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A

"I just don't want you to get bored," he says.

"I'm not." She puts on music: Dinah Washington singing "What a Diff'rence a Day Makes." Menzies was clueless about jazz before meeting her, but she has been educating him, introducing him to Ella Fitzgerald, Nina Simone, Frank Sinatra.

"You're amazingly self-sustained," he says. "I'm just afraid you'll get sick of me. Of my socks in particular."

"There is that possibility. As long as nobody sees me cooking you di

At least this life takes place overseas. She can point out that she's learning another language and that Rome is such an artistic city and that living here is itself an aesthetic education. When she does return to photography, this experience will have had a salutary effect. If she were tending house like this back in D.C.-well, she simply wouldn't. But living overseas changes the rules. As long as no one sees her. She discourages visits from friends and family, and flies home twice a year to avert them. If her mother saw this! After all those efforts to instill the importance of financial independence and a career. Or if A

Menzies' colleagues know little about his life with A

An office party approaches, and he considers not telling A

"Do you want me there?"

"I don't want me there."

"Maybe you need backup. Unless you don't want me to come."

"You're welcome anywhere I go."

"What should I tell them that I do out here?"

"No one'll ask that sort of thing."

"But if they do?"

As they enter the newsroom, he releases her hand, then wishes he still held it. He sees in the glances of his colleagues a thirst to know what co

Hardy catches sight of them, waves a little too exuberantly, and comes over. She and A

Other staffers approach Menzies, their gazes shifting between their dreary news editor and this curvaceous young woman. "So, Menzies my man, you going to introduce us?"

Once home, he tells her, "You were very"-he pauses-"very popular with everyone."

She smiles. "Popular? What is this, ninth grade?"

"I know, it sounds ridiculous. I'm saying it in a good way, though-I'm impressed."

She kisses his eyelids and gooses his behind.

He wakes early the next morning and lies a few extra minutes in bed, alive to the softness of her back, the scent of her hair. She feels unreal: the tide of her breathing against him in the dark.

He walks to work and hesitates at a boutique window. That turquoise bracelet? What about those earrings? Are they part of a set? He can't assess jewelry, can't tell if it's pretty, if she'd like it. He needs her opinion, but that defeats the purpose. He checks the opening hours. Perhaps he can sneak back between editions. Does she need earrings? Is "need" the point? What is the point? To make a point. Which is? He doesn't know, only that there is one. He's always catching her hand, then letting it go. His every effort to make his point flops. He'll buy those earrings. But the shop is closed.

At di

"That is not the word I would have chosen."

"He's sweet," she insists. "And so insecure."

"Herman is? Herman Cohen?"

"And it was interesting talking to Kathleen. She loves you."

"Kathleen loves that I do all her work."

"She clearly has a lot of respect for you."

"Really?"

"All those interns are so young. Made me feel ancient. Actually, I already feel ancient."

"If you're ancient, you must think I'm prehistoric."