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But his abashments last too long; his cheek hath changed from blush to pallor; what strange thing does Pierre Glendi

The girl sits steadily sewing; neither she nor her two companions speak. Her eyes are mostly upon her work; but now and then a very close observer would notice that she furtively lifts them, and moves them sideways and timidly toward Pierre; and then, still more furtively and timidly toward his lady mother, further off. All the while, her preternatural calmness sometimes seems only made to cover the intensest struggle in her bosom. Her unadorned and modest dress is black; fitting close up to her neck, and clasping it with a plain, velvet border. To a nice perception, that velvet shows elastically; contracting and expanding, as though some choked, violent thing were risen up there within from the teeming region of her heart. But her dark, olive cheek is without a blush, or sign of any disquietude. So far as this girl lies upon the common surface, ineffable composure steeps her. But still, she sideways steals the furtive, timid glance. Anon, as yielding to the irresistible climax of her concealed emotion, whatever that may be, she lifts her whole marvelous countenance into the radiant candlelight, and for one swift instant, that face of supernaturalness unreservedly meets Pierre's. Now, wonderful loveliness, and a still more wonderful loneliness, have with inexplicable implorings, looked up to him from that henceforth immemorial face. There, too, he seemed to see the fair ground where Anguish had contended with Beauty, and neither being conqueror, both had lain down on the field.

Recovering at length from his all too obvious emotion, Pierre turned away still farther, to regain the conscious possession of himself. A wild, bewildering, and incomprehensible curiosity had seized him, to know something definite of that face. To this curiosity, at the moment, he entirely surrendered himself; unable as he was to combat it, or reason with it in the slightest way. So soon as he felt his outward composure returned to him, he purposed to chat his way behind the breastwork of bright eyes and cheeks, and on some parlor pretense or other, hear, if possible, an audible syllable from one whose mere silent aspect had so potentially moved him. But at length, as with this object in mind, he was crossing the room again, he heard his mother's voice, gayly calling him away; and turning, saw her shawled and bo

They had gone some way homeward, in perfect silence, when his mother spoke.

"Well, Pierre, what can it possibly be?"

"My God, mother, did you see her then?"

"My son!" cried Mrs. Glendi

Fortunately, this prolonged verbalized wonder in his mother afforded Pierre time to rally from his double and aggravated astonishment, brought about by first suspecting that his mother also had been struck by the strange aspect of the face, and then, having that suspicion so violently beaten back upon him, by her apparently unaffected alarm at finding him in some region of thought wholly unshared by herself at the time.

"It is nothing-nothing, sister Mary, just nothing at all in the world. I believe I was dreaming-sleep-walking, or something of that sort. They were vastly pretty girls there this evening, sister Mary, were they not? Come, let us walk on- do, sister mine."

"Pierre, Pierre! — but I will take your arm again;-and have you really nothing more to say? were you really wandering, Pierre?"

"I swear to you, my dearest mother, that never before in my whole existence, have I so completely gone wandering in my soul, as at that very moment. But it is all over now." Then in a less earnest and somewhat playful tone, he added: "And sister mine, if you know aught of the physical and sanitary authors, you must be aware, that the only treatment for such a case of harmless temporary aberration, is for all persons to ignore it in the subject. So no more of this foolishness. Talking about it only makes me feel very unpleasantly silly, and there is no knowing that it may not bring it back upon me."

"Then by all means, my dear boy, not another word about it. But it's passing strange-very, very strange indeed. Well, about that morning business; how fared you? Tell me about it."

II

So Pierre, gladly plunging into this welcome current of talk, was enabled to attend his mother home without furnishing further cause for her concern or wonderment. But not by any means so readily could he allay his own concern and wonderment. Too really true in itself, however evasive in its effect at the time, was that earnest answer to his mother, declaring that never in his whole existence had he been so profoundly stirred. The face haunted him as some imploring, and beauteous, impassioned, ideal Mado

The emotions he experienced seemed to have taken hold of the deepest roots and subtlest fibers of his being. And so much the more that it was so subterranean in him, so much the more did he feel its weird inscrutableness. What was one unknown, sad-eyed, shrieking girl to him? There must be sad-eyed girls somewhere in the world, and this was only one of them. And what was the most beautiful sad-eyed girl to him? Sadness might be beautiful, as well as mirth-he lost himself trying to follow out this tangle. "I will no more of this infatuation," he would cry; but forth from regions of irradiated air, the divine beauty and imploring sufferings of the face, stole into his view.

Hitherto I have ever held but lightly, thought Pierre, all stories of ghostly mysticalness in man; my creed of this world leads me to believe in visible, beautiful flesh, and audible breath, however sweet and scented; but only in visible flesh, and audible breath, have I hitherto believed. But now! — now! — and again he would lose himself in the most surprising and preternatural ponderings, which baffled all the introspective cu