The Surrendered

“I suppose so.”

“You are a good friend, then,” Bruno said.

“No, not a good friend.”

Bruno nodded curiously. He had a fu

On the way to the main square they passed smaller squares and side streets completely taken over by the contrade. It was as if circus gangs and their families had overrun the town. They were making preparations for tomorrow’s race, making ba

Hector thought back to certain summer days in Ilion, though those would too often end not in shared song but shouts and strife: a scene of mostly company families picnicking at the river park, the men playing baseball with a keg of beer stationed by first base, the mothers cheering hotly between gulps of their shandies and lemonades, all of it peppy and happily competitive until some red-faced lout (sometimes Jackie Bre

“How long will you be visiting?” Bruno asked.

“Just today.”

“You will not witness the race?”

“No.”

“The Palio is a spectacle, something not to be missed. This time it is a special one, as I indicated, a commemoration of the Comune. But I understand. The lady you are traveling with, she is not in good health.”

“That’s right.”

“My family is close-acquainted to the best general physician of our city. He practiced in Milano.”

“Don’t sweat it.”

“It is no issue. I will telephone him, whenever she needs.”

“She doesn’t need anything,” Hector said. “Not anymore. That’s it, okay?”

Bruno nodded. They had reached the large main square, which suddenly opened up from the shadowed narrow street in a brilliant wash of light. Roving hawkers peddled guidebooks and souvenirs, drinks and snacks. The antiques shops in the square that Bruno suggested were open and crowded with customers, but the proprietors, both of whom seemed to know Bruno, or at least recognized him as a local, had no reaction to the photograph he showed them. As they departed the second shop the owner eyed Hector at length, with a kind of pitying disdain, as if he were some sad sack of a parent futilely searching for someone who was no doubt wayward from very early on.

Next they went to a shop just outside Il Campo, on the way toward the duomo on the Via di Città; here the proprietor told Bruno that a young foreigner had recently inquired about working there. But hers was a smaller shop than those in the main square and she only needed help on Saturdays, and the young man, whom she remembered as confident and vaguely Oriental-looking, had asked her if there was another antiques dealer who could use an English-speaking helper. She had pointed him to a specialty dealer on the western end of town, a new high-end gallery that catered to wealthy tourists and whose owner was not a Sienese, and thus perhaps in need of a manager. It was near another famous church of the city, the Basilica di San Domenico, and though Bruno didn’t know of it he decided they should go there; if it was unfruitful they could easily loop up and stop back at the residenza, to check on the lady, before trying the last few neighborhoods on the eastern side of town. Barring all that, tonight they could visit the nightclubs and coffeehouses that were popular with students and younger people; if Nicholas were indeed in Siena he would likely be out on the eve of the race.

The shop was a new glass-façade gallery across the street from the small plaza in front of the basilica. Three large oil paintings hung in the front display, tame, Impressionist-style landscapes of the Tuscan countryside. They had to push a buzzer to be admitted, and after a moment Bruno pressed again and a pretty, bespectacled young woman dressed in a tailored gray suit and white blouse appeared at the desk and let them in. The gallery was large and double-winged, as it took up the ground-floor retail space on either side, the central room a sculpture and jewelry gallery, with the wings devoted to modern and antique furniture on one side and paintings on the other. The young woman immediately took Hector for a tourist (his new shirt and trousers, no doubt) and introduced herself in perfect English as Laura, and Bruno briefly explained (also in English) why they were there. They showed her the old middle-school photograph. She examined the picture, the scantest ripple crossing her face, and when Bruno asked her again if she knew such a person she said that there was a young Englishman who was recently hired.

“You mean here?”

“Yes.”

“What is his name?” Bruno asked.

“What do you want with him?” she said, her voice suddenly less friendly. “Has he done something wrong?”

“This man is aiding a lady who seeks him. She is his mother.”

“I see,” she said, this time inspecting Hector carefully. “His name is Nick Crump.”

They both looked at Hector and he acknowledged he was the one. But he was unsettled by how quickly they located him: it was as though Nicholas were hoping to be found, making no effort to obscure his trail. At the other shops Hector thought he was prepared to come upon him, but now his natural impulse was to turn and head for the street, to get out of there before any serious complications set in, everything having revved up too rapidly to full, messy speed. Bruno asked if he was working today and Laura said he was out delivering a purchase to a hotel. He would be back soon enough. They each looked after the gallery four days a week, overlapping one day; “Nick” had apparently taken the semester off from graduate study in art history in Bologna. Somewhat coolly she asked Hector how he knew his mother, and if he lived in London as well. He didn’t know how he should answer, as she clearly had a more intimate interest than just that of a fellow employee. He could only manage to say he was a family friend. But he muttered it lamely and she wasn’t impressed.