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“Kira! Kira?” She marched room to room, growing madder by the minute. “Kira!” Hit the stairs ru
Empty. No sign of Kira, no different than the room had appeared the last time she’d checked. A twinge of fright ran through her. It hadn’t occurred to her someone other than Kira might have returned the truck. Someone other than Kira might be inside. The mountain man, for instance-was he the one she’d apparently mentioned while under hypnosis? The one who’d given her the concussion?
She moved stealthily, creeping along the hallway toward the elegant stairway leading to the ground-level living room. Clinging to the handrail, she took each step carefully, turning her head side to side to take in everything around her. Her “damn you, Kira” attitude had reversed, and she was now once again concerned for the missing girl’s well-being, panicked over her own situation, wondering how she’d allowed her emotions to dictate. Nancy would have sent a deputy had she asked; in her determination to protect Kira and the Engletons, she’d acted hastily and stupidly.
She hesitated at the bottom of the stairs. She heard the low hum of the twin Sub-Zero refrigerators, the ticking of the ship’s clock on the mantel. Ringing in her ears, and the thump of her own blood coursing past her eardrums. The house was enormous, multiple levels with several wings, a wine cellar, a sauna, a workout gym. On the one hand, she felt terrified; on the other, if Kira had returned the truck, she wanted to talk to her before the sheriff’s office did.
The front door called to her. She would feel safer once outside. Instead, she rounded the bottom of the unsupported, curving cherrywood staircase, and moved down a hallway lined with closets and family photos to a back stairwell that she followed lower to the split level. She searched the weight room, the his/her bathrooms, and the sauna. Two guest bedrooms. A utility/storage area. The laundry. She returned upstairs and made her way into the south wing, a guest wing consisting of a pair of two-bedroom suites. Checked all the closets and all four bathrooms.
As she returned to the living room, she was filled with an added sense of dread, the feeling of being watched. She snatched up a leaded crystal cube-a philanthropic award given to Michael and Leslie by a California hospital-clutching it like a baseball, but wielding it as a weapon carried high at her shoulder.
“I know you’re in here,” she said softly, knowing no such thing. “I can feel you.” Feeling too much to know what she felt.
She eyed the wide hallway leading to the garage. It stretched out beyond her, suddenly much longer. More closets and a pantry lined it-a person could hide behind any of the doors, waiting. She tried to slow her breathing, to calm herself, but it was useless. She pressed her back to the wall and edged toward the first of the doors, jumped across the hall and backed up to the opposing wall. She kept the glass cube held high, visualized herself smashing it into a stranger’s face. She tacked her way down the hall, wall to wall, ever alert. Reached the garage door and threw it open.
It bounced off the stopper and came back at her and she blocked it with her toe. A box freezer in the garage groaned and Fiona suddenly viewed it as a coffin and moved toward it cautiously, slipping past the pickup truck that shouldn’t have been there. With her back to the freezer, her fingers deciphered its latch and forced it open and she lifted its springed lid blindly, finally gathering the courage to peer behind her and see nothing but bricks of frozen meat in white paper wrappers.
Now, finally, she felt her nerves settling. Her last great fear was that she would find Kira in the truck. She gathered her courage, climbed onto the side rail, and, holding to the exterior mirror with her left hand and still clutching the glass cube in her right, pressed her eyes to the glass and tried to see inside. She moved front seat to back. Empty.
She climbed into the truck bed and hesitated only briefly before popping the lid on the Tuff-Box toolbox mounted below the cab’s rear window. Tools. A jumper cable. No body. She sat down into the truck bed and released an audible sigh, waited for her light-headedness to pass, and collected herself. Slowly, the anger at Kira reentered her, and it was everything she could do to suppress it.
She owed Nancy a phone call. She owed Walt an explanation. But her imagination got the better of her. She’d been fixated on trying to explain what had happened to her, where Kira had gone, the body at the bottom of the mountain.
Knowing Nancy was expecting her call, she moved quickly now, suddenly energized, freed of the weight of her prior fears. It was almost as if she’d rehearsed it, the way she went about it so methodically.
She found the blank sheets of paper and the Scotch tape in Michael’s office. The acrylic paint in Leslie’s painting studio. She tripped the garage door on her return, and climbed into the truck and found the keys in the center island’s cup holder. She slipped the key into the ignition and left the driver’s door open and the key alarm sounding as she placed the taped-together sheets of copy paper behind each of the truck tires, mixed the eggplant purple paint with some water, and meticulously applied the paint to the tire rubber as if she’d done it a hundred times. She climbed behind the wheel and backed up the truck, and then collected the four strips of paper and liked three of the four she saw. She repeated the procedure for the front right tire and then wiped down all four tires with a wet rag and parked the truck and shut the automatic door, returning to her cottage, where she generated photographs of the truck tire impressions from the Gale crime scene.
The scale was wrong and so she reprinted two of the photographs, this time enlarging the photos to where she got less of the impression, but a wider width.
Then, placing the photographs next to the impressions she’d taken from the garage, she studied the tread pattern and took out a tape measure from her kitchen junk drawer, and noticed her hands shaking as she counted the rows of tread pattern and tried to calculate the widths. At last she turned around the photo to her right and moved it along the taped-together copy pages, and gasped at what she saw.
She jumped and let out a cry as the phone in her pocket buzzed, jolting her. She reached for it, knowing who it would be before ever checking the caller ID.
Her thumb hovered, wondering whether to answer it or not.
26
Walt sat facing the computer screen on his dining-room table when he heard the rhythmic tap of footfalls on his front porch steps. He was sending an e-mail to Boldt and hoping to Skype with the detective, to talk through the facts of the case and see if they converged for Boldt as they did for him. The tire impressions had come back from the lab as a BFGoodrich-branded tread-the Radial Long Trail. The pollen collected from Gale’s earwax had been identified as coming from a yellow lily. He’d witnessed Boatwright’s gardener digging up a flower bed. To mix blood into the soil? If he went after a man like Boatwright, he would need more than pollen and some hunches-an army of attorneys was more like it.
The footfalls stopped and Walt prepared himself for the doorbell or a knock. At nine-thirty p.m., it was late for a visitor, and the longer the pause continued, the more convinced he became that an insecure Fiona awaited him at the door. He pushed back his chair and closed the distance to the front door quickly, not wanting to lose her, throwing it open and feeling his expectation crushed as he stood facing a stranger.
“Hello?” he said.
In her late twenties or early thirties, the woman had a tired look about her, stringy brown hair, wore no makeup, had seven empty holes ru