Dead Mans Hand

"Getting a good picture of the place in my head," Jay said. He smiled crookedly and made his right hand into a gun, three fingers folded down, thumb cocked like a hammer, index finger pointed at Angela Ellis. "I'm a good boy, Captain. If I bump into your killer, I'll want to send him right here to you."

She looked puzzled for a moment, then flushed when she remembered what he could do. "Aces," she muttered. "Get the hell out of here."

He did. Kant and Maseryk were back in the squad room. "Captain on the rag?" Jay asked as he passed. They exchanged looks and watched him leave. Jay went out the front door, walked around the block, went back in, and took the steps down to the basement.

The precinct records were kept in a dimly lit, lowceilinged room next to the boiler, part of which had been the coal cellar once upon the time. Now it held a couple of computer consoles, a xerox machine, a wall of overflowing steel filing cabinets, and one very pale, very short, very nearsighted policeman.

"Hello, Joe," Jay said.

Joe Mo turned around and sniffed at the stale air. He was just under five feet tall, stooped and potbellied, with a complexion the color of a mushroom. Tiny pink eyes peered out from behind the largest, thickest pair of tinted spectacles that Jay had ever seen. White, hairless hands rubbed together nervously. Mo had been the first joker on the NYPD, and for more than a decade he'd been the only joker on the NYPD. His appointment, forced through under the ba

"Popinjay," Mo said. He adjusted his glasses. The milk white of his skin was shocking against the dark blue of his uniform, and he always wore his cap, night and day, even indoors. "Is it true?"

"Yeah, it's true," Jay told him. Mo had been a pariah when he'd joined the force, even in Fort Freak. No one had wanted to partner him, and he'd been made unwelcome in the usual cop bars. He'd been doing his off duty drinking in the Crystal Palace since its doors first opened, paying for every drink in a rather ostentatious show of rectitude, and collecting ten times his tab under the table for acting as Chrysalis's eyes and ears in the cophouse.

"I heard you were the one found the body," Joe Mo said. "Nasty business, wasn't it? Makes you wonder what Jokertown is coming to. You'd think she'd be safe, if anyone was." He blinked behind the dark, thick lenses. "What can I do for you, dear boy?"

"I need to see the file on the ace-of-spades killer."

"Yeoman," Joe Mo said.

"Yeoman," Jay Ackroyd repeated thoughtfully. It came back to him then. Yeoman, I don't care for this, Chrysalis had said with ice in her voice, that night a year and a half ago when they'd faced off in the darkened taproom of the Palace. She was always a master of understatement. "I remember," he said.

"Why, there hasn't been a new bow-and-arrow killing in more than a year," Mo said. "You really think he's the one?"

"I hope not," Jay said. Yeoman had entered the taproom silent as smoke, and before anyone even noticed him, he'd had a hunting arrow notched and ready. But Hiram Worchester had stepped in the way in righteous indignation, and Jay had gotten the drop on the guy. Suddenly Yeoman was gone in a pop of in-rushing air. Jay Ackroyd was a projecting teleport. When his right hand made a gun, he could pop his targets anyplace he knew well enough to visualize.

Only he'd sent that fucker Yeoman to the wrong damn place. "I had the sonofabitch dead to rights, Joe," he said. "I could have popped him right into the Tombs. Instead I sent him to the middle of the Holland Tu

It hadn't been what you call a deliberate, conscious decision; a lot of the time Jay just went on gut instinct. But if he'd been wrong that night, then Chrysalis had paid for it with her life. "I really need to see that file," he said.

Joe Mo made a sad little clucking sound. "Why, that file's up on the captain's desk; Jay. She sent down for it right away, soon as the squeal came in. Of course, I made a xerox before I sent it up. It always pays to make a xerox. Sometimes things get misplaced, and you don't want to lose any valuable documents." He blinked slowly, looked around. "Now where did I put that? It's a wonder I ever find anything, with my eyes."

The copies were on top of the xerox machine. Jay riffled through the folder, rolled up the papers and slid them under his blazer, replaced them with two twenties. "I'm sure you'll sniff them out," he said.

"If not," Joe said, with a wide pink smile, "I can always wait till the captain returns the originals, and xerox another set." He busied himself with some filing, but when Jay opened the door to leave, he called out quietly, "Popinjay." Jay looked back. "What?"

"Find the bastard," Joe Mo said. He took off his tinted specs, and his pale pink eyes implored. "All of us will help," he promised, and Jay knew he wasn't talking about the police.

As he drove down Route 17, alone, Bre

It wasn't, Bre

But sometimes at night he'd lie awake with Je

He buried the van in the Tomlin International parking lot and caught a taxi to Manhattan, where he took a room in a cheap but dirty hotel on the fringe of Jokertown. The first thing to do, he decided, was visit the Crystal Palace. He slipped on his mask for the first time in over a year and left the hotel carrying his bow case.