Enter A Murderer

“That business with the gun went off all right, Felix,” Simpson said, “though I must say I was nervous about it. I hate a fake.”

“Was it all right from the front?” asked Surbonadier, turning to Nigel Bathgate.

“What do you mean?” asked Nigel. “What business with the gun?”

“My God, he doesn’t even remember it!” sighed Felix Gardener. “In the third act, my dear chap, I shoot the Beaver — Arthur — Mr. Surbonadier at close range and he falls down dead.”

“Of course I remember that,” said Nigel, rather nettled. “It was perfectly all right. Most convincing. The gun went off.”

“The gun went off!” screamed Miss Dulcie Deamer hilariously. “Did you hear him, Felix?”

“The gun didn’t go off,” said the stage manager. “That’s just the point. I fire another off in the prompt corner and Felix jerks his hand. You see, he shoots the Beaver at close range — actually presses the barrel of the revolver into his waistcoat, so we can’t use a blank — it would scorch his clothes. The cartridges that the Beaver loads his gun with are all duds — empty shells.”

“I’m damned glad you don’t,” said Arthur Surbonadier. “I loathe guns and I sweat blood in that scene. The price one pays,” he added heavily, “for being an actor.” He glanced at his uncle, Jacob Saint.

“Oh, for Heaven’s sake!” muttered J. Barclay Crammer in a bitterly scornful aside to Gardener.

“It’s your own gun, isn’t it, Felix?” he said aloud.

“Yes,” said Felix Gardener. “It was my brother’s— went all through Flanders with him.” His voice deepened. “I’m not leaving it in the theatre. Too precious. Here it is.” A little silence fell upon the company as he produced a service revolver and laid it on the table.

“It makes the play seem rather paltry,” said the author of the play.

They spoke no more of the gun.

On the morning of June 14th, when The Rat and the Beaver had run a week to full houses, Felix Gardener sent Nigel Bathgate two complimentary tickets for the stalls. Angela North, who does not come into this story, was away from London, so Nigel rang up Scotland Yard and asked for his friend, Chief Detective-Inspector Alleyn.

“Are you doing anything to-night?” he said.

“What do you want me to do?” said the voice in the receiver.

“How cautious you are!” said Nigel. “I’ve got a couple of seats for the show at the Unicorn. Felix Gardener gave them to me.”

“You do know a lot of exciting people!” remarked the inspector. “I’ll come with pleasure. Dine with me first, won’t you?”

“You dine with me. It’s my party.”

“Really? This promises well.”

“That’s splendid!” said Nigel. “I’ll pick you up at a quarter to seven.”

“Right you are. I’m due for a night off,” said the voice. “Thank you, Bathgate. Good-bye.”

“Hope you enjoy it,” said Nigel, but the receiver had gone dead.

At cocktail-time on that same day, June 14th, Arthur Surbonadier called on Miss Stephanie Vaughan at her flat in Shepheard’s Market and asked her to marry him. It was not the first time he had done so. Miss Vaughan felt herself called upon to use all her professional and personal savoir-faire. The scene needed some handling and she gave it her full attention.

“Darling,” she said, taking her time over lighting a cigarette and quite unconsciously adopting the best of her six by-the-mantelpiece poses. “Darling, I’m so terribly, terribly upset by all this. I feel I’m to blame. I am to blame.”

Surbonadier was silent. Miss Vaughan changed her pose. He knew quite well, through long experience, what her next pose would be, and equally well that it would charm him as though he were watching her for the first time. Her voice would drop. She would purr. She did purr.

“Arthur darling, I’m all nervy. This piece has exhausted my vitality. I don’t know where I am. You must be patient with me. I feel I’m incapable of loving anybody.” She let her arms fall limply to her sides and then laid one hand delicately on her décolletage for him to look at. “Quite incapable,” she added on a drifting sigh.

“Even of loving Felix Gardener?” said Surbonadier.

“Ah — Felix!” Miss Vaughan gave her famous three-cornered smile, lifted her shoulders a little, looked meditative and resigned. She managed to convey a world of something or another, quite beyond her control.

“It comes to this,” said Surbonadier. “Has Gardener”—he paused and looked away from her—“has Gardener cut me out?”

“My sweet, what an Edwardianism. Felix talks one of my languages. You talk another.”

“I wish to God,” said Surbonadier, “that you would confine yourself to plain English. I can talk that as well as he. I love you. I want you. Does that come into any of your languages?”

Miss Vaughan sank into a chair and clasped her hands.

“Arthur,” she said, “I must have my freedom. I can’t be closed in emotionally. Felix gives me something.”

“The hell he does,” said Surbonadier. He too sat down, and such was the habit of the stage, he sat down rather stagily. His hands shook with genuine emotion, though, and Stephanie Vaughan eyed him and knew it.

“Arthur,” she said, “you must forgive me, darling. I’m very attached to you and I hate hurting you, but— if you can — leave off wanting me. Don’t ask me to marry you — I might say ‘Yes’ and make you even more unhappy than you are now.”

Even while she spoke she knew she had made a false step. He had moved quickly to her side and taken her in his arms.

“I’d risk the unhappiness,” he muttered. “I want you so much.” He pressed his face into her neck. She shivered a little. Unseen by him her face expressed a kind of exultant disgust. Her hands were on his hair. Suddenly she thrust him away.

“No, no, no,” she said. “Don’t! Leave me alone. Can’t you see I’m sick of it all? Leave me alone.”

In all the “bad men” parts he had played Surbonadier had never looked quite so evil as he did at that moment.

“I’m damned if I’ll leave you alone,” he said. “I’m not going to be kicked out. I don’t care if you hate me. I want you, and by God I’ll have you.”

He took her by the wrists. She did not attempt to resist him. They stared, full of antagonism, into each other’s faces.

Distantly an electric bell sounded and at once her moment of surrender, if it had been a moment of surrender, was past.

“That’s the front door,” she said. “Let me go, Arthur.” She had to struggle before she could break away from him, and he was still beside her, in a state of rather blatant agitation, when Felix Gardener walked into the room.

CHAPTER II

“Overture and Begi

The stage door-keeper of the Unicorn glanced up at the grimy face of the clock—7.10. All the artists were snug in their dressing-rooms now. All, that was, except old Susan Max, who played an insignificant part in the last act and was given a bit of licence by the stage manager. Susan usually came in about eight.

Footsteps sounded in the alley outside. Old Blair uttered a kind of groaning sigh peculiar to himself, got creakily off his stool, and peered out into the warmish air. In a moment two men in evening dress stepped into the pool of uncertain light cast by the stage door lamp. Blair moved into the doorway and looked at them in silence.

“Good evening,” said the shorter of the two men.

“ ‘Evening, sir,” said Blair, and waited.

“Can we see Mr. Gardener, do you think? He’s expecting us. Mr. Bathgate.” He opened a cigarette-case and produced a card. Old Blair took it and shifted his gaze to the taller of the two visitors. “Mr. Alleyn is with me,” said Nigel Bathgate.

“Will you wait a moment, please?” said Blair, and holding the card in the palm of his hand as if he were rather ashamed of it, he walked off down the passage.