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The wind of the hawks' passing brought her back to consciousness long enough to hear their hunting screams. She felt blood drip onto her face before she was flung away. She was blind, but through the eyes of the ginger lying across the room, she saw her attacker driven back toward the window. The shattering glass showered her as he crashed through to plunge forty feet to the ground. Bagabond thought she felt the building rock when he hit, but she decided that it had to be a hallucination from the oxygen deprivation.

The ocelot and the wolf crawled contritely over to her and leaned against her to give her strength. She could feel the rats ru

"Girl, you got to take responsibility for yourself and what you are. I ain't goin' through this again. Not even for Jack. Either learn to use what you have or go live in a convent." Bagabond started to slide into the warm darkness again. She was not sure whether she had actually spoken to Cordelia or whether she had imagined it.

Rosemary was feeling increasingly afraid of the entire situation. Chris was up to something; she could feel it. She did not have to be a telepath like Bagabond to sense that she was in trouble. She had not seen any animals around her, not even a rat. It was not a good sign. Where the hell was Bagabond?

She deliberately slowed as she walked down the hallway. She tried to focus on her danger and use it. What was waiting for her in the filthy little room she was about to enter? Rosemary drew her own gun.

She tried the knob. The door was unlocked. She pushed it open onto the room and its occupant. The man who had been described to her as Croyd stood there, about to leave.

"Who the hell are you?" He was obviously surprised to see a woman. With the gun Rosemary gestured for him to sit back down on the iron-framed bed. She kept her back against the wall beside the door. "Christ, you're Maria Gambione!"

"I need to know what you actually found out." Rosemary leveled the gun on the man across the tiny room, holding it firmly just as she had always practiced. "You're not going anywhere."

Outside on the fire escape Chris waited for Rosemary to go down with the virus. Mentally he urged her to get closer to Croyd. He could not hear what they were saying. It did not matter as long as Croyd did to her what he had done to the capos. Chris knew Croyd had to have access to the virus somehow. Nothing else could have done that. Why didn't she close in?

He saw her gun go up. Croyd moved faster. Before Chris could get out of the way, Croyd had thrown the bedside lamp through the window and followed it out onto the fire escape. Chris scrambled backward, but in his haste to get away from Rosemary, Croyd was across the iron grating of the landing. Seeing Chris at last, Croyd tackled him and threw him down the next flight of steps. Chris gagged and tried to crawl away down the steps. A shot narrowly missed Croyd, and he clambered up the ladder two steps at a time.

Rosemary had frozen when Croyd went through the window. As the echoes of the crash rang through the flophouse, she heard her bodyguards coming for her. She followed Croyd out the broken window and saw him start up the fire escape. She fired at him more to keep him moving than to kill him. The only way out was down the escape. Chris was coughing and convulsing on the landing below her. As she heard her men break down the door behind her, she was ru

"Bastard!" she hissed at him as she left him behind. She was headed for the ground. She knew now that Chris's men would kill her on sight. It would take luck and fast moves, but there was just a chance she could lose the bodyguards and the men out front. It was her only chance.

Concerto for Siren and Serotonin

VI

Croyd took a taxi crosstown, then hiked a circuitous route to his Morningside Heights apartment. There were no lights on within, and he entered quickly and quietly, painkillers, antihistamines, psychedelics, and a five-pound box of assorted chocolates all gift-wrapped together in a gaudy parcel beneath his arm. He flipped on the hall light and slipped into the bedroom.

"Veronica? You awake?" he whispered.

There was no reply, and he crossed to the bedside, lowered himself to a seated position, and reached out. His hand encountered only bedclothes.

"Veronica?" he said aloud. No reply.





He turned on the bedside lamp. The bed was empty, her stuff gone. He looked about for a note. No. Nothing. Perhaps in the living room. Or the kitchen. Yes. Most likely she'd leave it in the refrigerator where he'd be certain to find it.

He rose, then halted. Was that a footstep? Back toward the living room?

"Veronica?" No reply.

Foolish of him to have left the door open, he suddenly realized, though there had been no one in the hallway… He reached out and extinguished the lamp. He crossed to the door, dropped silently to the floor, moved his head outside at floor level, and drew it back quickly.

Empty. No one in the hall. No further sounds either. He rose and stepped outside. He walked back toward the living room.

In the dim light from the hallway, as he rounded the corner, he beheld a Bengal tiger, and its tail twitched once before it sprang at him.

"Holy shit!" Croyd commented, dropping Veronica's present and leaping to the side.

Plaster shattered and fell as he caromed off the wall, an orange and black shoulder grazed him in passing, and he threw a punch that slid over the animal's back. He heard it growl as he leaped into the living room. It turned quickly and followed him, and he picked up a heavy chair and threw it as the beast sprang again.

It roared as the chair struck it, and Croyd overturned a heavy wooden table, raised it like a shield, and rushed with it against the animal. The tiger shook itself, snarling, as it batted the chair aside. It turned and caught the table's flat surface upon a smooth expanse of shoulder muscle. Then it swung a paw over the table's upper edge. Croyd ducked, pushed forward.

The big cat fell back, dropped out of sight. Seconds crept by like drugged cockroaches.

"Kitty?" he inquired. Nothing.

He lowered the table a foot. With a roar the tiger sprang. Croyd snapped the table upward, faster than he could remember ever having lifted a piece of furniture before. Its edge caught the tiger a terrible blow beneath the jaw, and it let out a human-sounding whimper as it was turned sideways and fell to the floor. Croyd raised the table high and slammed it down atop the beast, as if it were a giant flyswatter. He raised it again. He halted. He stared.

No tiger.

"Kitty?" he repeated. Nothing.

He lowered the table. Finally he set it aside. He moved to the wall switch and threw it. Only then did he realize that the front of his shirt was torn and bloody. Three furrows ran down the left side of his chest from collarbone to hip.

On the floor, a bit of whiteness…

Stooping, he touched the object, raised it, studied it. He held one of those little folded paper figures-origami, he remembered, the Japanese called them. This one was… a paper tiger. He shivered at the same time as he chuckled. This was almost supernatural. This was heavy shit. It occurred to him then that he had just fought off another ace one with a power he did not understand-and he did not like this a bit. Not with Veronica missing. Not with his not even knowing which side had sent the stranger ace to take him out.