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"How far is it from here?"

"In the old days, by sky skimmer, half a day. Walking, six days."

"We came part of the way with a cart bird. But it got tired and stopped." And now Mara's eyes filled and she said, begi

"I think you are tired. I'm going to put you to bed."

Daima took Mara into an i

Daima showed Mara which shelf to use and a little rock room that was the lavatory and said, "I shall lie down for a little too. Don't take any notice when I get up." And she lay down on a shelf that had pads on it to make it soft, and seemed to be asleep.

Mara on her rocky shelf, which was hard in spite of the pads, was far from sleeping. For one thing she was worrying about Da

Daima was old. She was like Mara's grandmothers and grand-aunts. She had the same glossy, long, black hair, streaked all the way to the ends with grey, and her legs had knots of veins on them. Her hands were long and bony. Mara suddenly thought, But she's a Person, she's one of the People, so what is she doing here in a rock village?

Now Mara knew she wouldn't sleep. She sat up and looked carefully around her. A big floor candle made a good, steady light she could see nearly everything by. These walls were made of big blocks of rock. They were smooth, and she could see carvings on them, some coloured. These walls were not like the ones in the other rock house, whose walls had been rough. Overhead, the big stone columns that held up the stone slabs of the roof had carvings on them. There were shelves made of rock, and in the corner a little room, sticking out, and opposite that a door into an i

Now Mara was sitting up, arms on her knees, and she had never thought harder in her life.

At home there was a game that all the parents played with their children. It was called, What Did You See? Mara was about Da

At first she chattered: "I played with my cousin. I was out with

Shera in the garden. I made a stone house." And then he had said, "Tell me about the house." And she said, "I made a house of the stones that come from the river bed." And he said, "Now tell me about the stones." And she said, "They were mostly smooth stones, but some were sharp and had different shapes." "Tell me what the stones looked like, what colour they were, what did they feel like."





And by the time the game ended she knew why some stones were smooth and some sharp and why they were different colours, some cracked, some so small they were almost sand. She knew how rivers rolled stones along and how some of them came from far away. She knew that the river had once been twice as wide as it was now. There seemed no end to what she knew, and yet her father had not told her much, but kept asking questions so she found the answers in herself. Like, "Why do you think some stones are smooth and round and some still sharp?" And she thought and replied, "Some have been in the water a long time, rubbing against other stones, and some have only just been broken off bigger stones." Every evening, either her father or her mother called her in for What Did You See? She loved it. During the day, playing outside or with her toys, alone or with other children, she found herself thinking, Now notice what you are doing, so you can tell them tonight what you saw.

She had thought that the game did not change; but then one evening she was there when her little brother was first asked, What Did You See? and she knew just how much the game had changed for her. Because now it was not just What Did You See? but: What were you thinking? What made you think that? Are you sure that thought is true?

When she became seven, not long ago, and it was time for school, she was in a room with about twenty children — all from her family or from the Big Family — and the teacher, her mother's sister, said, "And now the game: What Did You See?"

Most of the children had played the game since they were tiny; but some had not, and they were pitied by the ones that had, for they did not notice much and were often silent when the others said, "I saw.", whatever it was. Mara was at first upset that this game played with so many at once was simpler, more babyish, than when she was with her parents. It was like going right back to the earliest stages of the game: "What did you see?" "I saw a bird." "What kind of a bird?" "It was black and white and had a yellow beak." "What shape of beak? Why do you think the beak is shaped like that?"

Then she saw what she was supposed to be understanding: Why did one child see this and the other that? Why did it sometimes need several children to see everything about a stone or a bird or a person?

But the lessons with the other children stopped. It was because of all the trouble going on, and people going away, for every day there were fewer children, until there were only Mara and Da

Then there were no lessons, not even with the parents, who were silent and nervous and kept calling the children indoors; and then... there was the night when the parents were not there and she and Da

She kept trying to put herself back into standing in front of Gorda while he was telling her things and she couldn't listen, but all she could see was that tired face of his, all bones, the eyes red with wanting to sleep, his mouth with the grey scum at the corners. He was so thin — just like the cart bird. He was not far off dying, Mara realised. Perhaps he was dead by now? And her parents? He had been telling her about her parents.

And now this place, this village. Rock People. In it a Person. She was sheltering them and she was afraid someone would come after them, but why would they want to? Why were Da

And as she puzzled over this, the child's head fell on to her knees and she slid sideways and slept. And then Daima was bending over her and she could hear her brother's voice, "Mara, Mara, Mara."

There was a strong yellow glare beyond the window square. It must be the middle of the day. Outside now no voices, no people moving. Time to hide from the sun. It was cool in this room. Mara sat up quickly because of the shrillness of the little boy's "Mara, Mara," and was off the rock bed or shelf, and next door, as he rushed at her, nearly knocking her over — "Mara, Mara." All the fear of the past few days was in his face and his voice and she picked him up and carried him to the rock couch, laid him down and lay beside him. Daima was sitting at the rock table watching how Mara handled the child, "There, it's all right, it's all right," over and over, while Da

Daima said, "Try to make him cry more quietly." And Da