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“No.”
“So you can understand. You agree.”
Hector didn’t disagree.
“Good. I want to say now, too, that in my view everything is conditional. My hope is that from this point on I’ll be persuaded otherwise. You’re a very young man, with your entire life ahead of you. I don’t know what happened to you before or during the war, or what you think this life now holds for you. But I would say you have the posture of someone awaiting the inevitable. Or even inviting it. I am sure that there is no worse sin than the one a man can perpetrate on himself.”
For the next few weeks Hector kept fast to his work. It wasn’t to try to impress Ta
At meals he took his bowl of rice and soup back to his quarters, drinking his PX whiskey in private as well. He had stopped going into Seoul. He mostly avoided the children. With the excuse of what had happened to Min he disbanded the firewood detail, doing the gathering himself. It was not that he felt chastised or shamed by what Ta
At the army base he was able to find an old stove and collect enough boards and plywood to make four benches for the space between the dorm rooms. He would have to wait to make the four others they would need. It was too narrow for a middle aisle, so the benches would have to stretch almost to the side walls to be able to seat all the children. Unlike the roof work, it was more meticulous than strenuous, but he found himself drawn to it anyway, saving the very end of each day for the job. With a hacksaw he cut out from the plywood sheets that would form the ends, at first plain square supports for the long boards of the benches. But after the first one, he decided to cut a simple curve along the top edge; the squared-off ones, veneered in a light-hued pine, looked too much like the ends of little coffin boxes for his comfort. Because it was plywood it was difficult to plane the edge without badly splintering the sheet, so he used a sanding block instead to null the roughness. He would sit outside his quarters working the edges in the twilight, the smell of the wood a little miracle of freshness, of released former life, and he didn’t care if some of its dust drifted into his tin mug of whiskey. Even though all this was due to Reverend Ta
After he finished all the end pieces, he cut out notches for the long boards, which he had sanded as well, and then nailed two-by-fours underneath for the cross-bracing to support blocks in the middle. The back-less benches were somewhat crude, for he was no artisan, but he had skill enough from a summer job as a carpenter’s assistant to construct them to sit sturdily and in balance. He had intended to stain them, but he could get only free paint (no primer) from the base quartermaster and the paint came only in gray, flat, mute gray, and after the first swath the lifeless hue stopped his hand.
“It looks all right to me,” he heard behind him. It was Sylvie Ta
“You must like rain clouds,” he mumbled. “Or battleships.”
“Maybe rain clouds,” she said, taking the wide brush from him. She dipped it into the can and dabbed the excess from both sides on the inside rim and added three strokes to his, painting a section the width of the board. Her motions were lengthy, voluminous, almost flamboyant. “There. You see, it’s not so bad.”
“I doubt your husband will like it.”
“Why do you say that?”
“He’s not a fan of me. I don’t care, but I’m just saying.”
“I know you don’t care,” she said, surprising him. Her eyes, which she visored with her hand, were remarkably large and dark, even in the daylight, her pupils seeming to push out nearly all the sea green around them. He was trying not to look at her, but he kept failing. “Besides, I wouldn’t be so sure. He admires all the work you’ve been doing, this project especially. As do I.”