The Bourne identity

He was dying and he was ready. Get Carlos. Trap Carlos ... Kill Carlos! He could not get out; he knew that. Time was not on his side. The blood would drain out of him before it happened. The end was the begi

And with his death Marie would be free, his love would be free. Decent men would see to it, led by a decent man in Paris whose son had been killed on rue du Bac, whose life had been destroyed by an assassin’s whore. Within the next few minutes, thought Jason, silently checking the clip in the automatic weapon, he would fulfill his promise to that man, carry out the agreement he had with men he did not know. By doing both, the proof was his. Jason Bourne had died once on this day; he would die again but would take Carlos out with him. He was ready.

He lowered himself to a prone position and crept hands over elbows toward the top of the staircase. He could smell the blood beneath him, the sweet, bland odor penetrating his nostrils, informing him of a practicality. Time was ru

He uncoiled the waxed fuse from the small round recess in the flare head, brought it to his teeth and bit through the cord, shortening the fuse to less than an inch. He reached into his other pocket and took out a plastic lighter; he pressed it against the flare, gripping both in his left hand. Then he angled the rod and the brace of the weapon into his right shoulder, shoving the curved strip of metal into the cloth of his blood-soaked field jacket; it was secure. He stretched out his legs and, snakelike, started down the final flight of steps, head below, feet above, his back scraping the wall.

He reached the midpoint of the staircase. Silence, darkness, all the lights had been extinguished ...

Lights? Light? Where were the rays of sunlight he had seen in that hallway only minutes ago? They had streamed through a pair of french doors at the far end of the room--that room--beyond the corridor, but he could see only darkness now. The door had been shut; the door beneath him, the only other door in that hallway, was also closed, marked by a thin shaft of light at the bottom. Carlos was making him choose. Behind which door? Or was the assassin using a better strategy? Was he in the darkness of the narrow hallway itself?

Bourne felt a stabbing jolt of pain in his shoulder blade, then an eruption of blood that drenched the fla

He braced himself against the wall, the weapon leveled at the thin posts of the railing, aimed down into the darkness of the corridor. Now! He pulled the trigger. The staccato explosions tore the posts apart as the railing fell, the bullets shattering the walls and the door beneath him. He released the trigger, slipping his hand under the scalding barrel, grabbing the plastic lighter with his right hand, the flare in his left. He spun the flint; the wick took fire and he put it to the short fuse. He pulled his hand back to the weapon and squeezed the trigger again, blowing away everything below.

A glass chandelier crashed to a floor somewhere; singing whines of ricochets filled the darkness.

And then--light! Blinding light as the flare ignited, firing the jungle, lighting up the trees and the walls, the hidden paths and the mahogany corridors. The stench of death and the jungle was everywhere, and he was there.

Almanac to Delta. Almanac to Delta. Abandon, abandon!

Never. Not now. Not at the end. Cain is for Carlos and Delta is for Cain. Trap Carlos. Kill Carlos!

Bourne rose to his feet, his back pressed against the wall, the flare in his left hand, the exploding weapon in his right. He plunged down into the carpeted underbrush, kicking the door in front of him open, shattering silver frames and trophies that flew off tables and shelves into the air. Into the trees. He stopped; there was no one in that quiet, soundproof, elegant room. No one in the jungle path.

He spun around and lurched back into the hallway, puncturing the walls with a prolonged burst of gunfire. No one.

The door at the end of the narrow, dark corridor. Beyond was the room where Cain was born.

Where Cain would die, but not alone.

He held his fire, shifting the flare to his right hand beneath the weapon, reaching into his pocket for the second flare. He pulled it out, and again uncoiled the fuse and brought it to his teeth, severing the cord, now millimeters from its point of contact with the gelatinous incendiary. He shoved the first flare to it; the explosion of light was so bright it pained his eyes. Awkwardly, he held both flares in his left hand and, squinting, his legs and arms losing the battle for balance, approached the door.

It was open, the narrow crack extending from top to bottom on the lock side. The assassin was accommodating, but as he looked at that door, Jason instinctively knew one thing about it that Carlos did not know. It was a part of his past, a part of the room where Cain was born. He reached down with his right hand, bracing the weapon between his forearm and his hip, and gripped the knob.

Now. He shoved the door open six inches and hurled the flares inside. A long staccato burst from a Sten gun echoed throughout the room, throughout the entire house, a thousand dead sounds forming a ru

The firing stopped, a final clip expended. Now. Bourne whipped his hand back to the trigger, crashed his shoulder into the door and lunged inside, firing in circles as he rolled on the floor, swinging his legs counterclockwise. Gunshots were returned wildly as Jason honed his weapon toward the source. A roar of fury burst from blindness across the room; it accompanied Bourne’s realization that the drapes had been drawn, blocking out the sunlight from the french doors. Then why was there so much light ... magnified light beyond the sizzling blindness of the flares? It was overpowering, causing explosions in his head, sharp bolts of agony at his temples.

The screen! The huge screen was pulled down from its bulging recess in the ceiling, drawn taut to the floor, the wide expanse of glistening silver a white-hot shield of ice-cold fire. He plunged behind the large hatch table to the protection of a copper dry bar; he rose and jammed the trigger back, in another burst--a final burst. The last clip had run out. He hurled the weapon by its rod-stock across the room at the figure in white overalls and a white silk scarf that had fallen below his face.

The face! He knew it! He had seen it before! Where ... where? Was it Marseilles? Yes ... not

Zurich? Paris? Yes and no! Then it struck him at that instant in the blinding, vibrating light, that the face across the room was known to many, not just him. But from where? Where? As so much else, he knew it and did not know it. But he did know it! It was, only the name he could not find!

He spiraled back off his feet, behind the heavy copper dry bar. Gunshots came, two ... three, the second bullet tearing the flesh of his left forearm. He pulled his automatic from his belt; he had three shots left. One of them had to find its mark--Carlos. There was a debt to pay in Pa ris, and a contract to fulfill, his love far safer with the assassin’s death. He took the plastic lighter from his pocket, ignited it and held it beneath a bar rag suspended from a hook. The cloth caught fire; he grabbed it and threw it to his right, as he dove to his left. Carlos fined at the flaming rag, as Bourne spun to his knees, leveling his gun, pulling the trigger twice.