Mara and Dann

The candle that stood in a little shallow dish was sinking. Once it was out, Mara could not relight it. If she wanted to see she would have to slide the shutter along, but she was afraid of waking Daima. Then she saw a stick about the length of her finger near the candle, and she knew she must rub it on the wall to make a light if she needed one. She blew out the candle and rushed to her low bed where the slippery pads were.

It was completely dark. The dark seemed to be the same as the stuffiness. In her home Mara went to bed in a tall, light room open all around with windows, where she could pull the curtains back if she wanted and it was never really dark. The sky was always just there, outside, and the stars shone so brightly sometimes they woke her up.

Now Mara lay stiff, listening, alert with all of herself. This house was on the edge of the village. Not far away were some of the low, dry trees she had seen, and she ought to be hearing night noises: a bird perhaps, or the singing beetles who could go on all night when it was hot. But she could not hear anything. The air was heavy with the smell of the candle, and there was a little-child smell from where Da

Da

Later, this is what she remembered most when she tried to relive that time in her mind: the damp weight of the child, his face pressed into her shoulder, his clinging, and how her arms and then her back ached. And Daima watched and understood it all. Soon Daima would find ways of calling Da

Food was waiting on the table: bowls of the white lumps, this time with sour milk. Mara was begi

When they had finished, Mara asked, "May I see your house now?"

"Begin with this room."

Mara looked carefully around, and the first thing to notice was that there were no carvings on the rocks and no bright pictures. Over her head was thatch. It was a rough grass with some straws hanging down from it. All the blocks of rock were the same size, and smooth, and fitted together without the stuff that filled the spaces between the bricks she was used to. And they did fit, very well, but in some places there were cracks big enough to be useful, because the dish-lamp spike could go in. There were hooks, made of the same spikes bent, that had all kinds of things hanging on them: spoons and dishes and knives. All the things they used for eating were on the walls.

Mara went into the room she had slept in with Da

Da

"Is this a plant?" "A root."

"Does it grow around here?"

"It used to. Everyone grew it. Not now: we haven't had enough rain."

"Then where does this come from?"

"People bring it from the north and sell it to us."

"What if they don't come?"

"Then we would be very hungry," said Daima.

Suck, suck, suck. The sound was driving Mara quite wild with dislike of it, an irritation that made her want to hit her little brother, and she was ashamed of herself and began to cry. She had hardly cried all this time. Crying, she went to the enormous wooden chest. She could just lift the lid. Inside were clothes of the kind they wore at home: delicate, light coloured tunics and trousers and scarves. They were made from the plants she had seen growing before everything got so dry, or of the stuff worms made. Because she was crying, and she knew her hands were dirty, she did not touch them; but she wanted to plunge her hands into the clothes, or stroke them, then throw off the nasty brown thing she was wearing and put on these. She stood by the big chest looking, and wanting, and crying, and listening to how her little brother sucked his thumb. Then Daima took the thumb out of Da

Mara thought, Poor Daima, with two crying children, and stopped crying.

She wiped her hands carefully on her tunic and just gently stroked the robe that lay on top. It was a soft, glowing yellow. As she stroked, she thought that at home these clothes were in the big chests because they were precious and must be looked after. She knew now that these were carefully kept clothes from the past, and no one expected to have new ones.

She let the lid of the chest drop on the yellow, and looked at the grey rock all around. There were no pictures on these walls.

On a rock shelf lay bundles of the brown garments, lying anyhow. You couldn't hurt them no matter what you did.

She went to a door, this time a slab of rock in a groove, but it was too heavy for her, and Daima slid it aside. Dark — or almost, because light came in from the floor candles next door. This room was empty, but on the walls were the broken up pictures, like the brightly coloured ones on the hard, white stuff.