Tropic of Capricorn

Things take place instantaneously, but there's a long process to be gone through first. What you get when something happens is only the explosion, and the second before that the spark. But everything happens according to law – and with the full consent and collaboration of the whole cosmos. Before I could get up and explode the bomb had to be properly prepared, properly primed. After putting things in order for the bastards up above I had to be taken down from my high horse, had to be kicked around like a football, had to be stepped on, squelched, humiliated, fettered, manacled, made impotent as a jellyfish. All my life I have never wanted for friends, but at this particular period they seemed to spring up around me like mushrooms. I never had a moment to myself. If I went home of a night, hoping to take a rest, somebody would be there waiting to see me. Sometimes a gang of them would be there and it didn't seem to make much difference whether I came or not. Each set of friends I made despised the other set. Stanley, for example, despised the whole lot. Ulric too was rather scornful of the others. He had just come back from Europe after an absence of several years. We hadn't seen much of each other since boyhood and then one day, quite by accident, we met on the street. That day was an important day in my life because it opened up a new world to me, a world I had often dreamed about but never hoped to see. I remember vividly that we were standing on the comer of Sixth Avenue and 49th Street towards dusk. I remember it because it seemed utterly incongruous to be listening to a man talking about Mt. Aetna and Vesuvius and Capri and Pompeii and Morocco and Paris on the comer of Sixth Avenue and 49th St., Manhattan. I remember the way he looked about as he talked, like a man who hadn't quite realized what he was in for but who vaguely sensed that he had made a horrible mistake in returning. His eyes seemed to be saying all the time – this has no value, no value whatever. He didn't say that, however, but just this over and over: “I'm sure you'd like it! I'm sure it's just the place for you.” When he left me I was in a daze. I couldn't get hold of him again quickly enough. I wanted to hear it all over again, in minute detail. Nothing that I had read about Europe seemed to match this glowing account from my friend's own lips. It seemed all the more miraculous to me in that we had sprung out of the same environment. He had managed it because he had rich friends – and because he knew how to save his money. I had never known any one who was rich, who had travelled, who had money in the bank. All my friends were like myself, drifting from day to day, and never a thought for the future. O'Mara, yes, he had travelled a bit, almost all over the world – but as a bum, or eke in the army, which was even worse than being a bum. My friend Ulric was the first fellow I had ever met whom I could truly say had travelled. And he knew how to talk about his experiences.

As a result of that chance encounter on the street we met frequently thereafter, for a period of several months. He used to call for me in the evening after di

Interwoven with this talk of the other world was the whole body and texture of Lawrence's work. Often, when the park had long been emptied, we were still sitting on a bench discussing the nature of Lawrence's ideas. Looking back on these discussions now I can see how confused I was, how pitifully ignorant of the true meaning of Lawrence's words. Had I really understood, my life could never have taken the course it did. Most of us live the greater part of our lives submerged. Certainly in my own case I can say that not until I left America did I emerge above the surface. Perhaps America had nothing to do with it, but the fact remains that I did not open my eyes wide and full and dear until I struck Paris. And perhaps that was only because I had renounced America, renounced my past.

My friend Kronski used to twit me about my “euphorias”. It was a sly way he had of reminding me, when I was extraordinarily gay, that the morrow would find me depressed. It was true. I had nothing but ups and downs. Long stretches of gloom and melancholy followed by extravagant bursts of gaiety, of trancelike inspiration. Never a level in which I was myself. It sounds strange to say so, yet I was never myself. I was either anonymous or the person called Henry Miller raised to the nth degree. In the latter mood, for instance, I could spill out a whole book to Hymie while riding a trolleycar. Hymie, who never suspected me of being anything but a good employment manager. I can see his eyes now as he looked at me one night when I was in one of my states of “euphoria”. We had boarded the trolley at the Brooklyn Bridge to go to some flat in Greenpoint where a couple of trollops were waiting to receive us. Hymie had started to talk to me in his usual way about his wife's ovaries. In the first place he didn't know precisely what ovaries meant and so I was explaining it to him in crude and simple fashion. In the midst of my explanation it suddenly seemed so profoundly tragic and ridiculous that Hymie shouldn't know what ovaries were that I became drunk, as drunk I mean as if I had a quart of whisky under my belt. From the idea of diseased ovaries there germinated in one lightning-like flash a sort of tropical growth made up of the most heterogeneous assortment of odds and ends in the midst of which, securely lodged, tenaciously lodged, I might say, were Dante and Shakespeare. At the same instant I also suddenly recalled my whole private train of thought which had begun about the middle of the Brooklyn Bridge and which suddenly the word “ovaries” had broken. I realized that everything Hymie had said up till the word “ovaries”, had sieved through me like sand. What I had begun, in the middle of the Brooklyn Bridge, was what I had begun time and time again in the past, usually when walking to my father's shop, a performance which was repeated day in and day out as if in a trance. What I had begun, in brief, was a book of the hours, of the tedium and monotony of my life in the midst of a ferocious activity. Not for years had I thought of this book which I used to write every day on my way from Delancey Street to Murray Hill. But going over the bridge the sun setting, the skyscrapers gleaming like phosphorescent cadavers, the remembrance of the past set in … remembrance of going back and forth over the bridge, going to a job which was death, returning to a home which was a morgue, memorizing Faust looking down into the cemetery, spitting into the cemetery from the elevated train, the same guard on the platform every morning, an imbecile, the other imbeciles reading their newspapers, new skyscrapers going up, new tombs to work in and die in, the boats passing below, the Fall River Line, the Albany Day Line, why am I going to work, what will I do to-night, the warm cunt beside me and can I work my knuckles into her groin, run away and become a cowboy, try Alaska, the gold mines, get off and turn around, don't die yet, wait another day, a stroke of luck, river, end it, down, down, like a corkscrew, head and shoulders in the mud, legs free, fish will come and bite, to-morrow a new life, where, anywhere, why begin again, the same thing everywhere, death, death is the solution, but don't die yet, wait another day, a stroke of luck, a new face, a new friend, millions of chances, you're too young yet, you're melancholy, you don't die yet, wait another day, a stroke of luck, fuck anyway, and so on over the bridge into the glass shed, everybody glued together, worms, ants, crawling out of a dead tree and their thoughts crawling out the same way . . . Maybe, being up high between the two shores, suspended above the traffic, above life and death, on each side the high tombs, tombs blazing with dying sunlight, the river flowing heedlessly, flowing on like time itself, maybe each time I passed up there, something was tugging away at me, urging me to take it in, to a