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On Edgar Allan Poe BY T. JEFFERSON PARKER
Picture my suburban living room in Orange County, California, 1966: an orange carpet, pale turquoise walls, white Naugahyde furniture, white acoustic ceiling, a rabbit-eared black-and-white TV, and a wall-to-wall bookshelf six feet high and stuffed with books.
The bookcase was filled mostly with nonfiction-history and politics and outdoors adventure and travel. But we had Robert Louis Stevenson, and we had Jack London, and we had Edgar Allan Poe.
“Mom, why do we have Poe?” I asked her as a sixth-grader.
“He understood the guilty conscience. Read ‘The Tell-Tale Heart’ and you’ll see what I mean.”
So one evening, a school night, after my homework was done and my half-hour on the TV was over, I turned on the reading lamp and settled into the white Naugahyde recliner and opened Complete Stories of Edgar Allan Poe.
I read “The Tell-Tale Heart” and saw that Mom was right. I suspected that Mr. Poe also understood some things about insanity and murder-how else could he write in the voice of a madman who remembers to use a tub to catch the blood and gore when he “cut[s] off the head and the arms and the legs” of the old man he has murdered and places the parts beneath the floorboards?
I was intrigued. I was exploring a foreign mind. I was transfixed.
The next night I read “The Black Cat.” And the night after that “The Cask of Amontillado,” where I was confronted with what I still think is the best opening line I’ve ever read:
The thousand injuries of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge.
I read all of those stories over the next six months. Some I loved, and some unsettled me, and some went far over my young head.
But I took them all into my young heart. What they taught me was this: there is darkness in the hearts of men; there are consequences of that darkness; those consequences will crash down upon us here in this life. They taught me that words can be beautiful and mysterious and full of truth.
These are the things I learned from Poe as I sat in the white recliner in my Orange County living room as a twelve-year-old, and these are the things I write about today.
That volume sits beside me now. There are still small red dots beside the stories I read that first month: “Ligeia,” “A Descent into the Maelström,” “The Masque of the Red Death.”
When I open it, I can see that room of forty years ago, and I can remember my rising sense of foreboding and excitement when I read the first line of “The Fall of the House of Usher.”
I still read those stories. I still love them, and they still unsettle me, and some of them still go over my no-longer-young head.
T. Jefferson Parker was born in L.A. and grew up in Orange County, California. He has worked as a waiter, an animal hospital night watchman, and a newspaper reporter. His first novel, Laguna Heat, was published in 1985. Fourteen books later, he is ridiculously lucky to have received two Edgar Awards for Best Mystery. He is also the proud owner of a brick salvaged from Edgar Allan Poe’s last New York apartment, which occupies a place of honor on the Parker family room hearth.
The Cask of Amontillado
THE THOUSAND INJURIES of Fortunato I had borne as I best could; but when he ventured upon insult, I vowed revenge. You, who so well know the nature of my soul, will not suppose, however, that I gave utterance to a threat. At length I would be avenged; this was a point definitively settled-but the very definitiveness with which it was resolved, precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such to him who has done the wrong.
It must be understood, that neither by word nor deed had I given Fortunato cause to doubt my good-will. I continued, as was my wont, to smile in his face, and he did not perceive that my smile now was at the thought of his immolation.
He had a weak point-this Fortunato-although in other regards he was a man to be respected and even feared. He prided himself on his co
It was about dusk, one evening during the supreme madness of the carnival season, that I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him, that I thought I should never have done wringing his hand.
I said to him: “My dear Fortunato, you are luckily met. How remarkably well you are looking to-day! But I have received a pipe of what passes for Amontillado, and I have my doubts.”
“How?” said he. “Amontillado? A pipe? Impossible! And in the middle of the carnival!”
“I have my doubts,” I replied; “and I was silly enough to pay the full Amontillado price without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain.”
“Amontillado!”
“I have my doubts.”
“Amontillado!”
“And I must satisfy them.”
“Amontillado!”
“As you are engaged, I am on my way to Luchesi. If any one has a critical turn, it is he. He will tell me-”
“Luchesi ca
“And yet some fools will have it that his taste is a match for your own.”
“Come, let us go.”
“Whither?”
“To your vaults.”
“My friend, no; I will not impose upon your good nature. I perceive you have an engagement. Luchesi-”
“I have no engagement; -come.”
“My friend, no. It is not the engagement, but the severe cold with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre.”
“Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchesi, he ca
Thus speaking, Fortunato possessed himself of my arm. Putting on a mask of black silk, and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo.
There were no attendants at home; they had absconded to make merry in honor of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.
I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood together on the damp ground of the catacombs of the Montresors.
The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.
“The pipe?” said he.
“It is farther on,” said I; “but observe the white web-work which gleams from these cavern walls.”