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CHAPTER FOUR
On Epsom Downs when racing does begin, Large companies from every part come in, Tag-rag and Bob-tail, Lords and Ladies meet, And Squires without Estates, each other greet…
1735 race-course ditty
In this world there are only two tragedies. One is not getting what one wants, and the other is getting it.
Lady Windemere’s Fan, 1892 Oscar Wilde
“Kate!” Je
Kathryn Ardleigh Sheridan was no racing enthusiast, but the Derby was as much a national holiday as a race, and since she now called England her home, she had begun to think she should attend the race one of these years. Then the Jockey Club stewards had invited her husband, Lord Charles, to set up a camera that would automatically photograph the finish. The Prince of Wales extended an invitation to her to watch the race from the Prince’s stand, and the question of her attendance was settled. Not that Kate was especially impressed by royal invitations, or had any personal interest in the social circus that surrounded H.R.H. But she had recently embarked on a writing project-an ironic novel featuring the racing set, written under her usual pseudonym of Beryl Bardwell-and she was on the lookout for ideas and material. She also knew she would encounter a few special friends at the race, Lady Randolph Churchill among them. Kate and Je
“Charles is down on the course, setting up a camera to record the finish,” Kate said in response to Je
“Lady Charles Sheridan,” Je
Kate turned with real interest to Mrs. Langtry: the Jersey Lily, once known as the loveliest woman in England, beautiful enough to capture the Prince of Wales as her lover and clever enough to keep him as a friend and sponsor even after he had transferred the royal affections to the Countess of Warwick, and more recently, to Mrs. Keppel. Now in her forties, Mrs. Langtry was still almost beautiful, Kate thought, her chestnut hair gleaming, her movements graceful, her figure ripely mature, if perhaps rather too abundantly endowed. But she had an actress’s self-assured awareness of her beauty, and her calculating glance and the cool, half-amused curl of her lips gave her an arch, disdainful look.
Kate was immediately intrigued. “I have indeed seen you perform, Mrs. Langtry, some years ago in New York, in Agatha Tylden. I thought the character of Mrs. Tylden perfectly suited to you.” The title role had been that of a powerful, energetic woman who inherited a shipping business and became so fully engaged with it that she rejected a worthy lover-only to marry him after her business failed and he rescued her from bankruptcy. At the time, Kate had admired the play but thought that she would have put a different ending to it. Surely a woman of Agatha Tylden’s power and resourcefulness could have arranged her own financial recovery without having to rely upon marriage to save her.
At Kate’s compliment, Mrs. Langtry thawed slightly. “Ah, Agatha Tylden,” she said in a reminiscent tone. “A very satisfying play. Every performance sold out, and the crowds made it difficult for me to reach the Holland House, where I was staying. ‘Langtry fever,’ the newspapers called it.” She gave a tolerant chuckle. “It was all quite amusing, I must say, and very flattering.”
Kate started to reply, but Mrs. Langtry, disregarding her, went on. “One does so enjoy roles that are written exclusively for one, of course, with one’s experiences in mind. The next will be that of Mrs. Trevelyan in Sidney Grundy’s The Degenerates-quite a daring play. No doubt some will be scandalized by its picture of modern smart society.” She smiled and flicked her cigarette ash.
Je
Kate smiled inwardly. As Beryl Bardwell’s work gained in popularity, her identity had become more widely known, but she doubted that Lady Randolph would have mentioned it just now had she not wanted to put Mrs. Langtry in her place. The strategy seemed to have succeeded, for Mrs. Langtry’s large blue-gray eyes-those smoky lavender eyes that had held princes in thrall-widened perceptibly.
“Beryl Bardwell!” she exclaimed, her ma
Taken aback, Kate saw that Mrs. Langtry’s instinct for characterization was chillingly accurate. The main character of “The Duchess’s Dilemma” was the imperious, autocratic Diana Radcliffe, Duchess of Wallingford, who staged the theft of her own jewels to conceal the fact that she had pawned them to cover her racing debts. Then, when they were stolen in earnest, she tracked down the thief and successfully achieved their return. It didn’t require more than a moment’s acquaintance with the actress to be sure that Mrs. Langtry would play the role perfectly.
But Kate was not at all certain that she wanted Mrs. Langtry to adapt her story to the stage, for it was one thing to work quietly behind a pseudonym and quite another to take on the far more public role of playwright. What was more, she suspected that working with Mrs. Langtry on the project would involve endless trials and frustrations.
“Thank you for the compliment, Mrs. Langtry,” she said. “However, I really do not feel-”
“The idea is new to you, I see,” Mrs. Langtry said confidingly. “I shall have to persuade you. But persuade you I shall.” She placed her gloved hand on Kate’s arm, her laugh melodious. “I always get my way, Lady Charles. Any of my friends will be glad to tell you that. ‘Lillie Langtry always gets her way,’ they’ll say.”
Kate was grateful that a stir at the entrance kept her from answering. His Royal Highness had arrived, accompanied by a boisterous entourage beribboned with the royal colors-and by Mrs. Keppel, smiling and elegant in ivory satin and a feather boa. Je
To Kate, he said in a gutteral, accented voice, “Lady Charles. Delighted, my dear, delighted. Is Lord Charles still down on the course?”