The Other Wind

"The princess," he said blankly.

"She has a name. I can't tell it to you, since she believes you might use it to destroy her soul."

He scowled.

"In Hur-at-Hur there are dragons. Small, she says, and wingless, and they don't speak. But they're sacred. The sacred sign and pledge of death and rebirth. She reminded me that my people don't go where your people do when they die. That dry land Alder tells of, it's not where we go. The princess, and I, and the dragons."

Leba

"I know only what the princess told me, or reminded me. I'll speak with Tehanu about these things tonight."

He frowned, pondering; then his face cleared. He stooped and kissed Tenar's cheek, bidding her good night. He strode off and she watched him go. He melted her heart, he dazzled her, but she was not blinded. "He's still afraid of the princess," she thought.

The throne room was the oldest room in the Palace of Maharion. It had been the hall of Gemal Sea-Born, Prince of Ilien, who became king in Havnor and of whose lineage came Queen Heru and her son Maharion. The Havnorian Lay says:

A hundred warriors, a hundred women sat in the great hall of Gemal Sea-Born at the kings table, courtly in talk, handsome and generous gentry of Havnor, no warriors braver, no women more beautiful.

Around this hall for over a century Gemal's heirs had built an ever larger palace, and lastly Heru and Maharion had raised above it the Tower of Alabaster, the Tower of the Queen, the Tower of the Sword.

These still stood; but though the people of Havnor had stoutly called it the New Palace all through the long centuries since Maharion's death, it was old and half in ruins when Leba

Through the brief false dynasties and the Dark Years of tyrants and usurpers and pirate lords, through all the insults of time and ambition, the throne of the kingdom had stood at the end of the long room: a wooden chair, high-backed, on a plain dais. It had once been sheathed in gold. That was long gone; the small golden nails had left rents in the wood where they had been torn out. Its silken cushions and hangings had been stolen or destroyed by moth and mouse and mold. Nothing showed it to be what it was but the place where it stood and a shallow carving on the back, a heron flying with a twig of rowan in its beak. That was the crest of the House of Enlad.

The kings of that house had come from Enlad to Havnor eight hundred years ago. Where Morred's High Seat is, they said, the kingdom is.

Leba

To which some said the king had replied, "What is a kingdom without the barns that feed it and the farmers to grow the grain?" Others said he had replied, "Is my kingdom gauds of gilt and velvet or does it stand by the strength of wood and stone?" Still others said he had said nothing except that he liked it the way it was. And it being his royal buttocks that sat on the uncushioned throne, his critics did not get the last word on the matter.

Into that stern and high-beamed hall, on a cool morning of late summer sea fog, filed the King's Council: ninety-one men and women, a hundred if all had been there. All had been chosen by the king, some to represent the great noble and princely houses of the I

All these councilors the king had chosen. At the end of two or three years he would ask them to serve again or send them home with thanks and in honor, and replace them. All laws and taxations, all judgments brought before the throne, he discussed with them, taking their counsel. They would then vote on his proposal, and only with the consent of the majority was it enacted. There were those who said the council was nothing but the king's pets and puppets, and so indeed it might have been. He mostly got his way if he argued for it. Often he expressed no opinion and let the council make the decision. Many councilors had found that if they had enough facts to support their opposition and made a good argument, they might sway the others and even persuade the king. So debates within the various divisions and special bodies of the council were often hotly contested, and even in full session the king had several times been opposed, argued with, and voted down. He was a good diplomat, but an indifferent politician.

He found his council served him well, and people of power had come to respect it. Common folk did not pay much attention to it. They centered their hopes and attention on the king's person. There were a thousand lays and ballads about the son of Morred, the prince who rode the dragon back from death to the shores of day, the hero of Sorra, wielder of the Sword of Serriadh, the Rowan Tree, the Tall Ash of Enlad, the well-loved king who ruled in the Sign of Peace. But it was hard going to make songs about councilors debating shipping taxes.

Unsung, then, they filed in and took their seats on the cushioned benches facing the uncushioned throne. They stood again as the king came in. With him came the Woman of Gont, whom most of them had seen before so that her appearance caused no stir, and a slight man in rusty black. "Looks like a village sorcerer," a merchant from Kamery said to a shipwright from Way, who answered, "No doubt," in a resigned, forgiving tone. The king was loved also by many of the councilors, or at least liked; he had after all put power in their hands, and even if they felt no obligation to be grateful to him, they respected his judgment.

The elderly Lady of Ebea hurried in late, and Prince Sege, who presided over protocol, told the council to be seated. They all sat down. "Hear the king," Sege said, and they listened.