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Wallander knew immediately that it was somebody who'd arrived at the cafe***after him – he had a good memory for faces. He didn't hesitate, knowing he would just have to risk making a mistake. He hurried back through the smoky cafe***and out the door. Out in the street, he looked round, peering into doorways, but could see no one. Quickly he retraced his steps, turned into a narrow alley and ran as fast as he could until he emerged once more into the Esplanade. A bus was standing at a stop, and he managed to board it just before the doors closed. He got off at the next stop without having been asked for the fare, left the main road and went down one of the numerous alleys. He paused in the light from a street lamp to check the map. He still had some time, and he ducked into a dark entrance to wait. For the next 10 minutes nobody he judged to be a possible shadow went by. He knew he might still be being watched, but he reckoned he had now done all he could.
He reached the church just before 7 p.m. It was already quite full, but he found a space by one of the side aisles, and watched the people still streaming into the church. He couldn't see anyone who might be his shadow, and nor could he see Baiba Liepa.
The sound of the organ shocked him. It was as if the whole church was about to be shattered by the sheer power of the music. Wallander remembered an occasion when, as a child, his father had taken him to church. The organ music had frightened him so much that he'd burst into tears. Now, he recognised something soothing in the music. Bach has no homeland, he thought. His music belongs everywhere. Wallander let the music seep into his consciousness.
Murniers might have been the one who phoned Major Liepa. Something the major said when he got back from Sweden might have driven Murniers to silence him swiftly. Major Liepa might have been ordered to report for duty. He might even have been murdered at the police station itself.
He was suddenly shaken out of his train of thought by the sensation of being watched. He looked to either side of him but could see only faces concentrating on the music.
In the broad central choir all he could see was people's backs. He continued looking round until his gaze reached the aisle opposite.
There was Baiba Liepa, in the middle of a pew, amidst a group of old people. She was wearing her fur hat, and looked away once she was certain Wallander had recognised her. For the next hour he tried to avoid looking at her again, but now and then he couldn't resist glancing in her direction, and he could see she was sitting with her eyes closed, listening to the music. Wallander was overcome by a feeling of unreality. Only a few weeks ago her husband had been sitting on his sofa while they'd listened to Maria Callas singing in Turandot, with a blizzard raging outside the windows. Now he was in a church in Riga, the major was dead, and his widow was sitting with her eyes closed, listening to a Bach fugue.
She must know how we're going to get away from here, he thought. She chose the church as a meeting place, not me.
When the concert was over everyone stood up to leave immediately, and there was a bottleneck at the exit. The rush astonished Wallander. It was as if the music had never existed, and the congregation was trying to flee from a bomb scare. He lost sight of Baiba Liepa in the crush, and allowed himself to be carried along by the crowd. Just as he reached the porch, he caught sight of her in the shadows of the north transept. He saw her beckoning to him, and turned away from the throng of people elbowing their way towards the door.
"Follow me," she said. Behind an ancient burial vault was a narrow door, which she opened with a key bigger than her hand. They emerged into a churchyard, she looked around quickly, then hurried on through the decrepit headstones and rusty iron crosses. They left the churchyard through a gate into a back street, and a car with its lights off started its noisy engine, and they scrambled in. This time Wallander was certain the car was a Lada. The man behind the wheel was very young and smoking one of those extra-strong cigarettes. Baiba Liepa smiled quickly at Wallander, shy and uncertain, and they drove out into a wide main thoroughfare Wallander guessed must be Valdemar. They continued north, past a park Wallander remembered from the tour he'd made with Sergeant Zids, and then turned left. Baiba Liepa asked the driver something, and received a shake of the head by way of reply. Wallander noticed the driver checked his rear-view mirror constantly. They turned left again, and suddenly the driver accelerated and made a U-turn. They passed the park again, and Wallander was now sure it was the Verman's Park; then they drove back towards the city centre. Baiba Liepa was leaning forward in her seat, as if giving the driver silent instructions by breathing down the back of his neck. They went along Aspasias Boulevard, passed another of those deserted squares, and crossed a bridge whose name Wallander didn't know.
They came to a district of ramshackle factories and grim housing estates. They seemed to be going more slowly now; Baiba Liepa was leaning back in her seat, and Wallander assumed they were confident that nobody had managed to get on their trail.
Minutes later they drew up outside a rundown, two-storey building. Baiba nodded to Wallander, and they got out. She led him swiftly through an iron gate, up a gravel path, and unlocked a door. Wallander heard the car driving off behind them. He entered a hall that smelt faintly of disinfectant, noting that it was lit by just one dim bulb behind a red cloth shade, and it occurred to him that they could well be at the entrance to a disreputable nightclub. He hung up his thick overcoat, put his jacket over the back of a chair, then followed her into a living room where the first thing he saw was a crucifix hanging on one wall. She switched on some lights, and all at once she seemed quite calm. She signalled him to sit down.
Afterwards, long afterwards, he would be astonished to find he could remember nothing at all about the room in which he had his meetings with Baiba Liepa. The only thing that stuck in his memory was the black, metre-high crucifix hanging between two windows whose curtains were carefully drawn, and the lingering smell of disinfectant in the hall. But as for the worn armchair in which he sat, listening to Baiba Liepa's horrific story – what colour was it? He couldn't remember. It was as if they had talked in a room with invisible furniture. The black crucifix could just as well have been suspended in mid-air, held up by a divine force.
She had been wearing a russet-coloured dress which he later learned the major had bought for her in a department store in Ystad. She had put it on in order to honour his memory, she said, and she'd also thought it would be a reminder of the crime she herself had suffered through the betrayal and murder of her husband. Wallander did most of the talking, asking questions which she answered in her restrained voice.
The first thing they did was to do away with Mr Eckers.
"Why that particular name?" he had asked. "It's just a name," she said. "Maybe there is such a person, maybe not. I made it up. It was easy to remember." At first she spoke in a way that reminded Wallander of Upitis. It was as if she needed time to close in on the point she may well have been frightened of reaching. He listened attentively, afraid of missing any implied significance -something he had discovered was a feature of Latvian society, but she confirmed Upitis's account of the struggle that was taking place in Latvia. She spoke of revenge and hatred, of a fear that was slowly starting to lose its grip, of a post-war generation that had been suppressed. It seemed to Wallander that she was anti-communist, of course, anti-Soviet, one of the friends of the West that, paradoxically, the Eastern bloc countries had always managed to produce to give succour to their imagined enemies. Nevertheless, she never resorted to making claims she could not support by detailed argument. He realised afterwards that she was trying to get him to understand. She was his teacher, and she didn't want to leave him in ignorance about the circumstances that lay behind the current situation, that explained the events of which it was too soon to establish an overall view. He realised that he had been far too ignorant of what was really going on in Eastern Europe.