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Charlie walked up to the policemen, who saluted him. They were in fezes; and their rather fancy-dress uniform. This last thought did not occur to Charlie, who liked his natives either one way or the other: properly dressed according to their station, or in loincloths. He could not bear the half-civilized native. The policemen, picked for their physique, were a fine body of men, but they were put in the shade by Moses, who was a great powerful man, black as polished linoleum, and dressed in a singlet and shorts, which were damp and muddy. Charlie stood directly in front of the murderer and looked into his face. The man stared back, expressionless, indifferent. His own face was curious: it showed a kind of triumph, a guarded vindictiveness, and fear. Why fear? Of Moses, who was as good as hanged already? But he was uneasy, troubled. Then he seemed to shake himself into self-command, and turned and saw Dick Turner, standing a few paces away, covered with mud.
`Turner!' he said, peremptorily. He stopped, looking into the man's face. Dick appeared not to know him. Charlie took him by the arm and drew him towards his own car. He did not know he was incurably mad then; otherwise he might have been even more angry than he was. Having put Dick into the back seat of his car, he went into the house. In the front room stood Ivlarston, his hands in his pockets, in a pose that seemed negligently calm. But his face was pale and strained.
`Where were you?' asked Charlie at once, accusingly. 'Normally Mr Turner wakes me,' said the youth calmly.
`This morning I slept late. When I came into the house I found Mrs Turner on the verandah. Then the policemen came. I was expecting you.' But he was afraid: it was the fear of death that sounded in his voice, not the fear that was controlling Charlie's actions: he had not been long enough in the country to understand Charlie's special fear.
Charlie grunted: he never spoke unless necessary. He looked long and curiously at Marston, as if trying to make out why it was the farm natives had not called a man who lay asleep a few yards off, but had instinctively sent for himself. But it was not with dislike or contempt he looked at Marston now; it was more the look a man gives a prospective partner who has yet to prove himself.
He turned and went into the bedroom. Mary Turner was a stiff shape under a soiled white sheet. At one end of the sheet protruded a mass of pale strawish hair, and at the other a crinkled yellow foot. Now a curious thing happened. The hate and contempt that one would have expected to show on his face when he looked at the murderer, twisted his features now, as he stared at Mary. His brows knotted, and for a few seconds his lips curled back over his teeth in a vicious grimace. He had his back to Marston, who would have been astonished to see him. Then, with a hard, angry movement, Charlie turned and left the roam, driving the young man before him.
Marston said: 'She was lying on the verandah. I lifted her on the bed.' He shuddered at the memory of the touch of the cold body. `I thought she shouldn't be left lying there.' He hesitated and added, the muscles of his face contracting whitely: `The dogs were licking at her.'
Charlie nodded, with a keen glance at him. He seemed indifferent as to where she might be lying. At the same time he approved the self-control of the assistant who had performed the unpleasant task.
`There was blood everywhere. I cleaned it up.:. I thought afterwards I should have left it for the police.'
`It makes no odds,' said Charlie absently. He sat down on one of the rough wood chairs in the front room, and remained in thought, whistling softly through his front teeth. Ivlarston stood by the window, looking for the arrival of the police car. From time to time Charlie looked round the room alertly, flicking his tongue over his lips. Then he lapsed back into his soft whistling. It got on the young man's nerves.
At last, cautiously, almost warningly, Charlie said: `What do you know of this?'
Marston noted the emphasized you, and wondered what Slatter knew. He was well in control of himself, but as taut as wire. He said: `I don't know. Nothing really. It is all so difficult…' He hesitated, looking appealing at Charlie.
That look of almost soft appeal irritated Charlie, coming from a man, but it pleased him too: he was pleased the youth deferred to him. He knew the type so well. So many of them came from England to learn farming. They were usually ex-public school, very English, but extremely adaptable. From Charlie's point of view, the adaptability redeemed them. It was strange to see how quickly they accustomed themselves. At first they were diffident, though proud and withdrawn; cautiously learning the new ways, with a fine sensitiveness, an alert self-consciousness.
When old settlers say, `One has to understand the country,' what they mean is, `You have to get used to our ideas about the native.' They are saying, in effect, 'Learn our ideas, or otherwise get out: we don't want you.' Most of these young men were brought up with vague ideas about equality. They were shocked, for the first week or so, by the way natives were treated. They were revolted a hundred times a day by the casual way they were spoken of, as if they were so many cattle; or by a blow, or a look. They had been prepared to treat them as human beings. But they could not stand out against the society they were joining. It did not take them long to change. It was hard, of course, becoming as bad oneself. But it was not very long that they thought of it as `bad'. And anyway, what had one's ideas amounted to? Abstract ideas about decency and goodwill, that was all: merely abstract ideas. When it came to the point, one never. had contact with natives, except in the master-servant relationship. One never knew them in their own lives, as human beings. A few months, and these sensitive, decent young men had coarsened to suit the hard, arid, sun-drenched country they had come to; they had grown a new ma
If Tony Marston had been even a few more months in the country it would have been easy. That was Charlie's feeling. That was why he looked at the young man with a speculative frowning look, not condemning him, only wary and on the alert.
He said: `What do you mean, it is all so difficult?' Tony Marston appeared uncomfortable, as if he did not know his own mind. And for that matter he did not: the weeks in the Turners' household with its atmosphere of tragedy had not helped him to get his mind clear. The two standards – the one he had brought with him and the one he was adopting – conflicted still. And there was a roughness, a warning note, in Charlie's voice, that left him wondering. What was he being warned against? He was intelligent enough to know he was being warned. In this he was unlike Charlie, who was acting by instinct and did not know his voice was a threat. It was all so unusual. Where were the police? What right had Charlie, who was a neighbour, to be fetched before himself, who was practically a member of the household? Why was Charlie quietly taking command?
His ideas of right were upset. He was confused, but he had his own ideas about the murder, which could not be stated straight out, like that, in black and white. When he came to think of it, the murder was logical enough; looking back over the last few days he could see that something like this was bound to happen, he could almost say he had been expecting it, some kind of violence or ugliness. Anger, violence, death, seemed natural to this vast, harsh country… he had done a lot of thinking since he had strolled casually into the house that morning, wondering why every one was so late, to find Mary Turner lying murdered on the verandah, and the police boys outside, guarding the houseboy; and Dick Turner muttering and stumbling through the puddles, mad, but apparently harmless. Things he had not understood, he understood now, and he was ready to talk about them. But he was in the dark as to Charlie's attitude. There was something here he could not get hold of.