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CHAPTER THREE

Maria

Maria

The room contained no furniture except a few hard chairs and a long counter that served as a dressing table. A faded curtain, strung on a rope, served as a wardrobe. The streaked mirror was illumined by flaring gas jets.

As Maria

Maria

"This is Maggie," Mr. Wilson said. "She'll help you dress and make up. Miss Ransom is new at this, Maggie, so show her what to do. She'll go on after the Magnificent Mazzinis."

He went out, leaving the two women alone.

Maria

"No."

Maria

The tragic mask of Maggie's face was ill-suited to any emotion except malevolence, but Maria

She took Maria

"I can do it," Maria

In her voluminous petticoats and modest, ribboned corset cover she was no more unclothed than in a low-cut evening dress, but she felt indecent. Maggie paid no heed to her blushes, but gave her undergarments a critical appraisal.

"You must come from th' country. That crinoline's ten year out o' style. An' nobody wears fla

"Isn't there a screen?" Maria

Her protests were in vain. Maggie had her out of the petticoats in a trice. Maria

Maria

"Too big, like I said," Maggie remarked, from behind her. "Stand still if you don't want to be pricked."

The shoulder straps were pulled tight and whipped into place. Then Maggie took tucks on either side of the bodice, and in front, narrowing the waist. Maria

Maria

She forgot her qualms and watched, fascinated, as Maggie's trained fingers transformed her appearance. First her hair was drawn up into a coiffure far more sophisticated than any she had ever worn. A heap of sausage curls on top was surmounted by a black ostrich feather pi

To Maria

Maggie had been warned not to spoil the girl's ingenue look. Even the bright-scarlet mouth only gave the impression of a sweet young maiden who is playing at home theatricals.

Maria

Then, beside the exquisite smiling face that stared back at her from the mirror, another face came into view, like a hideous mask hanging over the curve of her white shoulder. The two faces, one so lovely, the other so hideous, might have inspired one of the story paintings so popular in that sentimental age: the princess and the witch, or youth and old age.

Maria

Maggie's grotesque face vanished abruptly. From behind Maria

Maria