done. That’s why we have field operations — because book methods have failed.”