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When I am bad I am locked out of the apartment. I stand at the door hammering and hammering until I swear I will turn over a new leaf. But what is it I have done? I shine my shoes every evening on a sheet of last night’s newspaper laid carefully over the linoleum; afterward I never fail to turn securely the lid on the tin of polish, and to return all the equipment to where it belongs. I roll the toothpaste tube from the bottom, I brush my teeth in circles and never up and down, I say “Thank you,” I say “You’re welcome,” I say “I beg your pardon,” and “May I.” When Ha
Because she is good she will pack a lunch for me to take along, but then out I go, in my coat and my galoshes, and what happens is not her business.
Okay, I say, if that’s how you feel! (For I have the taste for melodrama too—I am not in this family for nothing. ) I don’t need a bag of lunch! I don’t need anything!
I don’t love you any more, not a little boy who behaves like you do. I’ll live alone here with Daddy and Ha
Who cares! And out the door I go, into the long dim hallway. Who cares! I will sell newspapers on the streets in my bare feet. I will ride where I want on freight cars and sleep in open fields, I think—and then it is enough for me to see the empty milk bottles standing by our welcome mat, for the immensity of all I have lost to come breaking over my head. “I hate you!” I holler, kicking a galosh at the door; “you stink!” To this filth, to this heresy booming through the corridors of the apartment building where she is vying with twenty other Jewish women to be the patron saint of self-sacrifice, my mother has no choice but to throw the double-lock on our door. This is when I start to hammer to be let in. I drop to the doormat to beg forgiveness for my sin (which is what again?) and promise her nothing but perfection for the rest of our lives, which at that time I believe will be endless.
Then there are the nights I will not eat. My sister, who is four years my senior, assures me that what I remember is fact: I would refuse to eat, and my mother would find herself unable to submit to such willfulness—and such idiocy. And unable to for my own good. She is only asking me to do something for my own good—and still I say no? Wouldn’t she give me the food out of her own mouth, don’t I know that by now?
But I don’t want the food from her mouth. I don’t even want the food from my plate—that’s the point.
Please! a child with my potential! my accomplishments! my future!—all the gifts God has lavished upon me, of beauty, of brains, am I to be allowed to think I can just starve myself to death for no good reason in the world?
Do I want people to look down on a ski
Do I want to be pushed around and made fun of, do I want to be skin and bones that people can knock over with a sneeze, or do I want to command respect?
Which do I want to be when I grow up, weak or strong, a success or a failure, a man or a mouse?
I just don’t want to eat, I answer.
So my mother sits down in a chair beside me with a long bread knife in her hand. It is made of stainless steel, and has little sawlike teeth. Which do I want to be, weak or strong, a man or a mouse?
Doctor, why, why oh why oh why oh why does a mother pull a knife on her own son? I am six, seven years old, how do I know she really wouldn’t use it? What am I supposed to do, try bluffing her out, at seven? I have no complicated sense of strategy, for Christ’s sake—I probably don’t even weigh sixty pounds yet! Someone waves a knife in my direction, I believe there is an intention lurking somewhere to draw my blood! Only why? What can she possibly be thinking inher brain? How crazy can she possibly be? Suppose she had let me win—what would have been lost? Why a knife, why the threat of murder, why is such total and a
And why doesn’t my father stop her?
WHACKING OFF
Then came adolescence—half my waking life spent locked behind the bathroom door, firing my wad down the toilet bowl, or into the soiled clothes in the laundry hamper, or splat, up against the medicine-chest mirror, before which I stood in my dropped drawers so I could see how it looked coming out. Or else I was doubled over my flying fist, eyes pressed closed but mouth wide open, to take that sticky sauce of buttermilk and Clorox on my own tongue and teeth—though not infrequently, in my blindness and ecstasy, I got it all in the pompadour, like a blast of Wildroot Cream Oil. Through a world of matted handkerchiefs and crumpled Kleenex and stained pajamas, I moved my raw and swollen penis, perpetually in dread that my loathsomeness would be discovered by someone stealing upon me just as I was in the frenzy of dropping my load. Nevertheless, I was wholly incapable of keeping my paws from my dong once it started the climb up my belly. In the middle of a class I would raise a hand to be excused, rush down the corridor to the lavatory, and with ten or fifteen savage strokes, beat off standing up into a urinal. At the Saturday afternoon movie I would leave my friends to go off to the candy machine—and wind up in a distant balcony seat, squirting my seed into the empty wrapper from a Mounds bar. On an outing of our family association, I once cored an apple, saw to my astonishment (and with the aid of my obsession) what it looked like, and ran off into the woods to fall upon the orifice of the fruit, pretending that the cool and mealy hole was actually between the legs of that mythical being who always called me Big Boy when she pleaded for what no girl in all recorded history had ever had. “Oh shove it in me, Big Boy,” cried the cored apple that I banged silly on that picnic. “Big Boy, Big Boy, oh give me all you’ve got,” begged the empty milk bottle that I kept hidden in our storage bin in the basement, to drive wild after school with my vaselined upright. “Come, Big Boy, come,” screamed the maddened piece of liver that, in my own insanity, I bought one afternoon at a butcher shop and, believe it or not, violated behind a billboard on the way to a bar mitzvah lesson.