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"'The night has a thousand eyes,'" Kit said hoarsely, and lifted her head to face the villain. The Baudelaires could tell by her voice that she was reciting the words of someone else. '"And the day but one; yet the light of the bright world dies with the dying sun. The mind has a thousand eyes, and the heart but one: yet the light of a whole life dies when love is done.'"
Count Olaf gave Kit a faint smile. "You're not the only one who can recite the words of our associates," he said, and then gazed out at the sea. The afternoon was nearly over, and soon the island would be covered in darkness. '"Man hands on misery to man,'" the villain said. "'It deepens like a coastal shelf. Get out as early as you can—'" Here he coughed, a ghastly sound, and his hands clutched his chest. "'And don't have any kids yourself,'" he finished, and uttered a short, sharp laugh. Then the villain's story came to an end. Olaf lay back on the sand, far from the treachery of the world, and the children stood on the beach and stared into his face. His eyes shone brightly, and his mouth opened as if he wanted to tell them something, but the Baudelaire orphans never heard Count Olaf say another word.
Kit gave a cry of pain, thick with poisonous fungus, and clutched her heaving belly, and the Baudelaires hurried to help her. They did not even notice when Count Olaf closed his eyes for the last time, and perhaps this is a good time for you to close your eyes, too, not just to avoid reading the end of the Baudelaires' story, but to imagine the begi
This is not to say, of course, that the Baudelaire orphans died that day. They were far too busy. Although they were still children, the Baudelaires were parents now, and there was quite a lot to do. Violet designed and built the equipment necessary for raising an infant, using the library of detritus stored in the shade of the apple tree. Klaus searched the enormous bookcase for information on child care, and kept careful track of the baby's progress. Su
As the night grew later they would drop off to sleep, just as their parents did, in the chairs in the secret space beneath the roots of the bitter apple tree, in the arboretum on an island far, far from the treachery of the world. Several hours later, of course, the baby would wake up and fill the space with confused and hungry cries. The Baudelaires took turns, and while the other two children slept, one Baudelaire would carry the baby, in a sling Violet had designed, out of the arboretum and up to the top of the brae, where they would sit, infant and parent, and have breakfast while staring at the sea. Sometimes they would visit Kit Snicket's grave, where they would lay a few wildflowers, or the grave of Count Olaf, where they would merely stand silent for a few moments. In many ways, the lives of the Baudelaire orphans that year is not unlike my own, now that I have concluded my investigation. Like Violet, like Klaus, and like Su
BRETT HELQUIST was born in Ganado, Arizona, grew up in Orem, Utah, and now lives in Brooklyn, New York. He is hopeful that with the publication of the last book in A Series of Unfortunate Events, he'll be able to step outside more often in the daytime, and sleep better at night.
LEMONY SNICKET is the author of all 170 chapters of A Series of Unfortunate Events. He is almost finished.
To My Kind Editor:
TheendofTHISEND can be found at the end of THE END,
With all due respect,
Lemony Snicket