Brasyl

“Oi.”

“Oi.”

“It’s been delayed. There’s something else coming in ahead of it.”

It’s a sweet little business arrangement. Coconut and guest workers come in on the night flights and with them Pernambuco’s finest mood-shifters. It’s not illegal-very little is illegal on extraterritorial Oceanus , where the corporacãos rule like colonial donatories. Neither is it particularly legal. Oceanus is a nuclear-powered gray economy, and Edson moves through the informal economy like a cat in a favela. Personality adjuncts are marketable: Edson has sent roots down into the club level, and his business plan predicts doubling the number of personalities on Oceanus in six months. God and his Mother; those blandroids need all the character they can get. And tonight tonight tonight eight kilos are coming in from the farm a shops of Recife, and everyone knows the people of the nordeste are the best cooks in all Brasil.

Lights in the dark sky, fast approaching. Now engine noise. Growing up in a flight-path, Edson has noticed how aircraft engines are never on a sliding scale of audibility, from whisper to rush to roar, but go from silence instantly to audible. Quantum noise. The kind of thing you would find in Fia’s fake.

“That’s the other flight,” Coco-boy says. He has the jeitinho with the airport staff.

“That doesn’t sound like a plane,” Edson says. A jet-black helicopter, vissible only by the gleams of moonlight on its sleek, jaguar flanks, slides in over Oceanus. Edson and Coco-boy both see the green and yellow Brasilian Air Force stars morph up on its fuselage. It settles but does not land, hovering a meter and half above the strip. A door opens. A figure drops out, landing lightly on the runway. In an instant he is up and away. In the same instant the helicopter climbs and peels away from Oceanus. It shivers against the sky and then fades into the night, stealth systems engaged.

“Fuck,” says Coco-boy.

“Back,” says Edson. “Hide.” His balls are cold and tight. Wrong here.

His balls have never lied to him. Even as Efrim. Lights come on in the control tower; seguranças run around not quite knowing what has happened or what they should do. The ru

At age twelve Yanzon could shoot the eye from a monkey among the forks and leaves of the tallest, densest tree in the forest canopy. In those plague days monkeys were not good eating; Yanzon did this merely to display his supreme skill. After the fifth pandemic reduced the Iguapá nation to twenty souls, Yanzon made the long descent of the white and black waters to Manaus. His shooting eye earned money among the people who bet on the street-archery contests. When no one would bet on him anymore, he was taken up by a patron who groomed him to represent his nation in the Olympic games. In Luzon in 2028 he won gold in all his shooting disciplines. The Robin Hood of Rio do Ouro , the papers said, the last Iguapá. But Manaus’s memory flows away like the river, and Yanzon would have slipped down through low-paid jobs into casual alcohol but for the aristocratic alva who arrived at his door one morning and offered him a job with travel prospects beyond his imagination. His old soul was unsurprised; the Iguapá had always known of the labyrinth of worlds and the caraibas who walked between them.

Now he runs lightly down the service stairs from Oceanus’s airport into the heart of the great ship. Yanzon touches the frame of his I-shades: a sunset-colored schematic is projected onto his retina. He can see through bulkheads, into sealed rooms, beyond walls and ceilings. Extraordinary technology; a world where everyone and everything may be located with a thought. A world with no room in which sin may hide. And music too; TV, movies everything. Not for the first time he wonders what his Brazyl might have achieved, but for the seven plagues.

His right hands hold the bow. It is an appallingly beautiful piece of killing gear. The compound limb is printed molecule by molecule from carbon nanofiber and molds to his grip like a prayer to a pain; the tip pivots are spun diamond. Pure titanium wheels give a hundred kilos of pull for an effortless, whip-fast draw. Gyros in the airspaces of the limb ensure exceptional stability and freedom from vibration; Yanzon can sight, aim, and have three arrows in the air and one on the nock before the first has punched home. Seeing it, you would say, That is one beautiful evil bow , but the words would not even leave your lips before Yanzon put an arrow clean through you. The real evil is not the bow, but the arrows.

Yanzon, last archer of the Iguapá, first hunter of the Order, arrives on Avenida Corporacão. The main business thoroughfare is cool, air-conditioned, cypress scented. A touch to the frame of Yanzon’s I-shades blinds the security eyes, but the baroque double doors of EMBRAÇA resist his code. This is what comes from leaving things to a hereditary aristocracy. Amateurs. The Buenos Aires Sesmarias could have handled this, but they are scared the Zemba will appear again as she did at the church when she destroyed the São Paulo family. Let her come. Yanzon has long anticipated matching her fighting art against his Q-bow. Kill the researchers, destroy the Q-cores, and the helicopter will return him to the DOI quantum computer and the crossing back to his Florianopolis beachfront apartment. He should try and pick up something in Brasilia for Rosemeri’s sixth birthday. A pair of these shades would be good, but they’re probably incompatible. It is never clean eliminating someone as prominent as this man of business, but Yanzon has seen every great man as a beggar elsewhere.

The door is quantum coded. Amen. What quantum seals, quantum shall undo. He draws the Q-blade and with one economic gesture cuts the door free from its frames. The two halves hang a moment, then fall backward onto the woven grass carpet of the reception area. As Yanzon’s boot soles crush the faces of carved baroque angels and demons, silent alarms detonate across his expanded vision.

Edson hammers on the elevator call button. Every street-sense, every gene of malandragem says never trust the elevator when your soul and love depends on it. But he’s seen what’s down the stairs. It’s here: bing. Stupid stupid stupid elevator AI: I don’t care about safety instruction. My girlfriend’s down there with an admonitory of the Order and a Q-bow. We can take care of a bunch of old queen fidalgos , Alcides Teixeira had said. No you can’t. They don’t care for your money, they don’t care for your empire, they don’t care for your polittical patronage and your power. They are beyond mere economics.

The elevator bid Edson a good night. The door opened on chaos. The great baroque doors of the EMBRAÇA headquarters, appropriated from a church in Olinda, lie on the ground. Twenty alarm lights flash; a panicked sprinkler system douses the hardwood front desk. No one on that desk. Does he spy fingertips on the carpet? Ru

Yanzon sees the ru