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The door crashed open. Her enemy was here. Marcelina rolled into a defensive stance. The anti-Marcelina hefted her blade to a killing grip. Back and forth they fought, strike and counterstrike, across the puddled rooftop, slipping on the loose gravel, tripping on the satellite cables and water pipes. Feint by feint Marcelina drew her assassin to the sheer face of the morro, pressing to within centimeters of the parapet. Above her concrete pillars rose like organ pipes, stabilizing the rock face. There were service ways up to those piers. She hopped on to the edge and leaped across the gap on to the hill itself. Her enemy followed but Marcelina was already up on to the service path, a precipitous ledge with only a chain for handrail. A sudden tug almost pulled her from the path; Marcelina reeled back hard against the wet rock. The chain that had almost dragged her down fell away into the dark between the flat roofs of the apartment blocks below. Her enemy looked up into her face. With the last of her strength Marcelina ran up the steps onto the top of the morro. Rio lay beneath her, the lagoon an oval of darkness, a jet jewel set in gold. Leblon, Gávea, the shining spill of Rocinha; Ipanema a line of light interrupted by dark hills, beyond it the glowing scimitar of the Barra da Tijuca. To her left the lights of the Copacabana were a golden necklace between the shouldering morros.

The anti-Marcelina appeared over the top of the steps, panting.

“Let’s have it out,” Marcelina said. “Here. No more ru

The anti-Marcelina shook her head. Rain flew from her golden hair.

Marcelina was shivering, wet to the bone, but it would end here, far from the eyes of the world, high above Rio de Janeiro. The enemy launched at her. She was good, but she had no jeito, no malandragem. Marcelina dropped into a banda, caught her enemy’s legs between her own, and twisted. The anti-Marcelina went sprawling. Marcelina followed with a down-and-dirty kick to the side of the head. The anti-Marcelina howled but rolled into a knife-fighting crouch. She menaced, jabbing, feinting with the quantum-blade. You picked the wrong martial art , Marcelina thought, floating in ginga, coiled like a jaguarundi. The true capoeirista will always appreciate a good dodge more than a good blow.

“You know,” she said, “that you don’t give a damn about anything that gets in your way, the casual cruelty, I can understand. I’ve done that myself. But what I can never, ever ever forgive is that part of me that wants to be a fucking cop.”

The anti-Marcelina struck. The tip of the Q-blade grazed the inside of Marcelina’s forearm. There was no pain, no shock; then Marcelina saw blood well from the long, shallow line. The anti-Marcelina reversed her grip, came in again. Marcelina ducked into a defensive cocorinha and saw it. It was simple, it was beautiful, it was malandragem. She grabbed the cuffs of the anti-Marcelina’s pants and pulled up. With a cry the anti-Marcelina went back over the edge of the morro.

Marcelina watched her own face, eyes wide, drop through the spears of rain. There was no cry, no scream, but the quantum-blade cut a line of blue light through the air. She watched her other self strike the edge of a rooftop and bounce, spi

Marcelina stood a long time in the hammering rain, counting breaths. Breathing was good, count them, slow the heart. Count the breaths one two three. Don’t think about what you did. Don’t think about the look in your eyes as you fell down into the dark between the apartment blocks. You died there. You lost. You won; but in wi

Marcelina looked down into the darkness where her enemy lay. She lost, but she beat you. You are dead too.

Footsteps on wet rock.

Marcelina spun into defense. A man in loose dark clothing, formless against the night. A thumbnail of white at his throat; priest’s vestments?

“If you want me you can have me, I’m dead anyway.” She stood upright, opened her arms.

“You can never win against yourself.” A big man, white-ski

“So, who are you? Order or player!”

“I was an admonitory,” the man said. “Now I am a visitor. A traveler. An explorer. A recruiter, perhaps.”

“Explorer of what?”

The man smiled. Marcelina could make our that he had the palest blue eyes.



“You know that.”

The sirens were close now.

“Recruiter?”

“What does one recruit for, if not a war!”

The sirens had shut down.

“Come with me,” the priest said. “Here. Now. This is the one chance you’ll get. It will mean leaving everything you’ve ever hoped for and loved behind, but you’ve lost those anyway, and there are ways back. There are always ways back. There is a war, but it’s bigger than you ever thought. It’s bigger than you can think. It’s your chance to make a universe. You are a maker. Come and make reality.”

Marcelina felt the multiverse open around her like wings, each feather a universe. The priest turned away; a billion doors opened before him.

“Who are you?” Marcelina shouted.

“Does it matter?”

What was there? The Girl Who Came Back from the Dead would be a hell of a program, but no producer should ever be the star of her own show. The husband, the beautiful children, the babies, the stellar career — they would never happen. One thing she could do.

“I’m not a cop.”

“Oh no,” the priest said. “Never that.”

“That’s all right, then,” Marcelina Hoffman said, and stepped after him out among the universes.

APRIL 18, 2033

The ball hangs motionless at the top of its arc. Freeze-framed behind it, perfect sky perfect sunset perfect perfect sea. A hand reaches up and smashes it hard over the net. The girl in the red baseball cap and matching tanga dives, meets the ball with her two fists, a beautiful block. Her partner follows the volley, times her jump and is there to spike it down on to the enemy sand. Thigh muscles belly muscles upper arms are in perfect definition. Asses in mathematically curved precision. The breasts are high and firm and big, but they move like real flesh. Cheekbones knife-sharp. Noses flattened, kissy-kissy pert lippies.

They’re stupidly fabulous, bur Edson’s not watching them. He follows the coconut boy sauntering over the sand with his machete and his wares slung around his shoulder. He’s in good shape, swimmer’s definition, muscles but not too many, natural not surgical. He sees Edson looking over as he drags past, catches his eye. A toss of the head. It’s on for tonight. Edson turns and leaves the sunset beach for the strip. Behind him robots scurry from scrapes to rake smooth the sand, erasing all trace of his presence. The glory-girls do not even glance away from their game.