Dog Blood

“My name’s Da

At the mention of Sahota’s name the thug visibly relaxes. He looks me up and down again, then stands to one side and ushers me into the building. I do as he says and wait for him to follow as he pulls the door shut again and secures it with a heavy wooden crossbeam. He leads me through the ground floor of the building. My eyes are slow to adjust to the darkness indoors, and I trip down off a slightly elevated wooden stage area. He looks back at me and shakes his head.

Inside, the club is as dilapidated as everywhere else, nothing like the stupid, outdated image I’d had in my head. The floor is littered with the broken remains of off-white polystyrene ceiling tiles. Makes me wonder-if the ceiling’s this bad, how strong is the rest of the building? Disappointingly (but not unexpectedly), the bar has been completely stripped. There’s a row of spaces on the mirrored wall where the liquor dispensers would have been. Christ, I could do with a drink just to calm my nerves. I feel more anxious in here than I did back in the center of town when I was up to my neck in Unchanged.

My chaperone doesn’t want to talk. He leads me along a wide corridor, through another, much smaller second bar, then up a long staircase. There are four doors leading off a square landing. Three of them are open, and I can see at least one or two people in every room. He opens the remaining door, and I follow him into a large function room, which is almost as big as the main bar area we walked through on the floor below. It’s sparsely furnished but largely undamaged. There are several wooden crates of supplies stacked up against one wall. A guy is sitting by himself at a table in the far corner using a laptop, and there’s another asleep on a mattress under a window. As soon as I enter the room a woman gets up from where she’s been lying on a threadbare sofa. She’s hidden by shadows, but something about her is familiar. I’m sure I’ve seen her before. Is she Chapman?

“Who’s this?” she asks. Her voice has a trace of a gentle Irish accent, which is beaten into submission by the abrasiveness of her tone.

“Says he’s looking for you. Says Sahota sent him.”

My unwilling guide disappears, his job done. The woman walks toward me, stepping into the light. I immediately recognize her, but I can’t remember where from. Was it this life? My old life?

“The slaughterhouse,” she says.

“What?”

“The slaughterhouse, few days back. You’re trying to remember where you saw me before. You were there with the guy with the smashed-up hand and foot, and I-”

“You were the one telling me not to bother with him ’cause he’d be dead soon,” I interrupt, suddenly remembering where we met.

“That’s right. And he was. I’m Julia Chapman.”

“You’re a happy soul, aren’t you?” I say sarcastically as I shake her hand, recalling how blunt and matter-of-fact she was when we spoke before. She nearly crushes me with her viselike grip. She’s just trying to let me know who’s in charge.

“I’m a realist,” she answers, “and I’m focused. And so should you be. I tell you, when this war’s finished, I’ll be the first one up dancing at the fucking party and the last one to sit down. Until then, though, all I’m interested in is fighting.”

“Bit of a coincidence, though, finding you here.”

“You reckon?”

“I thought you were busy recruiting for Ankin’s army.”

“I still am.”

“So why are you here?”

“To make sure Sahota gets the right people, too.”

“What? Are you trying to tell me you followed me into the city?”

“I’m not trying to tell you anything, but yep, something like that. There were a few more people involved, and it wasn’t just you we were watching.”

“Don’t believe you.”

“Believe what you like, pal, it really doesn’t bother me. Thing is, we are where we are, and where we are is here. It’s what we do next that matters most.”

“If you say so.”

I wonder if she always talks this much bullshit or if she’s trying to impress me and exert her authority. She looks me straight in the eye, and for a second I think she might be about to throw a punch. She bites her lip and turns away.

“Come here. I want to show you something.”

I follow her out of the room and across the landing. We walk through another part of the building, where two more fighters are resting in the shadows. They glance up at me as I pass them, but they don’t move. We go out onto a narrow veranda, then use an unsteady stepladder to climb up onto a debris-strewn flat rooftop. There are large puddles of water covering much of the ground. A pair of deckchairs have been left under an improvised stretched-out tarpaulin shelter. The views across what remains of the city from one direction and the exclusion zone on the other three are vast and panoramic. Looks like they’ve been using this place as an observation post.

Julia leads me to the edge of the roof on the side of the building that looks out over the refugee camp in the center of the city. The view is incredible, not just because of its scope, but also because of the sense of scale and perspective it gives everything. In every other direction all I can see is abandoned buildings and immense swathes of empty land. Our land. No trace of the Unchanged.

“Takes your breath away, doesn’t it?”

Julia’s soaking up the view, staring with palpable hate deep into the city where hundreds of thousands of refugees are cowering in squalor. Their closeness still makes me feel uneasy.

“Is this what you wanted to show me?”

“It is, but don’t just look at it, think about it. Feel it, even. All across the whole country, our enemies are hiding together in places like this. Thousands of them crammed together in the space of just a few square miles at a time, stacked on top of each other, hardly able to breathe. Now turn around and look at what we’ve got. Out beyond the city boundary you can walk for miles and hardly see anyone.”

“I went back to where I used to live,” I tell her. “Couldn’t believe what little space we had…”

“And you know what makes it worse?” she continues, not listening. “Those idiots still have faith in the people who are supposed to be leading them, not that they ever see them or hear anything from them. Christ, they don’t even know who they are. They’re just clinging desperately to the structures and organizations that used to keep their pathetic little lives ticking along, trusting in a system that was dying long before we ever appeared.”

“Can you believe we used to-” I start to say before she interrupts. Her over-the-top enthusiasm for all of this is frightening.

“You know, some of those fuckers still think they’re going to be protected and that everything’s going to work out all right for them in the end. Thing is, you and me and everyone else knows different, don’t we?”

“They’ll never win,” I answer quickly, standing my ground as an unexpected gust of wind threatens to blow me forward. “They can’t.”

“And that’s why what we’re going to do is going to have such an effect. We’re go

“How many of us are here?”

“Including you, ten.”

“Is that enough?”

“We’re not the only group. There are others. I know Sahota wants to get more than a hundred of us in place when the time’s right.”

“And you think this is going to work?”

“No question. The Unchanged can’t trust each other. Christ, they can barely bring themselves to look at the person next to them anymore. I mean, there’s never been any real trust between strangers, but now they’ve got it into their heads that anyone could turn on them at any second. So there’s real fear in the air in there, a tension and uncertainty that’s never going to disappear. The more of them that cram themselves inside the city walls and the longer they’re in there, the more that fear increases.”