Страница 10 из 38
“And his first Taliesin was built in the 1930’s?” I said.
Aenea shook her head. “He opened his first Taliesin Fellowship in 1932,” she said. “But that was mostly a way to get slave labor from his apprentices—both for building his dream and raising food for him—during the Depression.”
“What was the Depression?”
“Bad economic times in their pure capitalist nation-state,” Aenea said. “Remember, the economy wasn’t really global then, and it depended upon private money institutions called banks, gold reserves, and the value of physical money—actual coins and pieces of paper that were supposed to be worth something. It was all a consensual hallucination, of course, and in the 1930’s, the hallucination turned nightmare.”
“Jesus,” I said.
“Precisely,” said Aenea. “Anyway, long before that, in 1909 A.D… the middle-aged Mr. Wright abandoned his wife and six children and ran away to Europe with a married woman.”
I admit that I blinked at this news. The thought of the Old Architect—a man in his mid-eighties when we had met him four years ago—with a sex life, and a scandalous one at that, took some getting used to. I also wondered what all this had to do with my question about Taliesin East.
Aenea was getting to that. “When he returned with the other woman,” she said, smiling at my rapt attention, “he began building the first Taliesin—his home in Wisconsin—for Mamah…”
“His mother?” I said, totally confused.
“Mamah Borthwick,” said Aenea, spelling the first name for me. “Mrs. Cheney. The Other Woman.”
“Oh.”
The smile fading, she continued. “The scandal had destroyed his architectural practice and made him a branded man in the United States. But he built Taliesin and forged ahead, trying to find new patrons. His first wife, Catherine, would not give him a divorce. The newspapers—those were databanks printed on paper and distributed regularly—thrived on such gossip and fa
We had been walking in the courtyard when I asked Aenea the simple question about Taliesin, and I remember pausing by the fountain during this part of her answer. I was always amazed at what this child knew.
“Then,” she said, “on August 15, 1914, a worker at Taliesin went crazy, killed Mamah Borthwick and her son John and daughter Martha with a hatchet, burned their bodies, set fire to the compound, and then killed four of Mr. Wright’s friends and apprentices before swallowing acid himself. The entire place burned down.”
“My God,” I whispered, looking toward the dining hall where the cybrid Old Architect was having lunch with a few of his oldest apprentices even as we spoke.
“He never gave up,” said Aenea. “A few days later, on August 18, Mr. Wright was touring an artificial lake on the Taliesin property when the dam he was standing on gave way and he was swept into a rain-swollen creek. Against all odds, he swam out of the torrent. A few weeks later he started to rebuild.”
I thought that I understood then what she was telling me about the Old Architect. “Why aren’t we at that Taliesin?” I asked as we strolled away from the bubbling fountain in the desert courtyard.
Aenea shook her head. “Good question. I doubt if it even exists in this rebuilt version of Earth. It was important to Mr. Wright, though. He died here… near Taliesin West… on April 9, 1959, but he was buried back near the Wisconsin Taliesin.”
I stopped walking then. The thought of the Old Architect dying was a new and disturbing thought.
Everything about our exile had been steady-state, calm and self-renewing, but now Aenea had reminded me that everything and everyone ends. Or had, before the Pax introduced the cruciform and physical resurrection to humanity. But no one at the Fellowship—perhaps no one on this kidnapped Earth—had submitted to a cruciform.
That conversation had been three years earlier. This morning, the week after the cybrid Old Architect’s death and incongruous burial in the small mausoleum he had built out in the desert, we were ready to face the consequences of death without resurrection and the end of things.
While Aenea went off to the bath and laundry pavilion to wash up, I found A. Bettik and the two of us got busy with spreading the word of the meeting in the music pavilion. The blue-ski
I jogged from the fields to the dormitories, from the dormitories to the kitchen—where I rang the large bell set in the fanciful bell tower above the stairway to the guest deck. Those apprentices or workers whom I did not contact personally should hear the bell and come to investigate.
From the kitchen, where I left cooks and some of the apprentices taking their aprons off and wiping their hands, I a
From the drafting room I went to the library where I had spent so many happy hours and then checked the conference room, lit only by four glowing panels in the floor, and a
That first Saturday, Aenea had shown up dressed in a tuxedo, shirt, and black tie rather than one of the dresses provided. When I first saw the Old Architect’s shocked expression, I was sure that he was going to throw us out of the Fellowship and make us eke out a living in the desert, but then the old face creased into a smile and within seconds he was laughing. He never asked Aenea to dress in anything else. After the formal Saturday di