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Wendy moved her hands away from her side as the three guards spread out. All three were wearing blue vaguely military looking uniforms, bulky body-armor and ballistic helmets. Two were carrying pulser guns, short barreled weapons vaguely resembling shotguns that threw out small, electrically charge darts. The darts transmitted a high-voltage shock that would shut down the human, or Posleen, nervous system. The leader, a stocky female, had a charge-pistol dangling from her hand. The GalTech weapon projected a line of heavy-gas that acted as a charge carrier for a massive electrical field. The weapon was short ranged, but it was capable of penetrating all but the most advanced armor.
"Hello, Spencer," Wendy said with a thin smile. "My 'friend' is Captain Elgars. And she is authorized, as you know, to carry whatever she wants."
"I could give a shit what you say, Cummings," said the leader. "I've got you dead to rights smuggling guns." Spencer turned to Elgars and gestured at the bag with her charge-pistol. "Put down the bag and step away from it or you're going to get a taste of my little friend."
Wendy glanced over at Elgars and blanched. The captain was still as a statue, but it was not, by any stretch of the imagination, a stillness of fear. The redhead was staring at the guard like a basilisk and it was clear that she was on the ragged edge of violence.
"A
"Shut up, Cummings," snarled the guard sergeant stepping up to Elgars and tapping her on the chest with the pistol. "Are you going to put down that bag or are you going to drop it 'cause you're twitching on the floor?"
Elgars slowly looked down at the pistol then held the bag out to the side and dropped it. As it fell she reached up and twisted the pistol out of the sergeant's hand. A short flurry of hand motions had the weapon in nine pieces which she scattered across the corridor. The captain reached down as the guard started to draw her truncheon and seized Spencer's wrist in a bone crushing grip.
The guard sergeant froze, caught by pit-bull-like grip and the lambent green fire of the captain's eyes; the two other guards didn't have a clear shot since their team-leader's body was in the way. Elgars slowly reached into her hip pocket and extracted her ID pack. She flicked it open a handspan away from the struggling guard's eyes and cocked an eyebrow. "Now, are y'all go
"Let go of my wrist," Spencer ground out, wrenching at the viselike grip.
"Tha's 'Let go of mah wrist, ma'am', " Elgars whispered, leaning into the guard sergeant so that she could whisper in her ear. "And if you don't quit struggling Ah'm going to feed you yo' arm, one inch at a tahm."
"Let go of my wrist, ma'am," the guard ground out. As the pressure from Elgars' grip increased instead, she ground out a: "Please."
Elgars relented and Spencer finally wrenched her arm away. She shook her wrist, trying to get some circulation back in her hand, and it was clear that she would prefer to just leave the confrontation. But her pistol was scattered all over the ground. She looked up at the captain, who over-topped her by at least an inch.
Wendy smiled brightly and stepped behind Elgars to pick up the bag. "We'll just be going now," she said, grabbing Elgars' arm. "Right, Captain?"
Elgars leaned forward and looked carefully at the guard's nametag. "Yes," she said softly. "O' course. Ah'm sure we'll be seein' quaht a bit of each othah, won't we, Sarn't . . . Spencer is it?"
"Of . . . of course, ma'am," Spencer answered. "Sorry about the misunderstanding."
* * *
"This is one of the cafeterias," Wendy said turning off of a main corridor into a large antechamber. There was a series of roped off "mouse mazes" leading to four open blast doors. Beyond the blast doors was a long, low room with a fairly standard cafeteria line down the middle. There was a stack of trays, cups, a beverage dispensing unit with a limited selection, utensils and sundries and a short section of food. The food consisted of rather bland dishes, weighted heavily towards starches.
Wendy took a tray and moved down the line accepting a helping of corn and a small piece of badly overcooked pork from the unsmiling servers. Elgars followed, carefully mimicking her choices.
At the end of the line Wendy turned to a small box mounted near eye height. The screen lit up and identified her correctly then sca
Wendy gestured at that. "Unless you're a real pig, you can make it on less than the calories that you're allotted every day. You can transfer a percentage of it to somebody else's account and you get increases for community service. It's the main medium of trade in the Urb."
Elgars stepped up to the box which repeated the performance noting an even larger ration balance.
Wendy raised an eyebrow quizzically and looked at the details at the bottom of the readout. "Oh, that makes sense," she said with a nod. "You're on active duty ration levels; which basically means a double ration."
"Why's that?" Elgars asked as they headed for the door.
"Active duty is assumed to be doing physical labor," Wendy pointed out. "Anyone that does day in and day out physical labor has a higher ration level; it's based on 2600 calories per day so that individuals can have some to trade. But if you're in the infantry, say, you're usually expending that much every day. So they double the ration level." She shook her head. "That's not real well known, but once you've been in this hole for a while you learn stuff."
They passed through a second set of open blast doors and into the eating area beyond, where Elgars stopped to look around.
The ceiling was about twenty meters high with glow-paint along the upper portions of the walls and onto the ceiling that gave a fairly pleasant indirect lighting. The walls, with one exception, were floor to ceiling murals, this one being a southwestern motif. The exception was a wall that was clearly stone, but unlike most of the other stone walls that Elgars had seen, this was a pattern of red on red with yellows shot through. It was pretty and clearly fit with the overall motif, but something about it waked an unpleasant memory. Elgars shivered and looked away.
The room was filled with tables and had six marked exit doors on the far side from the entry. In addition, on the parallel walls were large blast doors marked "Authorized Emergency Perso
"The cafeterias double as emergency shelters," Wendy said, gesturing at the doors. "There's nothing in them which is a fire hazard, just the tables and some drink dispensers that are pressurized in another room. In the event of a fire in the sector, people are directed to the cafeterias. The blast doors close and internal ventilation goes on; the ventilators are on the other side of those doors.
"There are eight in each of the housing sectors, two in Sector A, two in Sector F and one in each of the others. The ration level varies day by day and what's here is what you get; there's not much variety. There are a few 'restaurants' scattered around, but they're not much better and they all get the same food. There's a couple of 'bars' for that matter. Not that there's anything much to drink, either."
Elgars nodded and gestured with her head towards the rock wall. She still didn't like the look of it, but she wanted to know how the designer had gotten the pattern into it and what it was made out of.
"That's actually sandstone," Wendy said, guessing her question. "Each of the cafeterias are a different motif. For this one, the designers had some sandstone rubble shipped in and they vitrified it. That's what that melted rock is. It's been broken down by Galactic diggers—which shatter the rock by ionizing some of the molecules in it—then put in forms and melted."