The Fountainhead

Keating looked at Catherine. There was no Catherine; there was only a white face dissolving in the sounds of the loudspeaker. It was not that she heard her uncle; Keating could feel no jealousy of him; he wished he could. It was not affection. It was something cold and impersonal that left her empty, her will surrendered and no human will holding hers, but a nameless thing in which she was being swallowed.

"Let's get out of here," he whispered. His voice was savage. He was afraid.

She turned to him, as if she were emerging from unconsciousness. He knew that she was trying to recognize him and everything he implied. She whispered: "Yes. Let's get out." They walked through the streets, through the rain, without direction. It was cold, but they went on, to move, to feel the movement, to know the sensation of their own muscles moving.

"We're getting drenched," Keating said at last, as bluntly and naturally as he could; their silence frightened him; it proved that they both knew the same thing and that the thing had been real. "Let's find some place where we can have a drink."

"Yes," said Catherine, "let's. It's so cold ... Isn't it stupid of me? Now I've missed Uncle's speech and I wanted so much to hear it." It was all right. She had mentioned it. She had mentioned it quite naturally, with a healthy amount of proper regret. The thing was gone. "But I wanted to be with you, Peter ... I want to be with you always." The thing gave a last jerk, not in the meaning of what she said, but in the reason that had prompted her to say it. Then it was gone, and Keating smiled; his fingers sought her bare wrist between her sleeve and glove, and her skin was warm against his ...

Many days later Keating heard the story that was being told all over town. It was said that on the day after the mass meeting Gail Wynand had given Ellsworth Toohey a raise in salary. Toohey had been furious and had tried to refuse it. "You ca

When the strike was settled, interrupted construction went forward with a spurt throughout the city, and Keating found himself spending days and nights at work, with new commissions pouring into the office. Francon smiled happily at everybody and gave a small party for his staff, to erase the memory of anything he might have said. The palatial residence of Mr. and Mrs. Dale Ainsworth on Riverside Drive, a pet project of Keating's, done in Late Renaissance and gray granite, was complete at last. Mr. and Mrs. Dale Ainsworth gave a formal reception as a housewarming, to which Guy Francon and Peter Keating were invited, but Lucius N. Heyer was ignored, quite accidentally, as always happened to him of late. Francon enjoyed the reception, because every square foot of granite in the house reminded him of the stupendous payment received by a certain granite quarry in Co

Keating was astonished, therefore, one morning shortly after the Ainsworth reception, to see Francon arrive at the office with a countenance of nervous irritation. "Oh, nothing," he waved his hand at Keating impatiently, "nothing at all." In the drafting room Keating noticed three draftsmen, their heads close together, bent over a section of the New York Ba

He had forgotten the incident three hours later in a rush of appointments. He felt light, clear-headed, exhilarated by his own energy. When he had to consult his library on a new drawing which he wished to compare with its best prototypes, he walked out of his office, whistling, swinging the drawing gaily.

His motion had propelled him halfway across the reception room, when he stopped short; the drawing swung forward and flapped back against his knees. He forgot that it was quite improper for him to pause there like that in the circumstances.

A young woman stood before the railing, speaking to the reception clerk. Her slender body seemed out of all scale in relation to a normal human body; its lines were so long, so fragile, so exaggerated that she looked like a stylized drawing of a woman and made the correct proportions of a normal being appear heavy and awkward beside her. She wore a plain gray suit; the contrast between its tailored severity and her appearance was deliberately exorbitant — and strangely elegant. She let the fingertips of one hand rest on the railing, a narrow hand ending the straight imperious line of her arm. She had gray eyes that were not ovals, but two long, rectangular cuts edged by parallel lines of lashes; she had an air of cold serenity and an exquisitely vicious mouth. Her face, her pale gold hair, her suit seemed to have no color, but only a hint, just on the verge of the reality of color, making the full reality seem vulgar. Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.

"I'll see him now, if I see him at all," she was saying to the reception clerk. "He asked me to come and this is the only time I have." It was not a command; she spoke as if it were not necessary for her voice to assume the tones of commanding.

"Yes, but ... " A light buzzed on the clerk's switchboard; she plugged the co

The young woman turned and looked at Keating as she passed him on her way to the stairs. Her eyes went past him without stopping. Something ebbed from his stu

He heard her walking up the stairs, and the feeling vanished, but the admiration remained. He approached the reception clerk eagerly.

"Who was that?" he asked.

The clerk shrugged:

"That's the boss's little girl."

"Why, the lucky stiff!" said Keating. "He's been holding out on me."

"You misunderstood me," the clerk said coldly. "It's his daughter. It's Dominique Francon."

"Oh," said Keating. "Oh, Lord!"

"Yeah?" the girl looked at him sarcastically. "Have you read this morning's Ba

"No. Why?"

"Read it."

Her switchboard buzzed and she turned away from him.

He sent a boy for a copy of the Ba

"You enter a magnificent lobby of golden marble and you think that this is the City Hall or the Main Post Office, but it isn't. It has, however, everything: the mezzanine with the colo